Oops! Just Killed A Friend

Wow! Killing a friend ain’t easy. You think you’re ready for it. You have planned the dramatic demise, executed to perfection, but when it gets right down to it, it is soooo hard.

And when they are lying there dead, with an arrow though their heart, or an axe wound in their head, you think you can just walk away. But what do you still have to do?

Press the Save button.

Haldir – too noble for our times.

Do you get the irony? Your friend lies dead on the page, their blood still wet, and you are totally responsible for it. Sure you didn’t wield the axe, or aim the bow, but you created this person, this character, this hero.

He trusted you, allowed you to move him from one part of the kingdom to the other. He has seen you put him in a tight jam and always something happens to get him out of it in the nick of time. He never complained.

Except this time he is dead. You killed him and now he glares at you from the computer screen.

Save

Brom – never got over the loss of his dragon.

And you walk around in a daze. What made you do it? Why? For the glory? So that the reader would say: “Wow I never thought he would dare…” And you know you will have to face your writers group next week with this and get flayed. They loyally listened to your manuscript week after week, growing to love your characters, buying into your plot, and now you do this to them!

Save

He hasn’t gone you know, not really. A knock on the door, a guy at the gym with the same tattoo, a person who bumps shoulders on the busy train platform. Your eyes meet fleetingly and you look away, guilty, ashamed. How could you have done that?

You killed a good friend, one who let you create them. And now you are going to expect the other characters in the story to trust you? Beware my friend. You never can be sure just how the next chapter will end.

Save

I simply could never accept this. Destroyed my childhood innocence and I’m in my 40′s!

Good Writing,

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written two fantasy novels and the first reached the Quarter Finals of  the Amazon Breakthrough Novel Award as of March 2012. More on Alon Shalev at http://www.alonshalev.com/and on Twitter (@elfwriter).

Criticizing the Critique Group

I’ve just read two interviews/articles with authors who were negative or detrimental about writers or critique groups. Neither would have fazed me, but having read both at one sitting, well, it irked.

I have facilitated the Berkeley Writer’s Group for more than five years now. There is a core group and a larger transitional crowd who join for a period of time. It is a working group – if you are looking for a social meeting, this is not for you.

Usually, 8-10 individuals will read, receiving 15 minutes to share about 1,200 words (if fiction), or a few poems, article etc. Before they read, they can ask for feedback on a specific aspect and we also write comments on the manuscript copies that they distribute. When they finish reading they shut up and listen unless asked a question (this is the hardest part!). We try to be constructive but honest and there are occasionally bruised egos.

For the past 6 months, I have been reading my YA epic fantasy: Wycaan Master / At the Walls of Galbrieth (I still can’t decide between the two). No one in the group (until a woman recently joined us) were fans of fantasy and, given that they had helped me with two social-justice themed novels, were not happy with my change of direction.

As I near the end of the manuscript, I feel a great appreciation for the group. Certainly, it has not been easy and there are times that I would love to be sharing with people who understand the genre, but there is something incredibly refreshing in their comments, as readers who can look down from 10,000 feet, with perspective.

I recently mentioned that I have changed the teacher figure. He was very much a hybrid of Obi-Wan Kenobi, Brom and Gandalf and my group found him formal and predictable. The agent who is coaching me also commented on this and urged me to turn the character on his head.

He transformed and became a funny and unpredictable woman. She aged, but still had the strength and energy necessary; it just didn’t always come easy. I feel this has had a fundamental impact on my novel, particularly where there is often a middle sag, and added a richer layer, while also distinguishing the book from comparable novels in the genre.

This, and much more, came from people who, while not experts, care about their craft and also about mine. They are not a replacement for the professional editor, but s/he will receive a cleaner manuscript and I will have a richer story.

I often hear from people who speak derogatory about writer’s groups. Usually, they have had a bad experience or two, and so their attitude is understandable. But a good writer’s group is about mutual support, not fluffing or shattering someone’s ego, but it is above all a group communicating in a very honest and artistic way.

And we do it all face-to-face, with no screen in between. A last bastion of a dying culture?

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written two fantasy novels and the first will enter the Amazon Breakthrough Novel Award in January 2012. More on Alon Shalev at http://www.alonshalev.com/and on Twitter (@elfwriter).