Tag Archives: Internet

Sword and Gun Control

Epic Fantasy, among many genres, has the ability to whisk us away from reality and send us into a world of noble quests, ancient swords, and magnificent mythical animals. It also has the ability to offer wisdom for the world we live in and I have written about this before.

Airship10But sometimes it is really hard to let go and enter this world – or to return to the one we live in. I needed to write a post for this blog a day or so after the Sandy Hook Elementary School tragedy in Newtown, Connecticut, and I couldn’t. What can one possibly write on a blog like this? 

I searched the Internet, found something amusing and pre posted it. It was a cop-out; admittedly perhaps some much-needed comic relief. But I’ve been thinking about this ever since. If epic fantasy is anything more than escapism, then we should have something to say? 

When National Rifle Association VP, Wayne LaPierre, blames violent video games, perhaps to deflect the debate on gun control, we need to ask ourselves whether we as fantasy authors and readers are also glorifying violence. 

The fact we use bows and arrows, axes and swords instead of semi-automatic machine guns doesn’t make it cleaner. I admire (begrudgingly as it is sometimes hard to read) the gruesomeness of George R. R. Martin’s A Game of Thrones series. What he describes in his battle scenes are probably the closest we come to the reality of battle. 

imgres-8But I am stuck with the feeling that if we do not write about the darker side, how can we reach for the lighter? For a rainbow to appear, there needs to be a storm. We do have a responsibility not to glorify or keep the violence clean. I am not sure that I achieve this in At The Walls Of Galbrieth and especially not in the huge battles that take place in The First Decree. I am not sure how to even achieve this without excluding the young adults for whom I primarily write. I do not believe my 14-year-old son and his friends, who devour my books, should read A Game of Thrones because of the violence (and also the way he portrays sex).

How can we keep on moving forward after a tragedy? Does it not maybe become even more important not to give up? I’ll leave the last words to a couple of good friends.

FRODO: “What are we holding onto Sam?”

SAM: “That there’s some good in this world Mr. Frodo, and it’s worth fighting for.”

Frodo and Sam

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Alon Shalev is the author of At The Walls of Galbrieth, Book 1 of The Wyccan Master series, which reached the Quarter Finals of the Amazon Breakthrough Novel Award 2012, released by Tourmaline Books. The First Decree, the sequel is due out in early 2013. Shalev is also the author of three social justice-themed novels: Unwanted Heroes, The Accidental Activist and A Gardener’s Tale. More on Alon Shalev at
http://www.alonshalev.com
 and on Twitter (@elfwriter).

Turn Write At The Next Junction

Family vacations are always special for my little clan. Once a year, we pack up our considerable collection of camping gear and head to the mountains, lakes and redwoods. Without Internet and electricity, we have no choice but to hike, fish, and enjoy beautiful Northern California and Oregon, and each other. This year there were two highlights. We all followed my eldest’s passion for archery and it has hopefully become a family hobby.

Two years ago. I wrote the first Wycaan Master book together with my eldest son. I have blogged about this previously. Last year, I wrote the second book before we went away and each night, we sat around the campfire or snuggled in my tent as I read to them a few chapters at a time.

This year, we followed suit, reading the third book of the series. Everyday I waited with anticipation to read and treasured their responses. As the books have become more intricate, my youngest (now 9 years old) sometimes had a hard time following and peppered me with questions, often later that night when he was supposed to sleep, or the next day in the middle of another activity.

Now I know that family are not supposed to be considered as impartial critics. In truth, they had a lot of constructive criticism and suggestions, most of which I adopted. But I cannot imagine enjoying the level of engagement that they experienced and expressed from anyone else.

Back in the Bay Area and it is time to make major decisions. There is time as I outsource the books for some professional editing, but I am considering alternative options to publish the series.

A fascinating conversation with a representative at a publishing house with a long history of epic fantasy titles has left me wondering how long to walk the traditional path. She told me that they spent considerable time discussing the option of signing me even though they had previously made a business decision to stop publishing in this genre. It just doesn’t make business sense in the current economic climate, she told me. It has nothing to do with the quality of your work.

I feel a degree of frustration as I have been watching other fantasy authors and their respectable and consistent ranking on Amazon.com. Daniel Arenson, who is the author of the Requiem series and others, announced the following at the end of June:

“100,000 books sold. Bloody hell. You bought 100,000 of these silly books about dragons, swords, and spells. You’re nuts. But THANK YOU, readers. It’s been a crazy ride.”

I have no doubt that Mr. Arenson worked extremely hard to get to this significant landmark. He wrote great books and went out and did it by himself.

I congratulate him…and wonder.

 

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written three epic fantasy novels and the first reached the Quarter Finals of  the Amazon Breakthrough Novel Award as of March 2012. More on Alon Shalev at http://www.alonshalev.com/ and on Twitter (@elfwriter).

 

 

Where is the Moral Line in YA Fiction?

Since I wrote Wycaan Master with my (then) 11-year-old son, I assumed that our story fitted the Young Adult genre. It is a coming-of-age novel, so I never gave it much thought. There is no clear sex or profanity, though race is a big issue in the first book.

Since I have become absorbed in the fantasy genre, I have begun to wonder where the line is drawn. As I continue to write the second and third books in the series, intimacy has developed between characters, sometimes direct and at other times implied. There has been plenty of violence and references to overindulgence in alcohol. Colleagues at my writers group have questioned whether I should be including these themes.

As I began to research this, I found a number of excellent sources regarding YA fiction in general. Heather Dunlevy-Scheerer has written an interesting article about the historical development of YA literature.

She lays out several characteristics that she took from someone called Niday (I couldn’t find a clear reference).

(1) a teenage (or young adult) protagonist

(2) first-person perspective

(3) adult characters in the background

(4) a limited number of characters

(5) a compressed time span and familiar setting

(6) current slang

(7) detailed descriptions of appearance and dress

(8) positive resolution

(9) few, if any, subplots

(10) an approximate length of 125 to 250 pages.

From a brief skimming of the Internet, it seems that the common thread in YA fiction is an adolescent, rather than an adult or child, protagonist. However, the subject matter and story lines of leading YA literature are relevant to the challenges of youth, and more edgier novels include themes such as identity, sexuality, science fiction, depression, suicide, drug abuse, alcohol abuse, money issues, race, familial struggles, and bullying.

April Dawn Wells suggests seventeen common traits of young adult novels. These include: “friendship, getting into trouble, interest in the opposite sex, money, divorce, single parents, remarriage, problems with parents, grandparents, younger siblings, concern over grades/school, popularity, puberty, race, death, neighborhood, and job/working.

There are a number of YA novels currently in print that are on the edgier sides, dealing with peer pressure, drugs, gangs, crime, violence, sexuality, incest, oral sex, and female/male rape.

The obvious criticism of these novels is that they encourage destructive or immoral behavior or at least bring them into the adolescent’s mind at too early an age. Countering this is the fact that teens will be better equipped to deal with real-life difficult situations and social issues because they have role models in the protagonists they have followed.

Where is the line drawn in amount and nature of such issues between appropriateness and inappropriateness in young-adult fiction? How can we keep literature as a relevant medium when the exposure of TV, computer games and Internet is almost not monitored and easily accessible? None of these mediums, in my opinion, can offer the depth of thought and emotion that a good book provides.

Now more than ever, YA literature needs to stay relevant. Maybe the adults (including parents of teens like myself) have to accept that we might be more uncomfortable with this than our children.

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written two fantasy novels and the first reached the Quarter Finals of  the Amazon Breakthrough Novel Award as of March 2012. More on Alon Shalev at
http://www.alonshalev.com
/and on Twitter (@elfwriter).