Tag Archives: money

Sacrificial Flame Released!

This weekend sees the release of Sacrificial Flame, the fourth Wycaan Master novel, available in paperback and Kindle. One would think that when your seventh book comes out, the thrill lessens. You never forget your first time, right (I know, but bear with me)! I wonder how Henry VIII felt at his sixth wedding?

Sacrificial Flame Cover Hi Res

I have written in the past about that special moment and it remains one of the most reblogged and retweeted elfwriter blog posts. But it was true when I wrote it and it is just as true now. The thrill of holding the book, and of seeing its’ gradual uploading onto Amazon, is simply palpable.

Sacrificial Flame is different from the novels of the first trilogy. It is darker, more complex, and I realize that I am aiming my novels at my own kids (my most important target audience) and they are growing up. We wrote the first when my eldest was 10 years old. Now he is a teenager who shaves and thinks about his appearance and the interactions around him. He and I talk about politics, drugs, and money (among other lighter topics).

Sac Flame 2

As I write this, I am reading the first draft of Book 5 every night to my sons. It remains the highlight of my summer and I thrive on their reactions, appreciate their feedback, and treasure the ensuing conversations.

Book 5 will take a time-out after this reading, left to ferment like a hopeful wine, and then receive a serious edit in the fall, before leaving for the arms of another. Book 6? Maybe now, but more likely in the winter. Whenever it begins, the first rough draft must be ready for next summer’s rite-of-passage.

In the meantime, I wait anxiously for the verdict on Sacrificial Flame. Please let me know what you think, leaving comments on this blog post, on twitter, or most importantly, an honest review on amazon.

Good reading,

Alon

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, The First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. His latest novel is Sacrificial Flame, the fourth in the series. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

Where is the Moral Line in YA Fiction?

Since I wrote Wycaan Master with my (then) 11-year-old son, I assumed that our story fitted the Young Adult genre. It is a coming-of-age novel, so I never gave it much thought. There is no clear sex or profanity, though race is a big issue in the first book.

Since I have become absorbed in the fantasy genre, I have begun to wonder where the line is drawn. As I continue to write the second and third books in the series, intimacy has developed between characters, sometimes direct and at other times implied. There has been plenty of violence and references to overindulgence in alcohol. Colleagues at my writers group have questioned whether I should be including these themes.

As I began to research this, I found a number of excellent sources regarding YA fiction in general. Heather Dunlevy-Scheerer has written an interesting article about the historical development of YA literature.

She lays out several characteristics that she took from someone called Niday (I couldn’t find a clear reference).

(1) a teenage (or young adult) protagonist

(2) first-person perspective

(3) adult characters in the background

(4) a limited number of characters

(5) a compressed time span and familiar setting

(6) current slang

(7) detailed descriptions of appearance and dress

(8) positive resolution

(9) few, if any, subplots

(10) an approximate length of 125 to 250 pages.

From a brief skimming of the Internet, it seems that the common thread in YA fiction is an adolescent, rather than an adult or child, protagonist. However, the subject matter and story lines of leading YA literature are relevant to the challenges of youth, and more edgier novels include themes such as identity, sexuality, science fiction, depression, suicide, drug abuse, alcohol abuse, money issues, race, familial struggles, and bullying.

April Dawn Wells suggests seventeen common traits of young adult novels. These include: “friendship, getting into trouble, interest in the opposite sex, money, divorce, single parents, remarriage, problems with parents, grandparents, younger siblings, concern over grades/school, popularity, puberty, race, death, neighborhood, and job/working.

There are a number of YA novels currently in print that are on the edgier sides, dealing with peer pressure, drugs, gangs, crime, violence, sexuality, incest, oral sex, and female/male rape.

The obvious criticism of these novels is that they encourage destructive or immoral behavior or at least bring them into the adolescent’s mind at too early an age. Countering this is the fact that teens will be better equipped to deal with real-life difficult situations and social issues because they have role models in the protagonists they have followed.

Where is the line drawn in amount and nature of such issues between appropriateness and inappropriateness in young-adult fiction? How can we keep literature as a relevant medium when the exposure of TV, computer games and Internet is almost not monitored and easily accessible? None of these mediums, in my opinion, can offer the depth of thought and emotion that a good book provides.

Now more than ever, YA literature needs to stay relevant. Maybe the adults (including parents of teens like myself) have to accept that we might be more uncomfortable with this than our children.

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written two fantasy novels and the first reached the Quarter Finals of  the Amazon Breakthrough Novel Award as of March 2012. More on Alon Shalev at http://www.alonshalev.com/and on Twitter (@elfwriter).