Valentine’s Day – Epic Fantasy Style

What made the great authors and world-builders of our time overlook such a special occasion? Was Valentine’s Day not celebrated in Middle Earth? Shannara? Odessiya?  Where does Terry Brooks,  R. A. Salvatore, Christopher Paolini, Robert Jordan and others stand on this?

Perhaps it is not a question of the author’s epic battles for love. Perhaps the characters need to take a bit of responsibility. How would they have gone about it?

Elves: the sophisticated romantics. On this special day, elves would often take their beloved on a romantic walk, deep into the ancient forests. Alone, they would visit a favorite pool, fed by a sparkling waterfall, with a noble white heron keeping watch from a rock nearby. Butterflies of every color would hover over the water.

Each elf would produce a small flute and serenade each other. Then one would draw his (or her) intricately carved bow and shoot into a nearby tree. A shower of fragrant petals would fall around them, settling in their perfectly coiffured hair. The other would produce a carefully wrapped, gluten-free, artisan pizza, magically still warm and with crispy crusts that were calorie-light. They would recite poetry to each other, eat, and then bathe in the pool, coincidently illuminated by a full moon on a cloudless night.

Oh, to be an elf!
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Dwarves: The romantic dwarf is meticulous in her (or his) preparation for Valentine’s Day. The previous day is spent washing, conditioning, and combing their beards. Oh, those curly locks challenge even the most finely made comb.

A dwarf Valentine’s Day is all about the rocks. A conscientious romantic will travel deep into the mines to find the perfect gem and then forge a unique ring and necklace set, never seen before … since last Valentine’s Day.

The morning of Valentine’s Day, one often awakes to see their axe newly sharpened and oiled, the hilt freshly bound with clean leather or copper wire, the shaft gleaming. That night around a roaring fire, with an ox dripping grease into the flames, the dwarves consume tankards of ale and sing deep into the night. The songs, however, are not of mighty battles and bountiful treasures as they are every other night, sung as one mighty chorus. This night the dwarves sing only to their beloved, and the songs are of mighty battles, bountiful treasures, and furtive kisses for the hero (or heroine). The next morning, all you remember through the hangover is hazy and askew. But you still have the ring and necklace, and oh your axe is gleaming and sharp! images-6

Humans: As Valentine’s Day approaches, the scribes of the mighty House of Hallmark are almost out of scrolls, quills, and ink, their arms limp from Carpel Tunnel Syndrome. They don’t complain, few have health coverage, but they have made their money. They bless the Great Goddess of Consumerism, though they will never quite appreciate the theology until the Revelation of the Coming of the Internet. For now, electricity seems fantastical and visions of deluded priests, court jesters, and coders and entrepreneurs.

The gardeners have been preparing all year. Every self-respecting knight requires a bouquet of at least 10 long-stemmed reds to fit over the tip of their lance, which they will offer to a sweet virgin in the admiring crowd. If she accepts the roses, then she replaces them with her silk ’kerchief, piercing it gently over the young knight’s lance tip. Many a young man has, at this point, fallen from his horse in anticipation. The definition of virgin, it should be noted, is pretty relaxed in the world of fantasy.

After the obligatory jousting and archery competitions, the virgins retire to their rooms and surreptitiously peer over their balconies. After slaying dragons and defeating barbarian hordes on the battlefield, the young knights return, and once bathed, shaved and smelling of Old Spice, serenade the young virgins. They toss a twisted vine with grappling hook up to her balcony (many a venture capitalist squire made his fortune investing in the grappling hook industry). The virgin slides down, having practiced for hours how to keep her flowing dress from either ripping, getting dirty, or ending up awkwardly around her head. She lands sidesaddle on the knight’s noble steed.

The rest of the evening: a dinner, movie, and long walk along the moonlit battlefield, gazing together upon the vultures and ravens picking the entrails of the vanquished, have passed from tradition into our everyday rituals.
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Pictorians: The pictorians (read Wycaan Master series for background, but not while on Valentine’s Day date) are very secretive about their romantic rituals. Court anthropologists believe the couple sneak off after the pictorye are asleep, both wielding gleaming axes or thick clubs. Working in perfect synchronicity and without need for verbal communication, they bring down a wild buffalo bull, ripping its flesh with their bare hands and teeth, while feeding each other in a raw, bloody passion. The horns of the bull are carved out and used to toast the night with a dark beer imported from the mythical land of the Four-leafed Clover.

The female pictorian then beats her mate unconscious with the two bull horns, drags him back to their ice homes, and has her way with him, which often includes him skinning the buffalo and cleaning out the hearth, a rare feat for such mighty warriors. They are also expected to provide her with breakfast in bed, the Venti Mocha half-caf still steaming.

 

If, by chance, you are still reading this post, you probably have a pretty good idea why our literary greats chose not to dwell on such rituals as Valentine’s Day. I would elucidate further, but my mate awaits with expectations high, and I have her axe to sharpen, parchment to gather, and, where did I put my lance…

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Happy Valentine’s Day to all.

BREAKING NEWS: Tourmaline Books have announced they are offering At The Walls of Galbrieth for FREE during the month of February though Smashwords (good for all ebook platforms). Feel free to gift it to a young person (or not so young) who might benefit from a story of hope and friendship. 

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here. More at http://www.alonshalev.com and on Twitter (@elfwriter).

Rise of the Short Novel

I am a fast writer. I can have a 100k manuscript written in 100 days, but it is, to quote Anne Lamott, ‘a shitty first draft’. I then go through a three-month editing process before seeing to my editor. She then takes two months process with a professional editor, another month or two of rewrites based on her feedback, a final round with the editor, and then a beta reader or two.

A high quality novel takes time. It takes a huge amount of effort and creativity. The process needs to be respected.

The novel now shares the shelf with the novella, the short story and flash fiction. Numerous writers have explained to me the lure and skill in writing any of these shorter forms. There is a need for succinctness in descriptions, plot, and the need to hook the reader immediately. I get it. Not my cup of tea, but I understand that there are other aspects to the craft that appeal to people.

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But there is also the Churn Mill. It is becoming common to meet writers who proudly announce they are writing a novel a month…or week, and that this is an integral part of their business model. The plan is basically to have a long backlist of books: 20, 50, 100… and hope to hook a reader to one book that will infuse them with desire to buy the other 99.

My issue is not with them having a business plan. There is no shame in writing for money. But I am uncomfortable with the way they are treating their readers. It should never be all about the numbers, not if we are considering ourselves artists, and not if ever want to betray our readers.

I wrote about how Terry Brooks appreciates his audience. I saw this week, after Daniel Arenson posted some news on his Facebook page, how he took the trouble to answer his readers’ questions and to thank them. These are authors who, I am sure, know they must bind their readers to them for business reasons, but who genuinely enjoy engaging with the people who invest money and time in their books.

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Terry Brooks

My readers know I love writing full-length novels. The first draft can be up to 120,000 words long and after my editor has worked her magic, the word count hovers just under the 100,00 word mark.

A novel allows the reader to travel to another world, to get to know characters intimately, see how they develop, and build a friendship with them. It allows the reader to escape and live for a while in a fantasy world.

There is something rich and emotionally investing in reading a full-length novel and a series. I can define periods of my life as I traveled through Shannara, Alagaesia, and Middle Earth. They are milestones that illuminate certain times.

I will forever be grateful to Christopher Paolini who wrote his Eragon books at the perfect time for me to share with my sons, a bond we will always have, and that laid the foundation for their companionship through the Wycaan Master series. Whenever we are on the road together and see a beautiful vista, one of us murmurs Alagaesia, and we all nod.

Summer 2015 Reading Book 6

Reading Book 6 in the summer of 2015. End of an era.

Enough said.

Finally, thank you to everyone who participated in the April sale. I appreciate your support and hope you will enjoy the entire series. Please: take a few minutes and leave reviews for the books you read on Amazon or Goodreads. Reviews are critical for the author and I thank you in advance for helping.

Have a good week, everyone.

Alon

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alonshalev.com and on Twitter (@elfwriter).

 

 

Chicken or Egg: Book or Movie?

There is a story going round of a young man who enters his grandfather’s study. The room is a homage to the epic fantasy world in which he writes. There are helmets on shelves, swords on wall, and hundreds of books. The boy peruses the books and exclaims:

“Grandpa! You have so many books, but you are missing two of the most famous.”

“Oh? Which ones?”

“Tolkien’s The Hobbit.” When he sees his grandfather’s confused expression, he continues. “Look you only have one book. There should be three.”

The epic fantasy/magical realism world, received two big pieces of news this week: The first Shannara episode was aired and George R.R. Martin announced that he would not have the next Game of Thrones book, Winds of Winter, out before HBO releases the TV series.

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Fans of Terry Brooks (is there any fantasy reader who is not?) were ecstatic that the waiting was over. I worked that night and then waited 48 hours to watch it with my 12-year-old son. After all it was a coming-of-age thing, like a coronation – I’m that kinda father. I sat there for two hours, desperately not stopping the program to tell him some spoiler or … well, some spoiler! It was just as hard for him to watch having never read the books.

There is such a difference between watching a movie after you have read the book and the opposite. Call me old-fashioned, but it is simply not the same reading the book after watching the movie. There is so much texture in the books that the movie (hopefully) intensifies. But the depth of a book cannot, and there should be no expectation, be conveyed in a two-hour movie.

Which brings me to George R.R. Martin. Last time he announced that a book (Book 5) was not ready when it should have been, fans got really angry and, bravely hidden behind their computer screens, quite abusive. 

Now I don’t want to risk the wrath of Mr. Martin. After all, my favorite Game of Throne character is still alive at the time I’m writing this post and Mr. Martin holds all the power. It is not worth the risk. Neither do I want Neil Gaiman is tell me off and exhort me not to treat Mr. Martin like my bitch.

I would have no choice but to respond to Mr. Gaiman that Mr. Martin could do a lot worse than have me spoil him like I do my female Labrador. But I have seen Neil Gaiman speak. He is funny, smart, sincere, and he was very supportive of Terry Pratchett in the twilight of the latter’s life. He is also considerably bigger than me.

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Let me state up front. I am a big fan of George R. R. Martin, have read all his GoT books, and many articles and interviews. I love his work despite the sadness and despair he has caused me along with so many of his characters. As a humble author, I admire his craft, technique and vision.

But I do question his work ethic and organization. Everyone writes differently and Mr. Martin’s books are longer, more convoluted and evolved than mine. They also sell considerably more, have been made into HBO’s TV series and sprouted models, replica weapons and jewelry.

I hold down a full-time job that demands above and beyond a 9-5 day commitment. I still write a 100,000-word novel in less than a year. Actually, I write the shitty first draft in about 100 days, arriving in my office 1-2 hours before work, staying an hour or so afterwards, carving out large parts of the weekend, and neglecting my patient wife and children … and the dog!

So I do have a beef with Mr. Martin not finishing The Winds of Winter in five years. I understand his desire for perfection and I deeply admire his detail and research. But really four years? Now, it is not like he has done nothing in the meanwhile. He wrote (and I loved) A Knight of the Seven Kingdoms.  

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I am currently on my final round of edits before I send Wycaan Master Book 6 to the editors. I loved writing the book and set about it with all the vigor I poured into the first five. But in the ensuing rounds of edits and rewrites, I began to feel a desire to finish the series, to look ahead at the dozen or so next projects that hover in my mind. Still, I am singularly focused on completing Book 6 and getting it into my readers hands as promised. This is not a one-way relationship. Even the A-list authors are nothing without their fans. Respect is a two-way thing.

However, I think my biggest problem is not Mr. Martin’s drive for perfection or whatever is holding him back. I might ordinarily enjoy the tension and anticipation waiting for the next book release. It is the idea that the TV series preceding the book, will have a huge influence on how I experience the book, and perhaps on how the author writes it. Could an exceptional scene or twist on TV not influence what Mr. Martin writes?

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I hear some of you say: Then don’t watch the movie, Shalev. I can hear Neil Gaiman extorting me to take long walks with my bitch. They are all, of course, right, and totally wrong.

What Game of Thrones fan, five books and fifty episodes in, is going to wait one day?! Rest assured, I will be on the couch watching HBO on Day 1 of series 5, with my faithful dog by my side, Mr. Gaiman!

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My Khaleesi – she’ll watch every episode, Mr. Gaiman.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alonshalev.com and on Twitter (@elfwriter).

 

Fantasy Novels That Stood Out 2015

I am a voracious reader. At any time, I am reading one book while static (on the bus, in bed) and listening to a second on audio while walking the dog, working out, or commuting.

One of these books will be fantasy or magical realism. The other is usually non-fiction, perhaps a social justice-themed book or a biography. Here are the ten fantasy or magical realism books that stood out for me. To check out what else I read and the reviews I left, please check out my Goodreads page.

Patrick Rothfuss – Name of the Wind, The Wise Man’s Fear.

My stand out reading experience of the year .I loved both these books. Rothfuss has a unique style and voice. I was totally captivated. The third book is very different and I was less enamored.

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Terry Brooks – Dark Legacy of Shannara

I have not read anything from Terry Brooks in a year. He is my role model and fantasy writer hero. But I think there was a reason that I took a break. Still coming back to his work was so enjoyable – like drinking your mother’s chicken soup after being vegetarian for a year (well, you get the point). Biggest problem is a fear I have harbored for a while – I am now up-to-date and have wait until May 26, 2016 – but who’s counting (124 days at the time of writing!).

Robert Jordan – The First Five Wheel of Time books.

This was the big intro for me this year. Robert Jordan is one of the foremost fantasy writers of the past few decades, but I had not read any of his work. I thoroughly hang my head in shame but I really enjoyed the first two novels and totally entered his world and connected to the main characters. Impulsively, I bought the entire audio set off of eBay on sale. I think I am now about six books through and taking a break, but long series’ are difficult to stay with. As with Terry Brooks’ work, I shall return to it soon.

Kevin Hearne – Hammered.

What can I say? This guy is so cool and his books are hilarious. Beware about laughing out loud. I have in each book. Looking forward to reading more.

George R.R. Martin – A Knight of the Seven Kingdoms.

So, I admit it. I give the guy a hard time (not because I am insanely jealous of his talent and fame…oh no! Goodness!), but I have been in serious GoT withdrawal. The TV episodes are good, but the books are a lifestyle. So you can imagine how ecstatic I was to come across this kind of prequel. Kind of because it is a story in its own right that doesn’t, as far as I see, really prepare much for GoT. It takes place a hundred years before and is full of the flavors that make Martin’s writing so special. Well worth it to help tide you over until…

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Lev Grossman – The Magician’s Land

This is the third in the series and as impressive as the first two. I finished this at the beginning of January 2015 and don’t remember much beyond satisfaction and a sense of loss once completed. It is not an easy read, but great tales rarely are.

Hal Emerson – The Prince of Ravens

This is one author you might not have heard of. I picked up the book as a freebie on Amazon’s KDP program and was intrigued by its original world and concept. The protagonist is a troubled young man that we slowly learn to love as he learns to love himself. Great first book by an excellent author.

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Terry Pratchett – A Slip of the Keyboard

This was tough. In truth, I read it as a tribute to the author when he passed away. Discworld was a big part of my life and helped pull me through some of my own darker periods of life. There are some quaint stories and insights into the great man who no longer walks among us. Probably for the hardcore fans more than the casual reader. But for most of us, the world is an emptier place today.

Artist: Paul Kidby

Artist: Paul Kidby

I would like to show my appreciation of Goodreads for the ability to be able to track the books I read and the books that others are reading. I will write more about this in the future, but for now, thank you, Goodreads, for being my virtual bookcase.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and four more novels in the Wycaan Master Series – all released by Tourmaline Books. From Ashes They Rose, is the latest in the series. The story continues.

Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter(@elfwriter). Hang out with Alon on Goodreads.

 

Crumbs of the Great Craft Masters

I want to give credit to Toby Hewson who gave me this idea: What I learned from the Gods of Fantasy? I have learned from many authors, not just the craft masters, but this post will focus on the select few. 

Terry Pratchett taught me about invention of an old theme. He created a world that was fantastical and yet so familiar. His satirical approach to Discworld was always engrossing and we welcomed familiar themes as they surfaced among the new ideas in each new novel.

George RR Martin taught me about depth of character in supporting roles. There is no excuse for making every single character special or unpredictable. It does not have to happen immediately, but when a character steps from the limelight to center stage, we are enthralled, but not totally surprised. This is a huge task for anyone and Martin does it with a thousand characters. I have mentioned before how much I have learned from him. Okay, I have also taken his name in vain, but I am full of respect for him.

George Martin to kill Tyrion

Stephen King taught me about simplicity of language and being accessible to readers. I am too much of a wimp to appreciate his stories, but On Writing is my writing Bible, and required reading…annually.
J.R.R. Tolkien taught me the opposite. It is possible to write elaboration, flowery, delightful fantasy prose. Can you describe a forest in three pages? Y’betcha and they will even make it into a movie or six. Tolkien also taught me the importance of giving my fantasy world a sense of history and leveraging that throughout the saga.

Terry Brooks taught me about having a well-worked story that had no loose ends or unnecessary scenes so the story flows. Brooks also has built a rich history of his world – Shannara – and a genealogy that excites his many followers. Again, his writing is very balanced between plot (action) and character development. He has the ability to give a strong and distinctive voice to each of his main characters.

Terry Goodkind is edgy without going over-the-top. His stories are simpler, but he adds little traits to make his characters familiar to us and a great job bonding us to them.

R.A. Salvatore taught me to create a rich world and non-stereotypical characters. His first Drizzt book takes place underground and is so impressive. I remember being blown away by it. I have not been disappointed going forward.

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There is much we can learn from these masters of our craft, but the most important one is READ, READ, READ.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alonshalev.com and on Twitter (@elfwriter).

Elves in Coffee Shops – repost

Over the three days of November 17 -19, Amazon.com have decided to promote the 2013 Winner of the Eric Hoffer Book Award for YA – At The Walls Of Galbrieth. The novel will be offered FREE in ebook form.

This is a wonderful opportunity for me and I request that, to support my sales rank and me, you download the book and invites your friends to do the same. Feel free to gift it on (Thanksgiving and Hanukkah, anyone?).

To celebrate this and also the milestone of 100 blog posts on elfwriter.com, I wish to offer 10 of my favorite posts over the next three days. I hope you enjoy and, please, take a moment to download for FREE At The Walls Of Galbrieth and spread the word.

Thank you,

Alon

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It happened earlier this week in the Financial District of San Francisco. It was a rainy workday and I was sitting in a café editing Wycaan Master, my fantasy novel, when these two beautiful women entered. I’m a guy: I peeked, taking in their tightly, swept back hair, high cheek bones and narrow eyes, all accentuated by carefully applied makeup. They were both tall and thin.

Then I realized. I had been disappointed as my gaze moved to their ears. Their ears were not pointed!

I was shocked. I had really expected pointed ears? It’s this elf thing…it’s taking over. When I am writing a story I am absorbed…totally. Even when editing, I am completely caught up in the story. I can read an emotional scene a dozen times and still be moved to tears (Confession: I once cried during a Simpson’s episode, but that’s for another time).

However more recently I am taken when I see someone who might fit into my fantasy world. A walking stick becomes a staff, and I expect a short, bearded man to have an axe at his side, not an iPhone.

It is taking over.

I’m not the first to stumble down this route. In his excellent book about writing fantasy, Terry Brooks admits to disappearing into the world of Shannara.  Often it happens when he is at the dinner table or with family or friends. His eyes (so he is told) gaze into the distance and everyone understands.

Now Terry Brooks can get away with it for three reasons:

1) He is older and entitled to a senior moment.

2) He is a best-selling author and there is nothing like success to romanticize a little eccentricity.

3) He is such a mensch.

While I will one day be older, if the gods allow, the success isn’t assured. I am going to have to learn to curb my imagination, to stay in this world until sleep or time in front of a computer allows. A few glasses of single malt can also help.

But I don’t want to block it. My characters are part of my life, their challenges are my problems, and their triumphs are my successes. If I block them out just once, will they come back when I beckon them?

It’s tough living in two separate worlds, but I wouldn’t have it any other way.

Finally, it is St. Patrick’s Day. Did you know the Irish for whiskey is ‘Uisce beatha’, which literally means ‘water of life’?

Live Green My Friends.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alonshalev.com and on Twitter (@elfwriter).

Writing An Epic Fantasy Series Is Not Easy

I dropped in on an interview by Franny (not sure if this is her real name) who runs the Mind Reader blog. I have visited a few times – she writes great book reviews. Franny interviewed Meredith Bond, author of Magic In The Storm, (full interview here) and opened with the following question:

“Why is almost every book published now part of a series? Have you noticed this? I don’t think I’ve seen one single stand-alone title (aside from anthologies) in over a year! Is this a good thing? Isn’t it good enough to find books by an author you like without the books having to be tied together in some way?”

Ms. Bond’s answer is thoughtful and worth reading, but she does claim, frivolously I hope, that we authors are “lazy bums.” I took exception to this. Writing a series of books in one world with many recurring characters demands that we show this world in different forms throughout the series. In fact, I draw my own world-building inspiration from nature and I hope I will never stop seeing new lands and areas of natural beauty. When we see a beautiful vista, it is a family joke to say in a breath-taking voice: Alagaesia, a tribute to the beautiful world that Christopher Paolini built.

imgresSimilarly, my characters do not stand still. They grow, and as they age, experience conflict and love from a different perspective, as do we all in the ‘real world’. Terry Brooks is a master of this with his Shannara series.

I would venture to suggest that the onus is even greater with recurring characters because we need to show significant depth in their development. Perhaps it is easier to create a new warrior, hero, heroine, villain etc., in each book, because you can keep them relatively shallow.

Next month, The First Decree, my second Wycaan Master novel, will be released by Tourmaline Books. Since the Xmas holiday break, I have been writing Book 4 (Book 3 is written but not edited) and am about 30,000 words in. My characters are older, wiser, have more to lose, and a greater sense of responsibility.

They are growing up and each developing into the unique, ever-changing individual that they are. I care about them too much. I would never let them languish and become stagnant. What kind of a father would I be (I am, however, in no rush for my real kids to grow up!)?

There are obvious and legitimate reasons to write a series. Every author wants to build a readership and why not create an ongoing relationship between readers and the characters they are rooting for?

Tery Goodkind wrote 12 books in the Sword of Truth series.

Tery Goodkind wrote 12 books in the Sword of Truth series.

I don’t mean to begin a feud with Ms. Bond because of one phrase in an otherwise excellent interview, but it struck a chord. I recently told a friend that I have written a book a year for the last seven years (I am published in two genres), and she responded by saying that it must be easy for me.

It is not. I work very hard at my craft, spend considerable time building the world of Odessiya, and worry about my characters and their destiny. I cry when a main character dies (I can even cry several times as I reread, and reread, and reread) and feel equally exhilarated when they succeed.

The story flows out of me but I put considerable time and effort into it. I wake up early and go to bed late, squeezing in a full-time job and hopefully trying to be an active parent and sharing husband.

When I finish writing a first draft I am exhausted mentally. But I’ll keep coming back for more, just as a marathon runner pushes themselves beyond their limit during a race, but knows s/he will be back running soon.

There is an incredible high when the words flow, exhilaration as a plot unfolds, and pure joy when someone says: “Hey. You’re an author, right? I read your books.

I wouldn’t have it any other way.

The First Decree-hi resolution

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Alon Shalev writes social justice-themed novels and YA epic fantasy. He swears there is a connection. His latest books include: Unwanted Heroes and At The Walls Of Galbrieth. Alon tweets at @alonshalevsf and @elfwriter.