Tag Archives: Drizzt

Crumbs of the Great Craft Masters

I want to give credit to Toby Hewson who gave me this idea: What I learned from the Gods of Fantasy? I have learned from many authors, not just the craft masters, but this post will focus on the select few. 

Terry Pratchett taught me about invention of an old theme. He created a world that was fantastical and yet so familiar. His satirical approach to Discworld was always engrossing and we welcomed familiar themes as they surfaced among the new ideas in each new novel.

George RR Martin taught me about depth of character in supporting roles. There is no excuse for making every single character special or unpredictable. It does not have to happen immediately, but when a character steps from the limelight to center stage, we are enthralled, but not totally surprised. This is a huge task for anyone and Martin does it with a thousand characters. I have mentioned before how much I have learned from him. Okay, I have also taken his name in vain, but I am full of respect for him.

George Martin to kill Tyrion

Stephen King taught me about simplicity of language and being accessible to readers. I am too much of a wimp to appreciate his stories, but On Writing is my writing Bible, and required reading…annually.
J.R.R. Tolkien taught me the opposite. It is possible to write elaboration, flowery, delightful fantasy prose. Can you describe a forest in three pages? Y’betcha and they will even make it into a movie or six. Tolkien also taught me the importance of giving my fantasy world a sense of history and leveraging that throughout the saga.

Terry Brooks taught me about having a well-worked story that had no loose ends or unnecessary scenes so the story flows. Brooks also has built a rich history of his world – Shannara – and a genealogy that excites his many followers. Again, his writing is very balanced between plot (action) and character development. He has the ability to give a strong and distinctive voice to each of his main characters.

Terry Goodkind is edgy without going over-the-top. His stories are simpler, but he adds little traits to make his characters familiar to us and a great job bonding us to them.

R.A. Salvatore taught me to create a rich world and non-stereotypical characters. His first Drizzt book takes place underground and is so impressive. I remember being blown away by it. I have not been disappointed going forward.

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There is much we can learn from these masters of our craft, but the most important one is READ, READ, READ.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alonshalev.com and on Twitter (@elfwriter).

Best Advice Ever – If You Can Quit…

There is a legendary quote that is circulating the twitterverse and bloggersphere from epic fantasy giant, R. A. Salvatore. When asked to offer one piece of advice to aspiring writers, he said:

“If you can quit, you should do so. If you can’t quit, you are a writer.”

I accidentally came across the interview with the quote. The interview is by Brian Stern (thank you, sir) and the first 20 minutes in particular are, in my humble opinion, amazing. Here are the first 12 minutes. Hey, it’s Sunday! Take a break, make yourself a coffee, pour a glass of wine (or both, no one is watching) and give yourself at least 12 minutes for the first third.

Okay, I couldn’t resist. Here is the second 12 minutes.

It is amazing how Bob (may I call you Bob? I feel we’re pretty close after these interviews and having read about eight of your books) just becomes more enthusiastic with his characters as the series progresses. It feels like he truly pours all of himself into each book. What he wrote about his brother is simply stunning.

Something that I find fascinating is how he is challenged to find time to read and make his way through a series. He speaks about how authors influence each other and I think there is something very important here. I do feel that Salvatore, Terry Brooks, and more recently George R.R. Martin have had an influence on me. But I am not sure this is a bad thing.

Why not learn from the masters? Even if you are already a member of the elite fantasy A-list like Salvatore, are we not all trying to constantly improve?

Finally, here is the third and final part of the interview. There is a great part about the author’s interactions with his readers, something I discussed last week.

I know I only asked you for 12 minutes and gave you 36 minutes. I would apologize, but I don’t think actually feel sorry for doing this. Yeah, it’s 36 minutes you will never get back, but just maybe it will help and inspire you. Perhaps you just couldn’t quit!

But then if you cannot quit…read his books. Next time you go into a bookstore (yeah, they still exist), check out his amazing book covers. They are quite simply works of art. Amazing.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, The First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

 

 

 

 

 

 

 

The Fatherly Figure in Fantasy

As a warm up for reading this blog, please  say the following five times as quickly as possible: The Fatherly Figure in Fantasy.

I shared some thoughts on Left Coast Voices regarding Father’s Day this Sunday. But it occurred to me that the father figures in epic fantasy gets a tough time. Here is a brief overview of a few of our beloved characters and their fathers (I acknowledge that I am encompassing a wide definition of the genre for this post. Purists – please excuse me this once).

WARNING: There might be spoilers here, so I am giving the name of the character first and won’t be offended if you skip that part.

1. Luke Skywalker:

I know this is sci-fi and not fantasy, but we have all hung there with Luke as his father, who had just chopped off his arm, now looms over him with a lightsaber. What a time to discover your father! As if it is not enough that your uncle and aunt who brought you up were murdered, now you discover your father is a metallic mass-murderer.

Suggestion: Do not buy Dad a lightsaber. It is the first step to the Dark Side and he already has plenty of power tools he never uses.

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2. Tyrion Lannister:

So your father abused you and openly hated and insulted you. As if you don’t have enough to contend with two older, beautiful siblings, who are bonking, or the fact that you were born stunted and are accused of killing your mother as she gave birth to you. Not hard to understand why A Lannister Always Pays His Debts!

Suggestion: Don’t give your father a ‘quarrel’ even if he deserves it.

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 3. Eragon:

Also grew up never knowing his true father and then, like Luke Skywalker, finds his uncle, who was like a father to him, is murdered in his stead. Of course, no sooner does he discover who his father really is, than he has to bury him, and take considerable blame for brave father’s death.

Suggestion: Giving your old man your dragon/porche just before he dies is classy, but do check your insurance policy first.

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4. Drizzt Do’Urden:

Gotta give the dark elf considerable credit. He grew up in the Drow city of Menzoberranzan. where all males were merely fighters and concubines. Of course his mother and sisters abused him and tried to kill him, and by the time he discovered who his father really was, well…I don’t think he even got to bury him.

Suggestion: a bit stumped here. When your father gave you a genetic sense of justice, enough to turn you against your mother and sisters, what can you really reciprocate with? 

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Artist – Noche

5. Frodo Baggins:

I admit, I had to look this up and cannot guarantee my sources. Frodo’s father was Drogo and we don’t know much about him other than he went and drowned in a boating accident. Hobbits should know not to participate in such dangerous and adventurous pastimes as boating. At least, Frodo had a nice secure upbringing with his first cousin once removed (and not his uncle as even dear Bilbo often referred to himself). It was not as though Bilbo passed on any artifact that was incredibly dangerous and held the fate of the entire Middle Earth!

Suggestion: Stay away from the jewelry!!!

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In epic fantasy we gravitate to protagonists who are the underdogs, who overcome adversary, and make great personal sacrifice. But we also seem to be sending out a message to our young readers that the absent/weak/villain father is the norm.

It must not be so. Every young man deserves a father who is a role model, imperfect and flawed as we may be, but a father who will teach him to fish, nock an arrow, believe in a just society, and to be a good human being…or elf…dwarf etc.

I’m sure if we were to meet Luke, Eragon, Tyrion, Drizzt or Frodo in a pub, they would all agree that they wished they had fathers they could truly appreciate and learn from.

Perhaps being the best father you can is the greatest quest any of us can embark on. It may not save Middle Earth or Menzoberranzan, but it will make our world a better place to live in.

Happy Father’s Day.

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Alon Shalev writes social justice-themed novels and YA epic fantasy. He swears there is a connection. His latest books include: Unwanted Heroes and the 2013 Eric Hoffer Book Award for YA – At The Walls Of Galbrieth. Alon tweets at @elfwriter. For more about the author, check out his website.

Genre Conventions .v. Originality

“But this is how it’s done in epic fantasy,” I whine to my writer’s group. “It’s part of the convention.”

We are a bonded group, anxious to support each other and so I receive sympathetic smiles and diplomatic silence. The silence screams in my ears. I know they are right. If I have to fall back on a sentence like that, I am in trouble. Or am I?

How important is originality?

“Utter originality is, of course, out of the question.” – Ezra Pound

“Originality is nothing but judicious imitation.” – Voltaire

I feel better already.

“It is better to fail in originality than to succeed in imitation.” – Herman Melville.

Ouch!

Elves are tall, thin, have pointed ears, and excellent hearing. They look good in green, and shoot bow and arrows with exceptional accuracy.  Dwarves are short, rotund, live underground, mine and play around with axes. This is so because J.R.R. Tolkien put the epic in epic fantasy with his Middle Earth series’. Are the rest of us thus condemned to be mere recyclers of his work? Maybe. But I am not convinced how this is different from any other genre: romance has the same images and general plot arc. So does suspense and horror. And don’t get me started on dystopian thrillers.

So why do we so enthusiastically embrace conventions in a genre? It might be because some themes are simply timeless. I’m thinking Beowulf (maybe written in the eighth century) and The Odyssey (sixteen centuries before that!). Tolkien would concede that he was not the first, but when something works, you build your own version of it, and sometimes your version is good enough to capture the imagination of a very loyal readership. But it is not just enjoyment. It is pure escapism to a world we can get excited about, to values we can admire or fear (or both). It is also something familiar, something soothing. 

And yet when we embark on a new epic fantasy series, or try the work of a new author, we are seeking both something familiar and something original. What makes each author since Tolkien distinct is some aspect of his / her work. The relationship between Eragon and Saphira (his dragon), made Christopher Paolini’s Inheritance series special. I have just started reading The Weight of Blood by David Dalglish (check out his cool book covers by Peter Ortiz) which is about two brothers (okay) who are not just orcs (hmmm), but half-orcs (ahhh). I was caught on page one. Dalglish has written a variance on the convention. So did R.A. Salvatore when he introduced Drizzt – a dark elf whose race were the opposite from the stereotypical elves. Five novels on, I am still intrigued. Daniel Arenson came up with his own original approach to dragons in the Song of Dragons series. 

Before I end, let me say how much I admire those who come up with something original – Hunger Games, Harry Potter, Percy Jackson – they capture us all and we devour their new approaches. But those who seek to ride their coattails are not so successful and I think this is very telling.

It says that while the fantasy readership will embrace a clever, well-written, new concept, that very concept might not establish itself beyond one brilliant author. Epic fantasy, however, with its elves, dragons and swords, continues to stand the test of time. This is not because our readership is lazy. Instead they demand depth – world building, characters, and a plot that offers a twist on a well-tested theme. They continue to surprise us with the familiar.

It’s a great genre to be a part of.

 Good Writing,

Alon 

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written three epic fantasy novels and the first reached the Quarter Finals of the Amazon Breakthrough Novel Award as of March 2012. More on Alon Shalev at http://www.alonshalev.com/and on Twitter (@elfwriter).