Happy Eragon Day!

Aug26

It’s true! August 26 has been designated Eragon Day. I’m not sure who decides such things, but fourteen years ago, on this very day, Christopher Paolini realized Eragon, the first in an incredibly rich series that would turn a generation onto epic fantasy.

The four-book trilogy (every fan remembers the thrill at some point in the middle of the third book when they realized it wasn’t going to end and another 800 pages of Eragon would have to be written) provided a magically bonding experience for my family, and stands along with Harry Potter and Lord of the Rings in Shalev family history.

My sons and I devoured every book: pouring over every word, listening to the audio versions on vacation, and watching the (only!!!!) movie. And yes, as loyal fans, we loved the movie even if it was not the greatest. Come on Peter Jackson – work your magic here, sir!

imgres-4

When Paolini released Brisingr, my then 10-year-old son stood defiantly at the front of the line in our local Borders (RIP), falling asleep on his feet literally as the clock approached midnight. I will never forget the lady who was working there, encouraging him to stay awake and hang on. At exactly midnight, she put a copy that she had hidden under the counter into his hands and whispered that he should buy that very copy. It was the only book in the store that Christopher Paolini had personally signed. Five minutes later, my son was fast asleep in the car clutching his autographed copy by his hero who was barely ten years older than him.

My son holding his autographed copy at the midnight release… a priceless moment!

I wrote a while back that Paolini must be one of the most underrated authors and shared that he disproved a number of important assumptions:

1. The young generation will read 400-page novels if the material is gripping enough.

2. They will read rich descriptions, convoluted plots, and identify with characters that are deep, vulnerable, and profoundly human (or elf or dwarf).

3. They will thrive on a high level of language.

4. Tolkien might still be king, but he has good company. Paolini is young. His level of craft is only going to improve and that is an exciting prospect.

I have to admit to selfish disappointment when Paolini decided to stop writing after Book 4 and go to college. He had every right to want that rite-of-passage experience and, as a loyal follower, I had no right to resent him that.

I owe Christopher Paolini a lot.

As my sons and I bonded over the Inheritance series, a seed was sown. We sat together to write our own epic fantasy novel. At The Walls Of Galbrieth went on to win the 2013 Eric Hoffer Book Award for YA and was a Grand Prize Finalist. Every summer for the next five years, I read the new manuscript to my sons while we camped under redwood trees that could have graced Alagaesia.

Writing At The Walls Of Galbrieth – a family effort!

The uncompromising standards that these fierce young editors applied to our work was harvested from the lessons learned from reading the Inheritance Series. Earlier this month, I took my boys (now 18 & 14 and towering over me) on our annual camping trip. I read them the first 150+ pages of Kingfisher: Slave to Honor (minus a few adult scenes) and their edits were sharp and erudite. I am extremely proud of them (I know, I am totally objective!).

Summer 2015 Reading Book 6

Reading Book 6 in the summer of 2015. End of an era.

So Christopher, if by any chance you ever read this: Thank you, as a reader, a fan, and a father. How about Book 5?

While on the topic of Kingfisher: Slave to Honor, you can help me with a publisher (Inkitt) who is interested in the book. Please go to http://bit.ly/2ttpqt9 and download for FREE, this new medieval fantasy novel. The publisher is gauging interest by analyzing how much you read and by your honest review.

Kingfisher Cover

Thank you for your support. Who knows, maybe Peter Jackson will one day make a movie of it because of your help. A boy can dream, no?

Happy Eragon Day!

——————————————————————————————————

Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth and five other novels all released by Tourmaline Books. Through August, all ebooks are 99 cents each.

Downloaded your #FREE copy of Kingfisher: Slave to Honor – http://bit.ly/2ttpqt9 – the new magical realism novel by award-winning Alon Shalev? Publisher gauging interest by analytics including how much read and your honest review.

More about the author at alonshalev.com.

I Felt The Earth Move

Oct12

I felt the earth move and not in the way that we Californians usually associate the word or what the rest of you are thinking – admit it! I had a literary orgasm and I had not just finish reading erotica. I actually had just finished Patrick Rothfuss’ second book – The Wise Man’s Fear.

After I read his first novel – The Name Of The Wind – I gave it an enthusiastic 5 star review. After I finished the second book, I wrote: This is as close as I have ever come to giving six stars. There were moments when the complexity of the societies that Rothfuss writes left me amazed. As an author I feel he has raised the bar for me in a way I have not felt in years. Truly inspiring.

I really wanted to give the second book six stars but Amareads/Goodzon wouldn’t let me. I have never felt like this before, so completely in awe of a novel.

Rothfuss breaks the rules. The ‘experts’ (those who are and those who think they are) tell us that our novels must plunge straight in, that we must have a fast pace, that we should minimize backstory, and focus on plot, plot, plot!

Despite loving his books, I only now went to his blog to read the announcement about a future movie, television series, video game, and recipe book. Okay, I embellished about the recipe book, but who knows?

Somewhere in the middle of the blog post, Rothfuss wrote the following about why he was skeptical that Hollywood could put his books onto screens:

“Pretty much every fantasy movie created so far has been an action movie, or plot centered, or both. And my books aren’t like that. My books are about the characters. They’re about secrets and mysteries and the hidden turnings of the world.”

At this point, the heavens opened, a bright ray of sunshine beamed down accompanied by harp music. I had an epiphany!

I love my characters. I really do. I worry for them when they face danger, I grieve for their failings and I cry when they die. I have dreamed of meeting them and even imagined I met my protagonist at Starbucks – yes there was an extra shot in the Frappawhatzit.

While I have never been accused of a slow pace or lack of emphasis on plot, most of what the editors cut is character development rather than world-building or plot. I would like to share more of my characters, and discover with the reader their multifaceted personalities.

But this does not work in our fast-paced world with our nano-second attention span. We are apparently listening to our readers and what they want.

Thankfully, Pat Rothfuss (may I call you Pat?) was totally negligent in listening to these naysayers, or he just followed his muse. And he has proved that if a magical realism or fantasy novel is written well and rich in texture, it does not have to be like every other book.

Before I embark on rewriting the manuscript for the 6^th Wycaan Master novel, I am taking a few weeks to enter the corrections and suggestions that my writers group has given me over the last year for a magical realism novel I whipped up one day (or half-year).

I am noticing that my own corrections are adding depth in a way that I have not done before and I think, no I know, I am being influenced by Rothfuss’s two novels. Imitation, they say, is the highest form of flattery. I am not copying his style, but he has left a deep impression on me and I am sure many other authors and writers.

Thank you, Pat. I hope you are as flattered as I am grateful. And thank you to everyone who helped make the launch of From Ashes They Rose a success. I couldn’t do it without you … literally! I am sincerely grateful.

——————————————————————————————————

Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alonshalev.com and on Twitter (@elfwriter).

An Author Needs His Hat

Sep21

“So, what’s with the hat?” The question came from a young man in the back row of the small (but thankfully packed) room.

I had been fielding questions about plot, world-building, characters, building a series, and on being a writer, so this caught me off guard. My bad. It was not the first time I had received such a question. I was reminded of this when a twitter follower graciously allowed me to finish the day with a smile this week, posting that he couldn’t ignore a book written by an author with such a great hat. Thank you, sir.

So, what is with the hat? I was wearing it when my sons and I wrote those first words deep in a redwood forest in 2010. Sitting at a campsite picnic table, I brandished my snow-white keyboard, doffed my hat and wrote: “In a hole in the ground, there lived a hobbit…”

Okay, I’m getting carried away. I actually opened At The Walls of Galbrieth with the words: The screams pierced his dreams and… Every summer since, I have read the next manuscript to my sons while camping, and while wearing my hat.

Reading Book 6 in the summer of 2015. End of an era.

Reading Book 6 to my toughest critics in the summer of 2015. End of an era.

Though I feel a great connection between hat and story, none of my characters actually wear a hat in the novels. Maybe I connect to it because I would simply feel too self-conscious walking around the San Francisco Bay Area with a heavy, hooded cloak and staff with the exception perhaps of Halloween.

Ironically, I am not much of a hat-wearer. Traveling to the East Coast in winter warrants a hat, and the same one I wear for camping, sits aloft my head as I fly fish. I am sure the trout take careful note of my headgear since they totally ignore my fly.

But now I have begun to take notice. The professor wore his tweed hat though not in his ancient Oxford study. Sir Terry Pratchett RIP had his splendid black fedora (hope I’m getting the title right). And I have seen other fantasy authors on twitter handles, websites, and Wanted posters.

Neil Gaiman, in his wonderful tribute to Sir Terry, described their first meeting thus: The author, a former journalist, has a hat, but it’s a small, black leathery cap, not a Proper Author Hat. Not yet.

So here is my Wycaan Master books series by hat. Please feel free to click on each to see which book the photo features on (we used the same for Books 3 + 4).

Are you a fantasy author with a hat to show? Feel free to leave photo and link to your books in the comments.

Here’s to authors in hats. May our heads be ever covered, our pages full of words, and our minds ever brimming with imagination!

We are now less than two weeks from the release of From Ashes They Rose (October 1.). So please, consider investing $2.99 to preorder the ebook version. Maybe one day you can point out nonchalantly to friends over a deep red Merlot that you helped that best selling author when he was still a struggling writer.

How could I forget…

————————————————————————————————

Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and four more novels in the Wycaan Master Series – all released by Tourmaline Books. From Ashes They Rose, the fifth in the series, will be released October 1, 2015. The story continues.

Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

How Fantastical is Fantasy?

Apr13

I mentioned previously that I am reading Sometimes The Magic Works by Terry Brooks. On Page 27 of this little book of great lessons, he writes how, as he struggled with his writing, he began to realize that he could not write the book in this world. “Everything I wrote had to remind readers of what they already knew, yet makes them take a second look at whether or not what they believed was really true.”

I’ve been thinking about this sentence a lot. The difference between epic fantasy and magical realism (think Game of Thrones – George R.R. Martin) is that the former transpires in a totally different world, whereas magical realism takes place in this world, but has elements of the unexplained – magic.

While the Wycaan Master series takes place in Odessiya, a mythical world, I kept it relatively easy to imagine, because I do not want the reader to struggle with my world building. Rather, I want them to focus on the characters and the plot, while still portraying a beautiful world.

Christopher Paolini does a wonderful job describing his land of Alagaesia, in stunning detail. He suggests his success in doing this is based on his love for the wild as he grew up in Montana. But again, his world is very easy to believe. When my family is on a road trip and are confronted by a beautiful vista, we point and declare: Alagaesia!

I hope I have succeeded in portraying Odessiya as a beautiful land: full of great mountain ranges, deserts, forests, lakes and coast. I thoroughly enjoyed describing the ice worlds in the north and the forest of the Shanrea, but I never strayed from environments you can associate with on trips or the National Geographic channel.

When I sent Seanchai to the Elves of the West, I wanted to describe a rich world of mighty trees. Living in Northern California, I am in constant awe of the redwoods. My fictional bloodwoods are a tribute to these majestic giants and the name is meant to offer just enough to fill the reader with the images of redwoods. I wanted to offer an exotic setting with a connection to something known to the reader with just enough to be different.

The age of a dozen pages of descriptions that J.R.R. Tolkien got away with no longer survives the red pen of the 21^st Century editor. The publishers, facing rising costs of resources are loath to publish thick tomes, and the millennial reader does not have the patience to read several pages describing a small forest. My eldest son admitted to skipping descriptions after he had a clear picture in his mind and I am not completely unsure that I didn’t do this when I read Lord of the Rings back in the previous century.

That being said, the fantasy writer is challenged to offer opportunities for the reader to suspend belief as Brooks suggests. In his own prequels to the Shannara series, he sends us through post-apocalyptic California with humans and mutations. But the mutants are a result of the catastrophe that has all but destroyed the world. It is, tragically, not hard to take that leap of imagination, which again happens when he skillfully weaves in his elves.

Perhaps no one deserves more praise that he who blazed the trail and created a hobbit. There had never been a hobbit before Tolkien and yet it seems so familiar. Even ‘second breakfast’ and the family relations that Bilbo et al gets so worked up about, makes sense.

The skill of the fantasy author is to create a world that the reader does not have to work hard to imagine and then to create something imaginative that allows us, because we have built trust between writer and reader, to suspend rational belief and embrace.

It is a subtle yet powerful tool that offers a rich layer to the world of epic fantasy. It is why readers flock to Terry Brooks, R.A. Salvatore and Christopher Paolini, and why those of us who walk in their shadows continue to cultivate our craft and build words, races and situations that are believably unbelievable.

Have a great week, everyone.

Elfwriter

——————————————————————————————————

Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, The First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

My Secret

Apr6

Friday night, a Creative Writing Major asked me what was my ‘secret’. I like this question because I can respond that if I tell them, then it is no longer a secret. The truth is, it is not secret, and neither do I have any claim to originality. You will find these ideas in a dozen books and blogs.

What is important here is that they work for me. We are all different and live in different life circumstances. But I have three recommendations that I believe could resonate with others:

1) Write every day – writing is like working out. Go to the gym or wherever you work out every day and teach your body to expect it. Likewise, when you write every day, your brain settles into a groove and the process (like those bench presses) become more natural.

It helps me to set goals. I do this monthly and they are typed up and next to my desk. Keep them real and attainable.

What do you do when you finish your first novel? Begin to write your second. Have a glass of wine first to celebrate, by all means, but then get back into it.

Hit the gym and the keyboards every day.

2) Put yourself out there as a writer – if you don’t take yourself seriously, no one else will. Go to a writer’s group, a lecture circuit, conference, workshops, wherever there are writers. Become a member of the community. Start to think, act and behave like a writer (I’ll leave the details to you). Last night, at my non-profit’s annual fundraiser, I put my trilogy in the silent auction. Though I never hide my ‘other’ life, it was surprising how many students and donors came up to me and said: “I never knew…”

3) Learn the Craft – I know I have mentioned these books before, but I read annually. One is Stephen King’s On Writing, and the other is Sometimes The Magic Works by Terry Brooks. I believe that anyone who wants to write should read the former, and anyone who wants to be a fantasy writer (or a mensch) should read the second.

There is more to this point than just reading a How-To. Take an author who you admire and learn their work. Read their books first to enjoy a good story, but then read them again to understand their plot arc, character development, world-building, etc. Analyze what they do well and emulate. I do not mean copy. Take their techniques and blend with your imagination.

You might do well to apply this to how they sell their books. But here I would suggest a word of caution. Do not try to learn marketing from an A-list author. Choose someone who is five years ahead of you and follow them. Don’t come to me if you get a restraining order, I mean follow their online platform and certainly, if they are in town for a book reading or writer’s conference, then go.

A man I have my eye on (and I am referring to his success as an up-and-coming fantasy author) is Daniel Arenson, He has just released a new book – Requiem’s Song – congratulations sir. My youngest has just begun the first Requiem having heard my eldest and myself enthuse about it. He has hardly lifted his head from the book all weekend.

If my ‘secret’ doesn’t work for you, find someone else’s. I won’t be offended, I promise. While we are on the topic: Authors – What is your secret” Please share in the responses or consider a guest post here.

Have a great week everyone.

——————————————————————————————————

Happy Birthday, Professor Tolkien

Jan3

Everyone should have a mentor, a leader they look up to, someone who, when they are faced with a dilemma consider: What would XXX do? That person might be a religious leader, a youth leader, a teacher … or a professor.

A month ago, on another blog, I spoke of the loss I feel for Nelson Mandela and describe his influence at various times of my life. But I have another hero, not one who would, I am sure, compare himself to Madiba, but a man I think about all the time when writing. If I am faced with an issue in one of my books, I pause and try and imagine what a certain old Oxford professor would advise me to do.

The old professor is, of course, J.R.R. Tolkien, author of The Hobbit, Lord of the Rings, and others. His books are legendary, his world-building stunning, and his ability to create languages simply mind-boggling.

But often what people forget is that Tolkien seemed, on the outside at least, to be anything but a fantasy writer. He was an academic, a somewhat stiff Englishman, a traditionalist, a Christian, and a war veteran. One fine summer day, he was rather bored marking term end papers when someone had inadvertently inserted a blank page.

Tolkien, without much thought, scribbled on the white paper the famous words: In a hole in the ground there lives a hobbit…

And he went on to change the world of epic fantasy forever. He should have realized what he was doing, for as he warned dear Frodo: “It’s a dangerous business, Frodo, going out your door. You step onto the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.”

Today, J.R.R. Tolkien is, I believe, in a pub up there in heaven, celebrating with his illustrious friends from The Inklings and raising a glass to celebrate his 122^nd birthday.

In the Lord of the Rings, Bilbo celebrates his eleventy-first birthday, so it is only fitting to wish Tolkien a very happy twelvety-first birthday and to sing him Happy Birthday in elvish, the language he created, one word at a time. Thank you to Petri Tikka for this rendition!

So please, wherever you are, take a moment, pour yourself a glass of whatever does it for you and raise it to the following song:

Happy Birthday Professor – Oronnad meren allen!

——————————————————————————————————

Possessed Writers – repost

Nov17

Over the three days of November 17 -19, Amazon.com have decided to promote the 2013 Winner of the Eric Hoffer Award for YA – At The Walls Of Galbrieth. The novel will be offered FREE in ebook form.

This is a wonderful opportunity for me as an author and I request that you download the book and invites your friends to do the same. Feel free to gift it on (Thanksgiving and Hanukkah, anyone?).

To celebrate this and also the milestone of 100 blog posts on elfwriter.com, I wish to offer 10 of my favorite posts over the next three days. I hope you enjoy and, please, take a moment to download for FREE At The Walls Of Galbrieth and spread the word.

Thank you,

Alon

=======================================

The scene might be the same in any house mid-week, early evening.

Your partner is rushing to make dinner, still in his/her office clothes. Ten- year-old son is irritable, primarily because he preferred to play wall ball than eat his lunch at um … lunch break. He has even pointed out that the First Lady wants him to exercise more (you just lost my vote in 2020 Ms. Obama! Tell him to eat that sandwich we made him). Older son is drowning in homework and needs help. Unfortunately it is not math where he ends up explaining it to a perplexed calculator-wielding father – it is English and father is the fastest typist in the house.

From within this maelstrom, hassled wife turns around from steaming cooking pots and sees an unset, messy dinner table, a swivel chair, and a writer’s desk. The writer, sitting in said chair, is distinctly facing the wrong direction, pounding his keyboard with a vengeance.

Suddenly, she can’t help herself. Forgetting the wooden spoon in her hand (writers notice these details especially when the spoon is being flailed in said writer’s direction), she towers over the writer, hands on hips:

“You’re writing? Now? Man, you are just possessed!”

When my extremely patient and understanding wife says something like this, it does makes you wonder. The problem is that after a stressful few months, I had a week off over the Christmas break, and kind angels put our family up in beautiful, snowbound Tahoe, 10,000 feet high in the Sierra Nevada mountain range.

Already on crutches from a knee operation, I was never going to cut the crisp, fresh snow on virgin slopes (I don’t ski even when not on crutches – at best I tumble down a 100 feet nursery slope, make sure there are photos, and then slink off for laced hot chocolate).

But here, if only for a few days, I couldn’t help myself. The laptop comes on and a few snow-bound scenes of a new book somehow appear.

Possessed? Moi? Five months and 103,000 words later, despite an intense period at work and many other obligations, I type the final period, click the save command, and stare at the epilogue. Rough first draft of Wycaan Master Book 4 is completed.

This latest book was written mainly between 7.30-8.30 am and after the boys go to bed on weekdays, and a couple of hours on the weekend, or random pieces written during odd times. Or while waiting at the dentist, on the mass-transit BART commuting home, in San Francisco, Washington DC, Ventura, St. Louis, San Diego, and at too many airports.

Possessed? Nah. Possessed would be finishing Book 4 and starting to write scenes of Book 5. Possessed. Out-of-control. Crazy.

I just wrote a few pages, honestly, mainly plot threads that I want to develop, characters that need to grow and confront their pasts. There is a bit of world-building with oceans and…

Starting Book 5 might just be considered grounds for divorce, need to involve Family and Children Services, or a good psychologist (preferably one who is as much a fan of Tolkien as of Freud).

Starting Book 5? “Now? Man, you are just possessed!”

Fair point.

=========================================

Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, offered by Amazon.com for FREE on November 17-19. The sequel, The First Decree, and Ashbar – Wycaan Master Book 3 are all released by Tourmaline Books. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

Why Do Adults Gravitate To Young Adult Fiction?

Nov4

I believe that more adults are reading the epic fantasy Wycaan Master series than young adults. I know there is a fair proportion of teenagers and even pre-teens reading, but judging by the emails, blog comments, and twitter responses, it is predominately adults. This is all despite the books being written for and with my children, which I describe here. It begs the question why are adults drawn to Young Adult (YA) books?

I found this article by Kelly Johnson. In her post, she debunks the following statements (her words):

1. Our culture encourages an unnatural and prolonged adolescence

2. YA books are escapist since you don’t have to look beneath the surface of them. They are easier to grasp.

3. Adults read YA because they aren’t able to read past a middle school or high school level because adults are getting dumber and dumber.

4. YA books are about hopefulness. Their problems aren’t really problems and they can be fixed. Also there’s always a happy ending, so it’s satisfying and fulfilling to adults. The characters are likable.

5. Fill in the blank with your own justification here. Some examples may include: YA is all about first experiences; YA is nostalgia for adults; YA is cheaper than adult books and therefore more appealing to the wallet; and so forth.”

I enjoyed Ms. Johnson’s fiery responses to these statements, but I felt let down when she finished with: “The only justification for why adults read YA books is this: they choose to. That’s it. That’s their reason. Adults read YA books because they as adults choose to do so.

I am disappointed. None of these reasons explain why an adult, working, raising a family, involved in a community, volunteering, following a sports team etc. would be so moved to take a few precious hours each day to sit and read, and then often reach out and engage with the author, fellow readers, come back to buy more books, and enter deep discussions online and at the pub.

Fiction is all about the plot, the characters, and the environment. It is true for John Grisham and Stephen King, and it is true for Terry Brooks, Christopher Paolini, and R.A. Salvatore.

When I read a John Grisham book, I am transported to Mississippi, to another time, and when I close the book at the end of a chapter, I worry about his characters and their choices. It is no different to George R.R. Martin who may kill off a few popular characters in the next chapter if he had a bad day.

The issue, I think, is how we perceive YA. A young adult book means there is no sex, less violence and no profanity. There are certain boundaries not crossed if we want our youth to read them. But that is all it is. There is nothing here to prevent an adult from enjoying the book, unless you assume we are all sex-starved, violent, expletive-charged individuals, which would be sad, especially if this is how Hollywood and the mass media perceive us.

I am taking a few months break from the fourth Wycaan Master book to write an adult fantasy book.

I have not felt a need to raise the richness of language.

I have not made the characters deeper and more compelling.

I have not sought a more complex plot.

I have not deepened or diluted my world-building.

There are, to be honest, issues dealt with here that may be too dark to share with youth. I share a lot with my teen son, but would hesitate to share certain passages here. Characters deal with fears and obstacles that most of us who have children might not want them to read. There is sex and more graphic violence than in the Wycaan Master series, but that might yet get dialed down.

So what does make adults gravitate to YA novels? The problem is not with the answer. The question is simply wrong.

People read a story because it has a good plot, characters that the reader can bond with, a world that stimulates the imagination. This is the same for adults as it is for YA. YA is written within certain criteria in order to make them a safe space of teens. It certainly does not mean dumbing down or becoming predictable.

The discerning reader will be drawn to a book in their chosen genre simply because it is good: plot, characters, environment and strong writing.

A good novel is a good novel is a good novel…

So this seems like a good time to thank all of you who bought Ashbar – Wycaan Master Book 3 and any of my other novels. I read every blog comment, every tweet, every priceless review on Amazon.

Thank you. Thank you. Thank you. Have a great week.

elfwriter

——————————————————————————————————

World-Building: How Much Detail?

Sep9

I’ve noticed a number of adult reviewers of my Wycaan Master series have been critical of my world-building, suggesting that I do not go deep enough or that the books are too fast-paced and that more description of scenery and environment would help to pace the book.

There seems a definite age issue here. I asked a number of my sons’ friends (ages 10-16) who have read the book and they did not agree. In fact, the younger readers were happy to describe to me the fortress of Galbrieth from Book 1, and mighty Hothengold, the dwarf capital, which is situated in a huge cavern. Admittedly, each child described it differently, but I am not sure that matters.

It seems there is a certain richness in each (young) reader’s imagination forming their own world, but why do adult readers not want to exercise their minds in such a way? Why does the generation of instant gratification seem willing to work their imagination muscles, while those who always had to work hard to discover anything, do not? In an earlier blog post – The Art of World Building – which I wrote at the beginning of my epic fantasy writing journey – I assumed that it would be exactly the opposite.

I suspect age is not always a factor. The adult who is often challenged to find reading time, wants to push the plot along, something my books are complimented for, and not spend a chapter describing every tree in Mirkwood. Ironically, when the same readers lost themselves in Tolkien’s Middle Earth decades ago, they had more free time to meander with the master.

Over the summer, I have indulged myself in writing an adult fantasy novel, a Game of Thrones wannabe, and I will soon shelve it to focus on editing Book 4 and writing Book 5 – the cycle never ends. But I realize I have been no more generous with my world building than for the Wycaan Master series.

So my question to you, dear readers: How much detail of the environment is needed for a YA in comparison to an adult fantasy novel? Is there enough world-building in the Wycaan Master series? Please feel free to leave your feedback in the comments section below. I really appreciate every comment.

Talking of feedback: I have been reading a number of books about Amazon.com and how to improve your ranking and exposure. I really need reviews on both At The Walls Of Galbrieth and The First Decree, on both the US and UK sites. Apparently less than 3% of readers leave reviews and I admit, until I began writing, I was one of the 97%. But now from the other side of the fence, I would really appreciate that if you have read either book, please take five minutes and leave a review.

It will be a huge help to a struggling author and if ever we meet in Odessiya, the next round of ale will be on me!

——————————————————————————————————

Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, Wycaan Master Book 1 and The First Decree, both released by Tourmaline Books. Ashbar – Book 3 – is due for release in October 2013. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter).

The Gods of Fantasy

May24

Pass a summer evening in a quaint English pub, mid 20th century, perhaps in the old town of Oxford. Caress a pint and listening to a few graying professors discuss semantics, philosophy, and the ancient languages long forgotten outside the sheltered walls of academia. What else can one possibly ask for?

Imagine these tweed-clad, pipe-smoking academics, hatching more than another challenging semester to try the greatest minds of this fair isle. Each is a king in the making or, more accurately, a kingmaker. For they direct more than the destiny of kings and noble houses. They raise kingdoms and conquer lands. They build great dynasties, bring whole species back from the mists of extinction, and set those of noble birth and principle to stand against evil.

Sip your beer, mull over the words, much of which you might not understand. Dwarves, elves, of course: but hobbits? Marsh-wiggles? Listen as the professors strategize great battles, masterfully marshalling unicorns, dragons, giants, minotaurs and proud ents.

You slowly realize that you sit among the Gods, the creators of Middle Earth and Narnia, who hold court on Tuesdays at midday in a local public house. Perhaps it is The Eagle and Child, or The Lamb and Flag across the street. They read each other’s work and offer critique as writer’s groups have for centuries and continue to do so today.

I may never have understood much or been accepted into such an elite. They would have torn my work to shreds on grounds of philological shallowness (I had it checked – it’s not contagious), criticized me for imprudently suggesting that a 100,000 word novel can serve as more than merely an introduction.

They would have demanded richer world-building – take twenty pages to describe a forest, I dare you – unyielding heroes, and infallible plots. They would have challenged the age-old legends dressed up in fictional costumes, and raised an eyebrow at some of the language or innuendos.

Most likely, I would never have dared reveal my stories to the old professors of Oxford, to the most famous writing group in history. I would never have been more than a fly on the wall at a meeting of The Inklings, but would have returned week after week to sit at the feet of the Gods and hear their banter.

For here the Gods gave birth to great worlds and left them as a legacy to us and to our children, long after they departed this world. Every Wednesday night, I sit around a table in a coffee shop in Berkeley, sharing work with other aspiring authors and wonder: do the Gods look down upon us from Writers Heaven?

Do they tut and shake their heads at our adverb addiction, our unwillingness to kill our darlings? Or do they even now move pieces around the literary chessboard. Protect the king! Advance the knights! Who, I wonder, are the pawns?

As we write a new book, a new chapter, do we not imagine the Gods walk among us? Do they peer over our shoulders at our swanky writing machines, judging every word we write, every world we build?

The Gods once sat in an old English pub. Now they stand behind us in coffee shops and at kitchen tables, urging us on, watching us walk the path they forged, taking on the quest they started.

For the Gods still walk among us and inside of us. The stories have been told but must be told again in different ways to a different generation. We sign these books in our own names, but humbly acknowledge those who molded us in their image as storytellers.

And now they are the flys on the wall and we who pound the keyboards. Take a moment, draw another pint, and raise your glass:

To the Gods of Fantasy!

—————————————————————————————————–

Alon Shalev writes social justice-themed novels and YA epic fantasy. He swears there is a connection. His latest books include: Unwanted Heroes and the 2013 Eric Hoffer Book Award for YA – At The Walls Of Galbrieth. Alon tweets at @alonshalevsf and @elfwriter. For more about the author, check out his website.

Elfwriter

A Fantasy Author

Tag Archives: world-building

Happy Eragon Day!

An Author Needs His Hat

Possessed Writers – repost

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this: