Depth of Character

THERE ARE NO SPOILERS HERE:

A while ago I read the first two books in The First Law Trilogy by Joe Abercrombie. I remember planning to write a blog post then on the author’s use of character, but somehow other topics rose to my attention. I am now three-quarters through the third, and just as enthralled.

Joe Abercrombie

Sometimes when I’m really enjoying a book, I’ll read a sentence or paragraph and just wonder: how can someone’s head be wired in such a way that they’d come up with that? Joe Abercrombie epitomizes this ability to keep it unique.

But it is his characters that amaze me. It is impossible to identify one protagonist – there are several. The danger in doing this is that each must be compelling or else the reader will flip through a section to return to the more favored characters. This does not happen with Abercrombie – each protagonist is capable of holding his or her own space. Their voices are completely different, backed by their own personal flaws and challenges. If you are looking for character tropes, this is simply not the place. If you want the perfect hero, look elsewhere. But perhaps because of their flaws, we can connect with them. For a medieval fantasy novel, or any similar sub genre, this is a brave move, but Abercrombie does it perfectly.

Characters Acerombie

Even minor characters manage to claim their unique places. All the Named Ones are memorable, one of Glokta’s muscle men has an incredible vocabulary, and there are so many more. It is to Abercrombie’s credit, that there are simply no throwaway characters. That is a testament of hard work. 

Another brave move is to break the rules. A member of the Berkeley Writers Group wrote a piece in which she includes considerable internal monologue, italicized to make it clear who is speaking. Her editor suggested cutting it as this is not conventional, But when she read this second version to the group, we lamented the intimacy we had with the character and the author feared the protagonist had lost her voice. 

Joe Abercrombie Quote

Abercrombie does this brilliantly with Glokta and his internal dialogue. If he just used it to show the character’s emotions, one could say there are other ways to achieve this – body language for example, but Abercrombie offers much more.

The best example is when he is trying to share the rumors of an imminent invasion and compares brilliantly his bosses’ leadership to a ship that sinks in a storm, interlacing the internal monologue to match the self-interested, derisive comments of his superior.

In addition, Abercrombie has the ability to offer such succinct lines that convey so much. There are a few examples here. 

Abercrombie Quote 2

What compelled me to write this blog post – I don’t usually review other authors – is the thrill I feel when I read someone who is expanding the craft. We often refer to the way we write as the craft (I think Stephen King was the man who introduced this to me) and we all look to improve the nuts and bolts of our work. When you take your own craft seriously, you look at the masters with awe and try to learn from them. 

In pass blogs I have mentioned such authors as Tolkien, Terry Brooks, Christopher Paolini, Terry Pratchett, as the masters of our genre. From my perspective, Joe Abercrombie can unapologetically take his place at the table.

Finally, thank you to those who are helping my new medieval fantasy manuscript, Kingfisher: Slave to Honor find a publisher by downloading a free copy. The publisher is interested, but I need you now to read  it (they are measuring how many pages you turn and whether you leave a review. It is very exciting and I thank you for your support.

Kingfisher Cover

Warmly,

Alon
——————————————————————————————————

Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls Of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions – all ebooks are 99c each for August. For all other eReaders, please click here.

Download a #FREE copy of Alon’s latest novel, Kingfisher: Slave to Honor, as publisher gauges interest – http://bit.ly/2sq72DG

More about the author at http://www.alonshalev.com and on Twitter (@elfwriter).

 

Advertisements

A Son’s Journey Begins…

It’s a dangerous business, Frodo, going out your door. You step onto the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.

imgres-2

Not my usual elfwriter blog post, but…

In a few precious months, my oldest son will graduate high school and leave home. Sure, I could tell you with pride that he will participate in a social justice gap year program prior to going to university, but for the moment, I am just stuck on the idea that he is leaving home. A car advert – father watches son drive very nice car away from the home to… – had me in tears on an airplane.

My son recently read a book that intrigued him and he could not put down. Then he asked if I would buy him a hardcover copy that he could take with him, perhaps share with friends, or reread when he feels the need.

In case you are wondering, the book is called Into the Magic Shop: A Neurosurgeon’s Quest to Discover the Mysteries of the Brain and the Secrets of the Heart by Dr. James Doty, and this got me thinking. All his life I have tried to instill a desire in my son to read. Of course, the more I pushed, the more he rebelled … just like when his darn father was as a kid. But there were times when we bonded over books.

I remember Christopher Paolini’s Inheritance series, as we stood in line at midnight in Borders waiting for the next book, and the delight when the bookseller, seeing him literally falling asleep on his feet as he swayed and leaned against me, snuck the only autographed copy into his hands. He sleepily declared he would stay up all night reading it, before falling asleep in the car and then in his bed, tightly hugging the book.

Pele w:Eragon

My son holding his autographed copy.

Then there were the Harry Potter series, a rite-of-passage for many parents and children. I am thrilled that we were a family during this exciting moment in time.

And, of course, there was his crucial role in the writing of the Wycaan Master series. He was the inspiration that led me to write the series and for six summers he listened and offered sound feedback around the campfire in the ancient redwood forests.

DSCN0193

Writing the 1st novel – a family effort!

Summer 2015 Reading Book 6

Reading Book 6 in the summer of 2015. End of an era.

But his request is not about the books that were, but the books that are and will be. So I am asking for your help: what are the books that influenced and guided you when you left your parents’ home?

Here are a few from my time at college that I am thinking of including:

  1. Zen and the Art of Motorcycle Maintenance – Robert Persig.
  2. The Tao of Poo – Benjamin Hoff
  3. Jonathan Livingston Seagull – Richard Bach.
  4. Iron John – Robert Bly.

imgres-3imgres-4imgres-5imgres-6

I am particularly interested in books for a young man, but am happy to corollate a list that is more specific for young women as well. Please share the books that influenced you when you were that age in the comments below.

Thank you,

An Apprehensive Father.

——————————————————————————————————

Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alonshalev.com and on Twitter (@elfwriter).

Churning Out Novels

I thought I wrote fast. I tell people I can write a 100,000 word novel – a first draft – in four months, writing for an hour before work, an hour or two later in the day, and a few solid hours on the weekend. I only thought this was fast because people told me so. Other writers spent a year, two or more, to get similar output.

So I was a little surprised when I started to follow a podcast by three authors, all in the sci-fi and fantasy world. These three, along with the different guests they interview each week, publish 4-6 books a year, often keeping different series’ and even different genres going.

So I did some digging. There are many writers out there who are churning out a 50-80K novel each month … and I mean from Chapter 1 through The End and into editing (I assume), book cover design, and placements.

imgres

Wow!

I am emotionally exhausted when I finish a novel and only once (between Books 5 and 6) did I have any desire to continue straight into writing the next of the series. Editing, sure. Marketing, okay. But the idea of churning out another 100K?

I am trying to work out what it takes to do this and, as I listened more to these authors, and even got to question a couple, I think I get it.

1. Outsourcing – these people do nothing for the production process. Everything is outsourced and they do not play a part in the process. This makes total sense except when there is no investment in the process, when the author really doesn’t care about the end product. As one author said: “My book covers are more or less the same. Only the title and book number changes. The cover artist knows what to do.”

2. Editing – when my editor returns a manuscript, there are changes suggested in almost every paragraph. I am expected to go through these comments and decide what to do. True, I accept 95% of the suggestions, but sometimes the editor writes that a scene is not clear, a conversation does not make sense, or a description is repetitive. In this case, I need to rewrite. Sometimes, the editor suggests I delete something. If I am attached to what is written, I might rewrite it much shorter or insert elsewhere (oops – don’t tell my editor!).

images-63. Strict genre adherence – in order that some writers can keep pace with production, they keep the plot tight and similar – the same highs and lows. The protagonist acts as he (usually a he) is expected, the bad guy too, and often the women are…well, behaving in what is expected of women in that genre. Now there is nothing wrong here. If it ain’t broke, why fix? Who needs a bad guy you sympathize with, a woman who kicks the crap out of someone or simply  falls in love with the bad guy and not the hero? Real life is already too complicated. There are no twists in the plot and I expect that somewhere there is a story arc written that is faithfully adhered to. No time to spend experimenting. Take no risks with the loyal readership.

4. Investment in the characters – this is something I find hard to understand. I have never understood how people can write a stand-alone novel, and walk away. I feel so close to all my characters – I worry about them, fear for them, get angry when they screw up (and especially when they have the audacity to blame me). Long after the novel is finished, I think about them, and yes, I mourn the ones I kill off.

Now there is nothing wrong with any of this. There are people who write for the art and people who write for the royalty check and that is just fine. Most of us are somewhere in between. If the quality of the book is enough for the reader to enjoy, to read effortlessly and then crave the author’s next book, then what’s wrong with that? If the genre is popular just the way it is, then this is what the reader wants. And if it sells and so do the rest of the author’s work, then that is a clear sign that what they do is right and recognized by the most important views – the readership.

But sometimes it is tough to accept. In seeking the highest standard of writing, I agonize over a scene, word choice, how a character develops. Sure I can write a first draft in four months, but it takes longer to edit, rewrite, consider feedback, and feel once the book is published, that I have done my absolute best.

I’m trying not to be critical, but the book churn must have its limitations. And, in the end, a book exists forever. If the market is swamped by mediocrity, how will the special books get noticed? Will a generation get turned off novels because they just aren’t as gripping as a video game, a You Tube clip, or an on-demand TV binge?

imgres

And I can’t help but wonder: what does George R.R. Martin think about this?

EXCITING NEWS: Tourmaline Books are offering At The Walls of Galbrieth for FREE during the month of March though Smashwords (good for all ebook platforms). Feel free to gift it to a young person (or not so young) who might benefit from a story of hope and friendship. 

——————————————————————————————————

Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here. More at http://www.alonshalev.com and on Twitter (@elfwriter).