Thank You for a Great Year

This is my last blog post of the year and I am sitting here feeling full of gratitude and pride. It was a year ago that I sat with my family drinking hot chocolate and mochas in a local coffee shop and we each wrote down our goals for the year. 

During the preceding week I had made the decision to spend two years seriously writing an epic fantasy series and building a platform to promote my work. I had written rough drafts of At The Walls Of Galbrieth and The First Decree, and my boys had an expectation that, as in the preceding two summer vacations, I would have a manuscript to read around the campfire in another six months. Now I was ready, for the first time, to lay out a plan.

Twelve months later and I am amazed how everything steadily came together. I feel a bubble of energy and support steadily moving me forward, and I have a lot to be thankful for.

Wycaan Master 1 Just Front CoverAt The Walls Of Galbrieth was published by Tourmaline Books in November. After a professional edit, beautiful cover and excellent formatting, both my boys and I feel immense pride as we hold the book in our hands.

The First Decree is nearing publication. The finished manuscript and equally impressive cover is in the hands of the formatters and hopefully less than two months from publication.

Elfwriter – my fantasy blog has been around for a year and has attracted a steady group of equally passionate and committed group of epic fantasy connoisseurs. I love your comments and the highest compliment is when you send a blog post on to friends.

Almost 20,000 people are following @elfwriter on twitter and the blog. Many retweet or favor a blog post. People often comment with their own experiences or when a post has touched them. I treasure these moments as we build a community together.

I want to thank the Berkeley Writer’s Group who, while most do not read fantasy, nonetheless offered each week advice and guidance. There is so much that can be said about a group who are simply meeting to support each other. I hope I was able to contribute and help them as I received their support.

The First Decree AxeA large part of my success is due to the support of a team of amazing professionals. Monica Buntin is not just an editor, she is a teacher. She will continue to explain some grammatical point until I get it (and that can require quite a bit of patience!). She has the tact and foresight to see flaws in the story and convey them in a way that will push me to correct and tighten.

William Kenney, an accomplished fantasy author in his own right, has designed two masterful book covers. How he takes the jumble of description that I send him and conveys it into a work of art that far exceeds my vision, is beyond me.

Jeny Reulo and the folks at Fast Fingers will not compromise in their commitment to create the perfectly formatted book, whether in e- or tree book format. It is a pleasure to peruse the interior design of my book.

A full circle – and my deepest thanks is to my family who suffer the author who slips into another world, where the quest to free the races of Odessiya often take precedence over the dirty dishes and the laundry whose destiny to be folded and put into drawers often takes longer than training a Wycaan elf!

Finally thank you to all who read my books and blog posts, who retweet and favor, who comment and point out mistakes, who offer guidance and advice, who are part of an extended family, enjoying the ride together.

Looking back over the past year offers a great degree of pride and satisfaction. But the best part is to turn into the wind and see the year that is before us:

* The First Decree will be released in the first third of 2013.

* Ashbar will hopefully be ready in the fall.

* Elfwriter.com will  pass its 100th blog post.

* @elfwriter will advance with 25,000 follower of epic fantasy.

The First Decree-hi resolution

Life is a journey and while we each walk our own paths, our lives are enriched when our we walk together.

To noble quests, elf bows that never miss their mark, a free Odessiya, Wycaan Masters, and most important, to good friendships around the fire, quaffing ale and smoking pipes of healthy pipe weed and telling wonderful stories.

Wishing you a year of health, happiness and friendship. Thank you for being a part of my journey.

Alon Shalev – elfwriter

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Alon Shalev is the author of At The Walls of Galbrieth, Book 1 of The Wyccan Master series, which reached the Quarter Finals of the Amazon Breakthrough Novel Award 2012, released by Tourmaline Books. The First Decree, the sequel is due out in early 2013. Shalev is also the author of three social justice-themed novels: Unwanted Heroes, The Accidental Activist and A Gardener’s Tale. More on Alon Shalev at http://www.alonshalev.com and on Twitter (@elfwriter).

A Tribute To Editors

No blog post this weekend. 

Yesterday, I received the manuscript to At The Walls of Galbrieth back from my editor. Like many authors, I thought I had sent her a pretty clean story. I had gone over it several times myself, had it scrutinized by the venerable Berkeley Writers Group, and put it through the laundry with softener (I think you get my point).

At first, I was a bit dismayed to see all those little boxes in ‘Track Changes’ fighting each other for space along the right-hand side of my page. But after following and accepting her changes for the first three chapters, I am in awe of what an impact the eye of an independent professional can have, how much s/he can discern, how a few changes can add such clarity.

My last novel, The Accidental Activist, is a social justice-themed novel that fictionalized the McDonalds libel trial in England in the 1990′s. To show how thwarted and depressed my protagonist felt, I had used an English soccer game of my favorite team, Arsenal, as an analogy. My editor had written to me and, while expressing that she did not follow soccer, had researched a bit and thought that I could use an actual game from 2004. She had been right. The game was perfect.

With Tourmaline Press working hard with a gifted cover artist in St. Louis, an ISBN number (or three) assigned to the book, everything is taking shape.

On Friday, I wrote the dedication at the front of the book with tears in my eyes. But that is a story for another time.

This update is just to let you know why there is no blog post this weekend. Here let me click the button…. Okay – posted!

Happy Columbus / Indigenous Peoples Day,

Elfwriter

p.s. – didn’t think pictures of editors would be too exciting – and this is a genre with such great images. So here are some of my favorites.

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written three epic fantasy novels and the first, which reached the Quarter Finals of the Amazon Breakthrough Novel Award 2012, is due out in January 2013 by Tourmaline Press. More on Alon Shalev at http://www.alonshalev.com and on Twitter (@elfwriter).

I Didn’t Make The Cut

I’m bummed. This week 50 writers saw their manuscripts advance to the Semi-Final stage of the Amazon Breakthrough Novel Award – YA category. My humble offering – Wycaan Master – was not one of them. It reached the Quarter-Final, ahead of a few thousand others, but…

In an odd sense of timing, I will finish reading the 95,000 word epic fantasy story to my writer’s group. They stuck with me over the past 18 months though none (until the last couple of months) read or are interested in fantasy. Thank you – Berkeley Writers Group.

Either you think epic fantasy is alive and thriving (Tolkien, Terry Brooks, R.A. Salvatore etc.,) or you think the only fantasy that sells is high concept – Harry Potter, The Hunger Games…

It is hard writing in two genres – social justice-themed novels reflect my lifestyle and values. Young-adult fantasy was inspired by a writing project with my preteen son and has been a lot of fun. But they serve two separate target audiences and I maintain a separate blog and twitter account.

I have to admit, I’ve arrived at a junction. I have not only sweated over a first YA fantasy manuscript, but completed a second, and am 30,000 words into a third. It is  a series and I must admit: I’m kind of hooked on it.

I want to see how my young heroes (and villains – who I am also quite attached to) grow. Will the races of Odessiya unite? What is the Emperor’s secret power that enables him to keep winning? Will shy Seanchai and his guide, Ilana, ever hook up?

As a reader becomes hooked on a series and feels compelled to read through to the end, I have discovered that so can an author become ensnared. It might well be an issue of not writing an outline and having faith in the story evolving, but I need to discover what happens in the world I’ve created.

Even if I didn’t make the cut.

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written two fantasy novels and the first reached the Quarter Finals of  the Amazon Breakthrough Novel Award as of March 2012. More on Alon Shalev at http://www.alonshalev.com/and on Twitter (@elfwriter).

What is The Future of Epic Fantasy?

I have mentioned in past posts that I am seeking to differentiate my novel from other epic fantasy series. I am being continually told by those insiders that every descent agent and publisher has five hundred manuscripts on their groaning desks about swords and quests and good .v. evil. Apparently these agents groan whenever an elf is mentioned (especially if s/he is tall, thin, loves nature etc.).

At the Berkeley Writers critique group, visitors often ask: what differentiates this from Lord of the Rings?

All this begs the question: what is the future of epic fantasy?

Is it okay to accept that there are certain conventions that are timeless? Are dwarfs small and stout, brave and ready for a rumble? Is it okay that they are miners and love to live underground?

Gimli - plenty of blades, no razor

Here are 10 basic ingredients that need to be questioned:

1) There is the good guy (or gal) and the bad one. The goods is the underdog, the bad is all-powerful, though hopefully will fall in the end.

2) Magic – the hero/heroine has something special about them that gives them a chance to win.

3) There is a teacher who mentors the hero/heroine.

4) The dwarfs are stereotypical – see above.

5) The elves are tall, beautiful, healers, wicked with the bow and arrows and…

6) Romance

7) Everything takes place in New Zealand-type environment.

8) There is a lot of walking about.

9) Swords, bows and arrows, lots of insignificant people dying.

10) Long novels, preferably in series form, with huge potential for movies.

Journeys that never end...

I have mentioned the high-concept challenge in earlier posts. The idea is to have something that is unique, that separates your fantasy novel from the rest. Enter Harry Potter and Hunger Games. 

And yet, we come back for more. A new novel from Terry Brooks or R.A Salvatore has us salivating. Christopher Paolini’s final book of the Inheritance series was eagerly awaited, and we all know when we are going to see the Hobbit movie even if we haven’t booked our summer vacations or filed our taxes.

When I mentioned the higher concept to a woman who has been reading my manuscript, she baulked. As long as there is a strong plot, a few twists, memorable characters, and a high level of writing, she said, a novel will always stand out from the rest.

The question is: Are the essential epic fantasy novel ingredients timeless? When Tolkien first created Middle Earth, did he set in motion a genre that will endure into the 21st Century?

The Master

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written two fantasy novels and the first has been entered into the Amazon Breakthrough Novel Award in January 2012. More on Alon Shalev at http://www.alonshalev.com/and on Twitter (@elfwriter).

Why Fantasy? Another Perspective

Last weekend, I shared some comments from adults explaining why they read fantasy. A friend sent me this article by Lev Grossman, author of “The Magicians” and the recently released “The Magician King.”

The Magicians - Lev Grossman

In the article, Grossman talks about the excitement generated by the release of George R.R. Martin’s “A Dance With Dragons.”

“The book has brought with it, along with the feverish excitement of fans like myself, a whiff of burning insulation. There’s a cultural short circuit happening somewhere in the system.”

What I believe is creating the stir is the fact that while Mr. Martin’s work is clearly fantasy, it does not adhere to the formulas of such leaders as J.R.R. Tolkien and C.S. Lewis. Martin includes a fair helping of blood and sex in his continent of Westeros than the Pevensie children ever saw in Narnia. Something has changed.

Grossman shares his frustration at the perception that fantasy is for children and adults who are in denial that they are adults and seeking some escapism. “I see it all the time. I’ll be at a dinner party, and the person next to me asks me what I do. I’m a novelist, I’ll say, and a little light of hopeful interest kindles in their eyes. What kind of novels do you write? the dinner guest asks. And I reply: fantasy novels. And just like that, the little light of hopeful interest dies away.”

This story really resonates with me. Every week at the Berkeley Writers Group, I meet new people and introduce myself as an author of political fiction. Then when I prepare to read my weekly offering, I apologetically explain that I wrote a fantasy novel with my eldest son. All true of course, but I am conscious that I feel the need to justify. Why is this?

Lev Grossman

Grossman goes on to say: “It hasn’t always been this way. There was a time when adults read fantasy with impunity. The classical literature of Greece and Rome is so fantastical that you can’t swing a cat without hitting a god or a witch or a centaur, and chances are the cat will turn out to be somebody’s long-lost son-in-law in transfigured form.”

Right on! Stephen Wenster backs him up by asking where “would Shakespeare have been without fantasy—his spirits, his ghosts and the witches three of Macbeth?”

Apparently fantasy, without being labeled as a genre was prominent throughout literature history: “Where would Spenser’s “Faerie Queene” be without fairies? Where would Shakespeare have been without fantasy—his spirits, his ghosts, and his proto-Orc Caliban, the misshapen villain of “The Tempest”? You can’t have Macbeth without the witches three. Apart from everything else, who would have handled all that crucial exposition of the play’s plot?”

Absolutely!

Grossman, who holds a PhD in Comparative Literature, claims the downfall began around the time of Samuel Johnson. Perhaps this was the time that the advent of science meant they actually began to believe that ghosts and magic really didn’t exist.

Again, Lev Grossman: “A fascination with the here and the now and the real set in. This was the moment when the novel arose in the West, and it was an ideal medium to satisfy that fascination. Novels were about the way we live now. There was no Caliban on Robinson Crusoe’s island, just the eminently human Friday.

“In 1750, Samuel Johnson wrote an influential essay in praise of fiction that was about “life in its true state, diversified only by accidents that daily happen in the world.” As far as he was concerned, a good novel “can neither employ giants to snatch away a lady from the nuptial rites, nor knights to bring her back from captivity; it can neither bewilder its personages in deserts, nor lodge them in imaginary castles.” Thus admonished, ghosts and witches went off to live in fairy tales and allegories and gothic novels and other disreputable places.”

So history is against us, perhaps because people really did once believe in magic and ghosts. But I believe that in accepting there is nothing factual in elves, dwarfs etc. we can focus on allowing values to play a prominent role because, as Grossman say: “If anything, it is realist literature that pretends to be real. Fantasy doesn’t pretend.”

Fantasy is one of the few literary genres left where it is still considered okay to explore questions of moral judgment. But that’s not a bad thing. When the powerless and good become empowered and are able to change the destiny of their world, there is something that resonates in a world where so many feel alienated and disenfranchised. When coming-of-age can happen at any age, why would an adult still hoping to leave his/her mark on the world not be attracted to such novels?

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Alon Shalev is the author of The Accidental Activist (now available on Kindle) and A Gardener’s Tale. He has written two fantasy novels and the first will enter the Amazon Breakthrough Novel Award in January 2012. More on Alon Shalev at http://www.alonshalev.com/and on Twitter (#elfwriter).