Happy Eragon Day!

It’s true! August 26 has been designated Eragon Day. I’m not sure who decides such things, but fourteen years ago, on this very day, Christopher Paolini realized Eragon, the first in an incredibly rich series that would turn a generation onto epic fantasy.

The four-book trilogy (every fan remembers the thrill at some point in the middle of the third book when they realized it wasn’t going to end and another 800 pages of Eragon would have to be written) provided a magically bonding experience for my family, and stands along with Harry Potter and Lord of the Rings in Shalev family history.

My sons and I devoured every book: pouring over every word, listening to the audio versions on vacation, and watching the (only!!!!) movie. And yes, as loyal fans, we loved the movie even if it was not the greatest. Come on Peter Jackson – work your magic here, sir!

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When Paolini released Brisingr, my then 10-year-old son stood defiantly at the front of the line in our local Borders (RIP), falling asleep on his feet literally as the clock approached midnight. I will never forget the lady who was working there, encouraging him to stay awake and hang on. At exactly midnight, she put a copy that she had hidden under the counter into his hands and whispered that he should buy that very copy. It was the only book in the store that Christopher Paolini had personally signed. Five minutes later, my son was fast asleep in the car clutching his autographed copy by his hero who was barely ten years older than him.

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My son holding his autographed copy at the midnight release… a priceless moment!

I wrote a while back that Paolini must be one of the most underrated authors and shared that he disproved a number of important assumptions:

1. The young generation will read 400-page novels if the material is gripping enough.

2. They will read rich descriptions, convoluted plots, and identify with characters that are deep, vulnerable, and profoundly human (or elf or dwarf).

3.  They will thrive on a high level of language.

4. Tolkien might still be king, but he has good company. Paolini is young. His level of craft is only going to improve and that is an exciting prospect.

I have to admit to selfish disappointment when Paolini decided to stop writing after Book 4 and go to college. He had every right to want that rite-of-passage experience and, as a loyal follower, I had no right to resent him that.

I owe Christopher Paolini a lot.

As my sons and I bonded over the Inheritance series, a seed was sown. We sat together to write our own epic fantasy novel. At The Walls Of Galbrieth went on to win the 2013 Eric Hoffer Book Award for YA and was a Grand Prize Finalist. Every summer for the next five years, I read the new manuscript to my sons while we camped under redwood trees that could have graced Alagaesia.

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Writing At The Walls Of Galbrieth – a family effort!

The uncompromising standards that these fierce young editors applied to our work was harvested from the lessons learned from reading the Inheritance Series. Earlier this month, I took my boys (now 18 & 14 and towering over me) on our annual camping trip. I read them the first 150+ pages of Kingfisher: Slave to Honor (minus a few adult scenes) and their edits were sharp and erudite. I am extremely proud of them (I know, I am totally objective!).

Summer 2015 Reading Book 6

Reading Book 6 in the summer of 2015. End of an era.

So Christopher, if by any chance you ever read this: Thank you, as a reader, a fan, and a father. How about Book 5?

While on the topic of Kingfisher: Slave to Honor, you can help me with a publisher (Inkitt) who is interested in the book. Please go to http://bit.ly/2ttpqt9 and download for FREE, this new medieval fantasy novel. The publisher is gauging interest by analyzing how much you read and by your honest review.

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Thank you for your support. Who knows, maybe Peter Jackson will one day make a movie of it because of your help. A boy can dream, no?  

Happy Eragon Day!

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth and five other novels all released by Tourmaline Books. Through August, all ebooks are 99 cents each.

Downloaded your #FREE copy of Kingfisher: Slave to Honor – http://bit.ly/2ttpqt9 – the new magical realism novel by award-winning Alon Shalev? Publisher gauging interest by analytics including how much read and your honest review.

More about the author at alonshalev.com.

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Depth of Character

THERE ARE NO SPOILERS HERE:

A while ago I read the first two books in The First Law Trilogy by Joe Abercrombie. I remember planning to write a blog post then on the author’s use of character, but somehow other topics rose to my attention. I am now three-quarters through the third, and just as enthralled.

Joe Abercrombie

Sometimes when I’m really enjoying a book, I’ll read a sentence or paragraph and just wonder: how can someone’s head be wired in such a way that they’d come up with that? Joe Abercrombie epitomizes this ability to keep it unique.

But it is his characters that amaze me. It is impossible to identify one protagonist – there are several. The danger in doing this is that each must be compelling or else the reader will flip through a section to return to the more favored characters. This does not happen with Abercrombie – each protagonist is capable of holding his or her own space. Their voices are completely different, backed by their own personal flaws and challenges. If you are looking for character tropes, this is simply not the place. If you want the perfect hero, look elsewhere. But perhaps because of their flaws, we can connect with them. For a medieval fantasy novel, or any similar sub genre, this is a brave move, but Abercrombie does it perfectly.

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Even minor characters manage to claim their unique places. All the Named Ones are memorable, one of Glokta’s muscle men has an incredible vocabulary, and there are so many more. It is to Abercrombie’s credit, that there are simply no throwaway characters. That is a testament of hard work. 

Another brave move is to break the rules. A member of the Berkeley Writers Group wrote a piece in which she includes considerable internal monologue, italicized to make it clear who is speaking. Her editor suggested cutting it as this is not conventional, But when she read this second version to the group, we lamented the intimacy we had with the character and the author feared the protagonist had lost her voice. 

Joe Abercrombie Quote

Abercrombie does this brilliantly with Glokta and his internal dialogue. If he just used it to show the character’s emotions, one could say there are other ways to achieve this – body language for example, but Abercrombie offers much more.

The best example is when he is trying to share the rumors of an imminent invasion and compares brilliantly his bosses’ leadership to a ship that sinks in a storm, interlacing the internal monologue to match the self-interested, derisive comments of his superior.

In addition, Abercrombie has the ability to offer such succinct lines that convey so much. There are a few examples here. 

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What compelled me to write this blog post – I don’t usually review other authors – is the thrill I feel when I read someone who is expanding the craft. We often refer to the way we write as the craft (I think Stephen King was the man who introduced this to me) and we all look to improve the nuts and bolts of our work. When you take your own craft seriously, you look at the masters with awe and try to learn from them. 

In pass blogs I have mentioned such authors as Tolkien, Terry Brooks, Christopher Paolini, Terry Pratchett, as the masters of our genre. From my perspective, Joe Abercrombie can unapologetically take his place at the table.

Finally, thank you to those who are helping my new medieval fantasy manuscript, Kingfisher: Slave to Honor find a publisher by downloading a free copy. The publisher is interested, but I need you now to read  it (they are measuring how many pages you turn and whether you leave a review. It is very exciting and I thank you for your support.

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Warmly,

Alon
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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls Of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions – all ebooks are 99c each for August. For all other eReaders, please click here.

Download a #FREE copy of Alon’s latest novel, Kingfisher: Slave to Honor, as publisher gauges interest – http://bit.ly/2sq72DG

More about the author at http://www.alonshalev.com and on Twitter (@elfwriter).

 

Summer Reading Binge – August Only!

It’s that time of year again: Tourmaline Books has reduced the entire Wycaan Master series to just $0.99 for each book throughout August.

This a great time to introduce a young person to Seanchai and his friends. I wrote these books for my sons who were 11 and 8 when the first came out. They were 16 and 13 when the final book was published.

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This is how it all began – deep in a redwood forest in 2011.

Summer 2015 Reading Book 6

Reading Book 6 in the summer of 2015. End of an era.

While At The Walls Of Galbrieth won the Young Adult category of the Eric Hoffer Book Award, I am not sure what proportion of readers are in the 11-18 age range. Perhaps they are less likely to interact with an author on social media. Still, I am delighted every time I hear of a teen who has enjoyed the series.

Please click on the book cover to buy your 99c copy of each book and, if I might request, please leave a review on Amazon when you finish. It’s a huge help for me.

Thank you for your support. Enjoy the summer.
Alon

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