Tag Archives: Sometimes the Magic Works

Finding Mythical Places Everywhere

A while ago, I wrote a post about meeting elves in coffee shops. The point was that…well you can read the point for yourself, but there is more along these lines.

I grew up in England with real castles, stately homes, wattle and daub cottages, and signs of a more ancient, Pagan culture everywhere. I was not writing fantasy back then but imagine I would find a lot of inspiration there. Two weeks sitting in a castle in Wales writing – is that a business expense?

Meditation

My eldest at Conway Castle, Wales, several years ago. He sat there for hours, transfixed in a world of his own.

But we actually don’t have to travel too far. I attended a conference in the heart of Washington ‘DC Chinatown. I stepped outside the meeting room on the 7th floor  for some fresh air and stared at this:

Ruins by Hillel SIC

Today, I was at the Ferry Building in San Francisco and noticed Old Glory flying at half-mast in respect of the victims of the Boston Marathon attack. The sky was a rich blue and the flag and tower looked glorious. I could imagine Seanchai and friends arriving on a boat (do you pay the toll riding over the Bay Bridge on horseback? Do three horses and riders make a posse or qualify for the casual car pool?).

Interestingly, I crossed the Embarcadero between the Ferry Building and Bay Bridge and saw a restaurant with gargoyles and (what looked to me) a sign that could have been written in Medieval lettering. It could have been a tavern or pub for thirsty travelers before they put five Peet’s Coffee and nine Starbucks in the mile-square Financial District.

My point is that writing fantasy is as much a state of mind. When I am actually writing a story (as opposed to editing or marketing), which is about 4-5 months of the year, I notice these things as though they are only around for this time of the year.

Tunnel

Picnic at our local park. Younger son discovered this tunnel. We sat in here and discussed how to use it in the book I was writing at the time.

It is why I see elves in coffee shops and get invited underground by hospitable dwarves. It enriches the already beautiful vistas, forests and rivers of Northern California where I explore. It is what makes my kids and I respond when we see a beautiful natural scene by exclaiming: Alagaesia! (You can blame Christopher Paolini for this. I hope he’s touched).

It is why Terry Brooks claims that ‘Sometimes The Magic Works.‘

Have a mystical weekend.

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Alon Shalev writes social justice-themed novels and YA epic fantasy. He swears there is a connection. His latest books include: Unwanted Heroes and At The Walls Of Galbrieth. Alon tweets at @alonshalevsf and @elfwriter.  

Meet Terry Brooks

There is still something magical for avid readers to learn about the authors of their favorite books. Even in the age of Internet and ebooks, there is something that draws us to author signings and the opportunity to meet them in person. We stand in line, hugging our copies of their books and wait patiently (sometimes longer than at a polling station) for a minute of his/her attention and their name scribbled in the book.

I have read at least 10 books in Terry Brook’s Shanara series. I have also read and treasure his book on writing: Sometimes The Magic Works. The part I love most from this incredibly useful book, by the way, is the autobiographical part.

The following interview is about 30 minutes long, divided into three parts. Terry touches on his life, his writing and the craft. There is something here for everyone because this is a not only a wonderfully talented author, but a modest, down-to-earth man.

My best part (not a serious spoiler) is how he talks about his fans: with love, respect and appreciation. Do you understand why I am so keen on this guy?

Terry Brooks Talks with Peter Orullian -Part 1 of 3

Terry Brooks Talks with Peter Orullian – Part 2 of 3

Terry Brooks Talks with Peter Orullian – Part 3 of 3

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written three epic fantasy novels and the first, At The Walls Of Galbrieth, which reached the Quarter Finals of the Amazon Breakthrough Novel Award 2012, is due out in January 2013 by Tourmaline Books. More on Alon Shalev at http://www.alonshalev.com and on Twitter (@elfwriter).

When is an Elf not an Elf? And why do we care?

Yes, my novel is compelling, special, well-written etc. just like the 499 other epic fantasy manuscripts sitting in the slush piles of every publishing house that offers YA epic fantasy.

I am working with an agent who is asking the challenging and insightful questions that will help my manuscript stand out from the rest. It is tough and I am feeling very possessive. Last week I shared his prompting to seek a Higher Concept.

One of the aspects that he wants me to consider is changing my elves, who make up many of the main characters and cultural references. He suggests that I consider changing the elves for a new, mythical race that will set me apart from the rest.

Let me state from the outset that I have no doubt this man knows far more than I about the publishing world, has considerable experience and understands the current state of the publishing world.

But my elves? Our elves? Those of us who grew up on Tolkein, Paolini, Brooks and others, have standards, images, friends. Legolas and Anwen, Arya and Blodgarm, and many others have created a rich and familiar texture. We welcome them surfacing as we settle into a thick novel. We embrace them because there are common threads that pass between authors. We call it a culture, those who don’t read fantasy roll their eyes.

                               Nobel Haldir – we owe him for Helm’s Deep, no?

Terry Brooks’ children know that he is not all there, he tells us as much when he opens his book Sometimes the Magic Works: Lessons from a Writing Life. More on this book in a later blog.

But Brooks in not dissimilar to the rest of us, just considerably more talented! We pass through a gate in our imagination and reacquaint in a world that exists in a shared consciousness.

Here the elves are tall, thin, light-footed and beautiful. They are fast and posses stealth and discipline. They are in touch with the energy of the earth, the forest, the animal kingdom. They excel in archery, crafts and healing. Perhaps they are aloof, elitist, and closed to the other races, but this comes from their ancient and rich heritage. We know and love them.

We rejoiced to learn that Peter Jackson is bringing Legalos into a prominent role in the hobbit. Well, a few raised eyebrows, since Legalos was not even referred to by name in The Hobbit when he appeared flanking his father, the King of Mirkwood.

We accept, even with a bit of jealousy that he can fight at Helms Deep for five days, or run non stop for three and still not need to brush his immaculate hair. Nor do we care that his quiver seems to replenish itself, an occupational hazard of any archer who fights battles every other day.

We don’t mind because elves epitomize something that we identify with. We all want to be beautiful, brilliant, in excellent physical condition and, of course, environmentalists. When Terry Brooks created Drizzt Do’Urden and the dark elves of Menzoberranzan, a giant underground drow city-state he broke new ground.

Many of us were repelled and had it not been created in the hands of a master of fantasy, we would have rebelled. It was daring, it worked and by Book Three, we were rewarded with the typical elf one finds above ground.

It is tough to turn away from the basic tenets of epic fantasy: the teacher and student, the quest, the fight against a powerful evil, dwarves, elves, dragons, a rich natural world. There is something that has entered our collective consciousness and taken root.

It is why we read and reread the masters…and it is why we will return to read those who take over the role of entertaining us in a way that only epic fantasy does.

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written two fantasy novels and the first will enter the Amazon Breakthrough Novel Award in January 2012. More on Alon Shalev at http://www.alonshalev.com/and on Twitter (#elfwriter).