Paperback Rising?

It has been almost three weeks since the second edition of At The Walls Of Galbrieth was released. Thank you to all who purchased the book, all who will read it, and those who have already read it and sent me such lovely, warm notes.

Galbrieth cover.5th.anniversary

What has been interesting is that I am selling, for the first time (as far as I know), more paperbacks than e-books. Given the competitive way in which bookstore place novels, it is extremely difficult for authors not on the A-list to find shelf space, even with the most tenacious publishers backing them.

I market my book towards the e-book crowd. The financial investment in taking a chance with a new author is so much smaller than a tree book and, between you and me, I am rather fond of trees.

However, there is a problem with this strategy when it comes to the Young Adult market. To purchase an e-book, one needs a credit card, and the young adult does not spread the plastic (as a father I should add, Thank the Holy Auditor). S/he needs to ask permission to buy a book and while most parents I know are happy to buy it, there are several steps involved that could sideline the request – making dinner, walking the dog, homework – you know, life.

The other issue with trying to sell e-books to a Young Adult market is that not all parents approve of their children having more screen time. Hands up if you told your kid to get off their phone and, with a roll of the eyes, they hold the screen in front of you to show they are reading a book or article, or worst of all, doing homework?

 

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So, I am wondering whether I should change strategy. Time is limited (this blog used to be weekly) and I am a considerably happier and more congenial chap when writing or editing my next novel.

I have given up on the bookstore appearances (thank you Independent Bookstores for offering this wonderful service to the community) or book fairs. The ROI is negligible and again it is a time issue.

What are you doing? Are you writing for a young adult audience and having a similar experience? Are you a parent who encourages their children to read e-books? I would love to hear in the comments below.

Anyway, thank you again to all who support my work and the travails of Seanchai and the Wycaan Masters.

Good reading,

Alon  

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls Of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. Sign up for more information about Alon Shalev at his author website.

 

 

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Publishing by Popular Vote

A few months ago, I wrote about the new publishing model and shared that I have entered Kingfisher: Slave to Honor, my latest novel into the mix.

Kingfisher Cover

Briefly, Inkitt is a publisher who, through a range of analytics, bases their decision whether to publish by judging people’s responses to a novel. They define themselves as “the first reader-powered book publisher.” One hundred people downloaded the novel in an amazingly short period and some have read and left reviews. If you are one of these: THANK YOU!

Whether you have read it or not, in less than five minutes, you can help me secure a book contract:

If you downloaded the book:

  1. Please read (or skim through if you are pushed for time), answer their questions, and leave an honest review.
  2. There is a button to vote. Please vote!

If you have not downloaded the book but follow my work, please click here and vote for the book.

Kingfisher: Slave to Honor is not a Young Adult novel. It is medieval fantasy and has an edgy sliver of grimdark running through it. If you purchased the Wycaan Master series for your children, this one’s for you.

Thank you for taking a few minutes to help me realize my dream of getting Kingfisher a publishing deal. It means a lot.

Warmly,

Alon / elfwriter

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alonshalev.com and on Twitter (@elfwriter).

Trilogy - 1

The Gift of Escape

T’is the season of goodwill, so first, happy holidays and may you and yours enjoy a new year of good health, love and friendship, and the realization of whatever goals you dream of. Thank you for supporting my writing and for your wonderful feedback and encouraging messages. I treasure each and every one of you. 

This eNewsletter started out as a shameless plug to entice you to buy paperback copies of the Wycaan Master series as gifts for your dear ones, especially young adults. If you live in the San Francisco Bay Area, I am happy to try and meet, to sign and inscribe a personal message.

But as I wrote it, this message became something quite different.

Asif reading series

2017 has been a tough year for most people, but I want to focus on those who are coming-of-age, It is difficult for any young person to be oblivious to what is happening in this country or abroad. The world is a darker, more violent place, where selfish self-interest seems to cast a depressing shadow over all.

Where can a young person look for inspiration and respite? I am not advocating for them being cocooned and oblivious to those who cry out for help or to ignore the injustices around them. But in a world of 24-hour news on every platform, the millennial and Gen Z are growing up fast…too fast. This is about gender, color and sexual preference. This involves everyone. My sons are white and straight (as far as I know), but their friends transcend these definitions.

Frodo and Sam1

Think back to a time you lost yourself in a book series. Did you ride the dragons with Eragon and Brom? Accompany Frodo and Sam into Mordor? Whatever the novels that come to mind, think back and remember how it consumed you for a precious few weeks or months. Recall the heroes and companions along the way and what they taught you.

When I wrote the Wycaan Master series, I did so with a strong impulse to impart certain values to my sons. I wanted them to value friendship, honor, to be aware of the responsibility and abuse of leadership. I desired that they be aware of inequality and intolerance. I learned early on that lecturing them is the least effective method and I harnessed their love of stories to share what I wanted to convey.

These values are as relevant today as they were back then and they are under assault now with a greater intensity than I could have imagined when we sat under the majestic redwoods in 2011 and first summoned the Wycaan Masters.

DSCN0193 Taking a journey through a book series remains a memorable and powerful experience for people of all ages. It offers the reader an opportunity to step back for a while, to soar to a new land, bond with characters who take on great challenges in the name of the very values we want to believe in. It is a chance to dream, to be by yourself but never alone.

 So, as we enter the season of gift giving, perhaps consider giving a present of an epic fantasy series. Whether it is the Wycaan Master books or others, it will be appreciated long after the holidays lights are extinguished and the Starbucks’ Peppermint Mocha removed from its menu!

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Here is a review on Amazon by someone who calls herself Mother-of-Four:

My almost 12 year old son read this book for his summer book review project (prior to 6th grade). This is his review:

Seanchai, an elf is living in a world in which human rule, dwarves hide in the mountains and elves are slaves. Seanchai is trying to recreate a great alliance between men, elves and dwarves in the land of Odessiya. The emperor does not want Seanchai to recreate the alliance and sends out men to attack Seanchai and his companions. Seanchai takes safe harbor with a woman named Mhari who teaches him the ways of Wycaan’s. Mhari is the last of the Wycaan’s. They are great masters of magic and great storytellers. His friends are captured at the walls of Galbrieth. Seanchai and Mhari go and save them and take down the garrison. In this book, Seanchai successfully recreates part of the alliance. In the next book, he will hopefully bring the dwarves to join the alliance.

At the Walls of Galbrieth teaches you about the good and bad things in life. I think Seanchai is an interesting character, because he always has to choose between his friends and his destiny but no matter what anyone tells him he always chooses his friends. I like this book because each and every one of its characters have their own secrets. I like this book because it fills you with curiosity and you never know what will happen next. This medieval fantasy story is filled with action, suspense, and adventure, it is entertaining and interesting, and it teaches about friendship, and loyalty. I couldn’t put it down.

This is why I write!

Happy Holidays and thank you for your support, 

Alon

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all published by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here

Learn more about Alon Shalev and his novels here and download a free copy of his latest novel as a publisher gauges interest – . Help secure a book contract by reading and leaving an honest review.

Kingfisher Cover

Depth of Character

THERE ARE NO SPOILERS HERE:

A while ago I read the first two books in The First Law Trilogy by Joe Abercrombie. I remember planning to write a blog post then on the author’s use of character, but somehow other topics rose to my attention. I am now three-quarters through the third, and just as enthralled.

Joe Abercrombie

Sometimes when I’m really enjoying a book, I’ll read a sentence or paragraph and just wonder: how can someone’s head be wired in such a way that they’d come up with that? Joe Abercrombie epitomizes this ability to keep it unique.

But it is his characters that amaze me. It is impossible to identify one protagonist – there are several. The danger in doing this is that each must be compelling or else the reader will flip through a section to return to the more favored characters. This does not happen with Abercrombie – each protagonist is capable of holding his or her own space. Their voices are completely different, backed by their own personal flaws and challenges. If you are looking for character tropes, this is simply not the place. If you want the perfect hero, look elsewhere. But perhaps because of their flaws, we can connect with them. For a medieval fantasy novel, or any similar sub genre, this is a brave move, but Abercrombie does it perfectly.

Characters Acerombie

Even minor characters manage to claim their unique places. All the Named Ones are memorable, one of Glokta’s muscle men has an incredible vocabulary, and there are so many more. It is to Abercrombie’s credit, that there are simply no throwaway characters. That is a testament of hard work. 

Another brave move is to break the rules. A member of the Berkeley Writers Group wrote a piece in which she includes considerable internal monologue, italicized to make it clear who is speaking. Her editor suggested cutting it as this is not conventional, But when she read this second version to the group, we lamented the intimacy we had with the character and the author feared the protagonist had lost her voice. 

Joe Abercrombie Quote

Abercrombie does this brilliantly with Glokta and his internal dialogue. If he just used it to show the character’s emotions, one could say there are other ways to achieve this – body language for example, but Abercrombie offers much more.

The best example is when he is trying to share the rumors of an imminent invasion and compares brilliantly his bosses’ leadership to a ship that sinks in a storm, interlacing the internal monologue to match the self-interested, derisive comments of his superior.

In addition, Abercrombie has the ability to offer such succinct lines that convey so much. There are a few examples here. 

Abercrombie Quote 2

What compelled me to write this blog post – I don’t usually review other authors – is the thrill I feel when I read someone who is expanding the craft. We often refer to the way we write as the craft (I think Stephen King was the man who introduced this to me) and we all look to improve the nuts and bolts of our work. When you take your own craft seriously, you look at the masters with awe and try to learn from them. 

In pass blogs I have mentioned such authors as Tolkien, Terry Brooks, Christopher Paolini, Terry Pratchett, as the masters of our genre. From my perspective, Joe Abercrombie can unapologetically take his place at the table.

Finally, thank you to those who are helping my new medieval fantasy manuscript, Kingfisher: Slave to Honor find a publisher by downloading a free copy. The publisher is interested, but I need you now to read  it (they are measuring how many pages you turn and whether you leave a review. It is very exciting and I thank you for your support.

Kingfisher Cover

Warmly,

Alon
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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls Of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions – all ebooks are 99c each for August. For all other eReaders, please click here.

Download a #FREE copy of Alon’s latest novel, Kingfisher: Slave to Honor, as publisher gauges interest – http://bit.ly/2sq72DG

More about the author at http://www.alonshalev.com and on Twitter (@elfwriter).

 

Where is the Moral Line in YA Fiction?

Since I wrote Wycaan Master with my (then) 11-year-old son, I assumed that our story fitted the Young Adult genre. It is a coming-of-age novel, so I never gave it much thought. There is no clear sex or profanity, though race is a big issue in the first book.

Since I have become absorbed in the fantasy genre, I have begun to wonder where the line is drawn. As I continue to write the second and third books in the series, intimacy has developed between characters, sometimes direct and at other times implied. There has been plenty of violence and references to overindulgence in alcohol. Colleagues at my writers group have questioned whether I should be including these themes.

As I began to research this, I found a number of excellent sources regarding YA fiction in general. Heather Dunlevy-Scheerer has written an interesting article about the historical development of YA literature.

She lays out several characteristics that she took from someone called Niday (I couldn’t find a clear reference).

(1) a teenage (or young adult) protagonist

(2) first-person perspective

(3) adult characters in the background

(4) a limited number of characters

(5) a compressed time span and familiar setting

(6) current slang

(7) detailed descriptions of appearance and dress

(8) positive resolution

(9) few, if any, subplots

(10) an approximate length of 125 to 250 pages.

From a brief skimming of the Internet, it seems that the common thread in YA fiction is an adolescent, rather than an adult or child, protagonist. However, the subject matter and story lines of leading YA literature are relevant to the challenges of youth, and more edgier novels include themes such as identity, sexuality, science fiction, depression, suicide, drug abuse, alcohol abuse, money issues, race, familial struggles, and bullying.

April Dawn Wells suggests seventeen common traits of young adult novels. These include: “friendship, getting into trouble, interest in the opposite sex, money, divorce, single parents, remarriage, problems with parents, grandparents, younger siblings, concern over grades/school, popularity, puberty, race, death, neighborhood, and job/working.

There are a number of YA novels currently in print that are on the edgier sides, dealing with peer pressure, drugs, gangs, crime, violence, sexuality, incest, oral sex, and female/male rape.

The obvious criticism of these novels is that they encourage destructive or immoral behavior or at least bring them into the adolescent’s mind at too early an age. Countering this is the fact that teens will be better equipped to deal with real-life difficult situations and social issues because they have role models in the protagonists they have followed.

Where is the line drawn in amount and nature of such issues between appropriateness and inappropriateness in young-adult fiction? How can we keep literature as a relevant medium when the exposure of TV, computer games and Internet is almost not monitored and easily accessible? None of these mediums, in my opinion, can offer the depth of thought and emotion that a good book provides.

Now more than ever, YA literature needs to stay relevant. Maybe the adults (including parents of teens like myself) have to accept that we might be more uncomfortable with this than our children.

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written two fantasy novels and the first reached the Quarter Finals of  the Amazon Breakthrough Novel Award as of March 2012. More on Alon Shalev at http://www.alonshalev.com/and on Twitter (@elfwriter).