Churning Out Novels

I thought I wrote fast. I tell people I can write a 100,000 word novel – a first draft – in four months, writing for an hour before work, an hour or two later in the day, and a few solid hours on the weekend. I only thought this was fast because people told me so. Other writers spent a year, two or more, to get similar output.

So I was a little surprised when I started to follow a podcast by three authors, all in the sci-fi and fantasy world. These three, along with the different guests they interview each week, publish 4-6 books a year, often keeping different series’ and even different genres going.

So I did some digging. There are many writers out there who are churning out a 50-80K novel each month … and I mean from Chapter 1 through The End and into editing (I assume), book cover design, and placements.

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Wow!

I am emotionally exhausted when I finish a novel and only once (between Books 5 and 6) did I have any desire to continue straight into writing the next of the series. Editing, sure. Marketing, okay. But the idea of churning out another 100K?

I am trying to work out what it takes to do this and, as I listened more to these authors, and even got to question a couple, I think I get it.

1. Outsourcing – these people do nothing for the production process. Everything is outsourced and they do not play a part in the process. This makes total sense except when there is no investment in the process, when the author really doesn’t care about the end product. As one author said: “My book covers are more or less the same. Only the title and book number changes. The cover artist knows what to do.”

2. Editing – when my editor returns a manuscript, there are changes suggested in almost every paragraph. I am expected to go through these comments and decide what to do. True, I accept 95% of the suggestions, but sometimes the editor writes that a scene is not clear, a conversation does not make sense, or a description is repetitive. In this case, I need to rewrite. Sometimes, the editor suggests I delete something. If I am attached to what is written, I might rewrite it much shorter or insert elsewhere (oops – don’t tell my editor!).

images-63. Strict genre adherence – in order that some writers can keep pace with production, they keep the plot tight and similar – the same highs and lows. The protagonist acts as he (usually a he) is expected, the bad guy too, and often the women are…well, behaving in what is expected of women in that genre. Now there is nothing wrong here. If it ain’t broke, why fix? Who needs a bad guy you sympathize with, a woman who kicks the crap out of someone or simply  falls in love with the bad guy and not the hero? Real life is already too complicated. There are no twists in the plot and I expect that somewhere there is a story arc written that is faithfully adhered to. No time to spend experimenting. Take no risks with the loyal readership.

4. Investment in the characters – this is something I find hard to understand. I have never understood how people can write a stand-alone novel, and walk away. I feel so close to all my characters – I worry about them, fear for them, get angry when they screw up (and especially when they have the audacity to blame me). Long after the novel is finished, I think about them, and yes, I mourn the ones I kill off.

Now there is nothing wrong with any of this. There are people who write for the art and people who write for the royalty check and that is just fine. Most of us are somewhere in between. If the quality of the book is enough for the reader to enjoy, to read effortlessly and then crave the author’s next book, then what’s wrong with that? If the genre is popular just the way it is, then this is what the reader wants. And if it sells and so do the rest of the author’s work, then that is a clear sign that what they do is right and recognized by the most important views – the readership.

But sometimes it is tough to accept. In seeking the highest standard of writing, I agonize over a scene, word choice, how a character develops. Sure I can write a first draft in four months, but it takes longer to edit, rewrite, consider feedback, and feel once the book is published, that I have done my absolute best.

I’m trying not to be critical, but the book churn must have its limitations. And, in the end, a book exists forever. If the market is swamped by mediocrity, how will the special books get noticed? Will a generation get turned off novels because they just aren’t as gripping as a video game, a You Tube clip, or an on-demand TV binge?

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And I can’t help but wonder: what does George R.R. Martin think about this?

EXCITING NEWS: Tourmaline Books are offering At The Walls of Galbrieth for FREE during the month of March though Smashwords (good for all ebook platforms). Feel free to gift it to a young person (or not so young) who might benefit from a story of hope and friendship. 

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here. More at http://www.alonshalev.com and on Twitter (@elfwriter).

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Letting Go: The Relationship Between Author and Character

It was always going to feel strange: the excitement of a new novel being launched together with the knowledge that this is the end of the Wycaan Master series. But somehow, it feels even more surreal than I had anticipated.

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My knee accident and operation along with the subsequent rehab was obviously never anticipated, and I thank all of you for your wonderful healing wishes. I am an active, sports-loving man, and have no idea how to sit around and wait for seven pieces of my knee bone (patella) to slowly reconnect. In desperation, my wonderful staff at AJWS bought me a two months’ subscription to Netflix and had to explain to me what binge watching is and why it is especially okay in my situation.

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Still it is hard not to feel guilty if I’m not working hard for those who pay me a salary or if I am not busy writing a next novel, editing the latest manuscript, and in this case, promoting the launch of Calhei No More which is next Tuesday.

Next Tuesday! At The Walls of Galbrieth was written in 2010. Seanchai, Rhoddan, Ilana, Sellia and Shayth have been in my life for six years now. I have laughed with them, cried, feared for their future, and between us, got quite annoyed at some of their decisions.

I watched an episode of Westworld yesterday (cable, not Netflix), in which a character said being a parent is about knowing when to let go. I’m dealing with this as a parent of teenage boys – I would rather they remain young enough to snuggle in our tent in a redwood forest as I read another manuscript to and for them – but now I realize I need to step back as well with the Wycaan Master characters.

Westworld, without giving anything away (and I have barely began to watch), is about artificial intelligence. A theme park has been created and people pay to interact with the very real robots (hosts), but the really fascinating part is the relationships that seem to surface between the team who created, maintain, and upgrade the hosts, and the robots themselves.

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It seems impossible not to get attached to the characters of a book much less a series where you created the character and have helped it evolve and grow. When I killed off a major character early in the series I cried. I didn’t, at the time, think it particularly strange to shed a few tears, but crying each of the 20+ times I edited and rewrote the scene and subsequent consequences borders on the traumatic…for me, the author (many of you made it very clear how you felt too…!).

I believe the relationship between character and creator is sacred in as much as it is unique. Those of you with a more religious perspective might connect this to the Creator and humanity, which brings us to the question: is being an author a vain attempt to play at being a deity? Let’s leave that for another time.

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But I never expected to care and agonise so much for the characters I created throughout the series, and it feels as though I’m failing as a father when Calhei No More launches next week, when I finally let go of my creative offspring and close the last page.

Whatever my feelings, Calhei No More will be released and you can pre-order the e-book here. The page for the paperback will be here, but I’m not sure when it goes live (usually a few days before launch to iron out any issues). Pre-ordering will bring attention on Launch Day and tempt Amazon.com to help promote more – so it is a big help to me.

Thank you again for all your good wishes and for your support of the Wycaan Master series. Do remember, I love hearing feedback and really appreciate any reviews you can write on Amazon for any of the novels.

Until November 15… For better or worse, it all ends on the Plains of Shindellia. See you there.

Alon

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alonshalev.com and on Twitter (@elfwriter).