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Corina Vacco – Social Activist and YA Award Winning Novelist

My friend, Corina Vacco has her first YA novel coming out this week. It would be considered dystopian if not for the horryfying fact that it is really happening … in our backyards.

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I write because I believe fiction can be a vehicle for social change. I believe when the reader becomes emotionally engaged with a character, they too are moved to action. I met Corina Vacco when she joined the Berkeley Writer’s Group, and laughed at what I first thought, was a cool but whimsical YA novel with outrageous characters and wickedly sharp dialogue.

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But Vacco uses her humor and excellent writing to fight for something she passionately believes in: our children deserve to grow up in a clean world as a foundation to each realizing his/her own potential. I can think of nothing more inspiring than empowering the next generation to action – and to do it reading and laughing is a powerful combination.

MY CHEMICAL MOUNTAIN, an award winning YA novel will be released by Random House, on June 11 and has been called THE OUTSIDERS of our generation. Vacco…

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Amazon and Goodreads

Left Coast Voices's avatarLeft Coast Voices

The book world (whoever that is these days) was rocked last week when Amazon announced it had acquired Goodreads. Chances are, if you own a credit card, you know who the first is, but you need to be a book lover to know the second.

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Goodreadsis no small start-up. It boasts 16 million members who have added more than 530 million books to their ‘shelves’ and generated more than 23 million reviews. Basically, Goodreads has emerged as the world’s largest site for readers and book recommendations. There are more than 30,000 book clubs within Goodreads. Founded in 2007, Goodreads is also a place where more than 68,000 authors connect with readers. It is huge. Oh, and it was created and based in San Francisco – not relevant, but I feel a need to boast, though none of the credit is mine.

“Books – and the stories and ideas captured inside them…

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Left Coast Voices's avatarLeft Coast Voices

There are a lot of authors out there, a lot of books, and a lot of noise on the Internet. Each author racks his/her brain for an original idea to blaze a trail in one social media or another that will create the elusive momentum that will propel a series of book sales, of movie options, and publicity.

That’s a lot of work for one person, especially one who would prefer to sit behind a computer screen creating new characters, plots and worlds. Even more so, that comes after possibly a full time job, helping the kids with homework, paying the bills, working out…

DSCN1387I believe I spend an hour a day blogging, tweeting, answering emails (as an author). I often do this with ease; either early in the morning, during a lunch break, or after my boys are in bed. But I am giving seven hours a week to…

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Left Coast Voices's avatarLeft Coast Voices

I recently interviewed with James Moushon at Author’s Spotlight.

First things first. Do you have another book on the horizon? Can you tell us the timeline for its release and give us a little tease.

I do. I actually wrote three Young Adult epic fantasy novels in consecutive years, so the second, The First Decree, is due out in March. The first – At The Walls Of Galbrieth – came out in 2012. They are stand-alones, but follow on from each other. The third has yet to be edited and begin all the publishing process.

The First Decree-hi resolutionI have also completed a manuscript that follows on from my latest social justice-themed novel, Unwanted Heroes, but I think my publisher has a few more authors in line before they get to me. My writer’s group is critiquing it now.

You have a great following on Twitter. (Over 20K followers) How important…

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Genre Conventions .v. Originality

“But this is how it’s done in epic fantasy,” I whine to my writer’s group. “It’s part of the convention.”

We are a bonded group, anxious to support each other and so I receive sympathetic smiles and diplomatic silence. The silence screams in my ears. I know they are right. If I have to fall back on a sentence like that, I am in trouble. Or am I?

How important is originality?

“Utter originality is, of course, out of the question.” – Ezra Pound

“Originality is nothing but judicious imitation.” – Voltaire

I feel better already.

“It is better to fail in originality than to succeed in imitation.” – Herman Melville.

Ouch!

Elves are tall, thin, have pointed ears, and excellent hearing. They look good in green, and shoot bow and arrows with exceptional accuracy.  Dwarves are short, rotund, live underground, mine and play around with axes. This is so because J.R.R. Tolkien put the epic in epic fantasy with his Middle Earth series’. Are the rest of us thus condemned to be mere recyclers of his work? Maybe. But I am not convinced how this is different from any other genre: romance has the same images and general plot arc. So does suspense and horror. And don’t get me started on dystopian thrillers.

So why do we so enthusiastically embrace conventions in a genre? It might be because some themes are simply timeless. I’m thinking Beowulf (maybe written in the eighth century) and The Odyssey (sixteen centuries before that!). Tolkien would concede that he was not the first, but when something works, you build your own version of it, and sometimes your version is good enough to capture the imagination of a very loyal readership. But it is not just enjoyment. It is pure escapism to a world we can get excited about, to values we can admire or fear (or both). It is also something familiar, something soothing. 

And yet when we embark on a new epic fantasy series, or try the work of a new author, we are seeking both something familiar and something original. What makes each author since Tolkien distinct is some aspect of his / her work. The relationship between Eragon and Saphira (his dragon), made Christopher Paolini’s Inheritance series special. I have just started reading The Weight of Blood by David Dalglish (check out his cool book covers by Peter Ortiz) which is about two brothers (okay) who are not just orcs (hmmm), but half-orcs (ahhh). I was caught on page one. Dalglish has written a variance on the convention. So did R.A. Salvatore when he introduced Drizzt – a dark elf whose race were the opposite from the stereotypical elves. Five novels on, I am still intrigued. Daniel Arenson came up with his own original approach to dragons in the Song of Dragons series. 

Before I end, let me say how much I admire those who come up with something original – Hunger Games, Harry Potter, Percy Jackson – they capture us all and we devour their new approaches. But those who seek to ride their coattails are not so successful and I think this is very telling.

It says that while the fantasy readership will embrace a clever, well-written, new concept, that very concept might not establish itself beyond one brilliant author. Epic fantasy, however, with its elves, dragons and swords, continues to stand the test of time. This is not because our readership is lazy. Instead they demand depth – world building, characters, and a plot that offers a twist on a well-tested theme. They continue to surprise us with the familiar.

It’s a great genre to be a part of.

 Good Writing,

Alon 

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written three epic fantasy novels and the first reached the Quarter Finals of the Amazon Breakthrough Novel Award as of March 2012. More on Alon Shalev at http://www.alonshalev.com/and on Twitter (@elfwriter).

Where is the Moral Line in YA Fiction?

Since I wrote Wycaan Master with my (then) 11-year-old son, I assumed that our story fitted the Young Adult genre. It is a coming-of-age novel, so I never gave it much thought. There is no clear sex or profanity, though race is a big issue in the first book.

Since I have become absorbed in the fantasy genre, I have begun to wonder where the line is drawn. As I continue to write the second and third books in the series, intimacy has developed between characters, sometimes direct and at other times implied. There has been plenty of violence and references to overindulgence in alcohol. Colleagues at my writers group have questioned whether I should be including these themes.

As I began to research this, I found a number of excellent sources regarding YA fiction in general. Heather Dunlevy-Scheerer has written an interesting article about the historical development of YA literature.

She lays out several characteristics that she took from someone called Niday (I couldn’t find a clear reference).

(1) a teenage (or young adult) protagonist

(2) first-person perspective

(3) adult characters in the background

(4) a limited number of characters

(5) a compressed time span and familiar setting

(6) current slang

(7) detailed descriptions of appearance and dress

(8) positive resolution

(9) few, if any, subplots

(10) an approximate length of 125 to 250 pages.

From a brief skimming of the Internet, it seems that the common thread in YA fiction is an adolescent, rather than an adult or child, protagonist. However, the subject matter and story lines of leading YA literature are relevant to the challenges of youth, and more edgier novels include themes such as identity, sexuality, science fiction, depression, suicide, drug abuse, alcohol abuse, money issues, race, familial struggles, and bullying.

April Dawn Wells suggests seventeen common traits of young adult novels. These include: “friendship, getting into trouble, interest in the opposite sex, money, divorce, single parents, remarriage, problems with parents, grandparents, younger siblings, concern over grades/school, popularity, puberty, race, death, neighborhood, and job/working.

There are a number of YA novels currently in print that are on the edgier sides, dealing with peer pressure, drugs, gangs, crime, violence, sexuality, incest, oral sex, and female/male rape.

The obvious criticism of these novels is that they encourage destructive or immoral behavior or at least bring them into the adolescent’s mind at too early an age. Countering this is the fact that teens will be better equipped to deal with real-life difficult situations and social issues because they have role models in the protagonists they have followed.

Where is the line drawn in amount and nature of such issues between appropriateness and inappropriateness in young-adult fiction? How can we keep literature as a relevant medium when the exposure of TV, computer games and Internet is almost not monitored and easily accessible? None of these mediums, in my opinion, can offer the depth of thought and emotion that a good book provides.

Now more than ever, YA literature needs to stay relevant. Maybe the adults (including parents of teens like myself) have to accept that we might be more uncomfortable with this than our children.

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written two fantasy novels and the first reached the Quarter Finals of  the Amazon Breakthrough Novel Award as of March 2012. More on Alon Shalev at http://www.alonshalev.com/and on Twitter (@elfwriter).

Advice For Writers From The Hunger Games

SPOILER ALERT: If you haven’t read the book or seen the movie but plan to, you might want to skip this week’s blog post.

I actually posted this on Left Coast Voices but wanted to share this with elfwriter followers as well. There have been a number of articles gleaning lessons from the Hunger Games for their preferred audience. Apparently, everyone is getting protective about having the original idea and the others not giving credit to them. So let’s get that behind us: I had the idea for this post after reading David Berkowitz‘s article for a fundraising magazine.  Thank you, David.

For those of you from another planet, “The Hunger Games,” is an amazing high-concept story about a post-apocalyptic society that annually sacrifices twenty-three teenagers as a way of reminding everyone who is in power.

1) Define Your Goals: Set A Few Simple Tasks: It took Katniss (the heroine) a while to decide what she needed to do in order to win (kill the others). Her mentor gave her clear first steps – get away from the Cornucopia, find water and shelter – which in turn gave her confidence and momentum. 

2) Know What You Are Writing: Heroine Katniss is the archer. Her cohort Peeta could pin Hulk Hogan. Figure out what your strengths are and play to them.

 3) Know Your Target Audience And Find Them:  Cinna, is a one of the most enjoyable characters in both book and movie. He is Katniss’ and Peeta’s stylist, responsible for ensuring that the crowd sit up and notice them. Together with Haymitch, their district’s adviser, they come up with a strategy to earn not only the support of the people, but also the all-important sponsors (media outlet or publishers for authors). What is important is that they stick to the strategy and maintain a consistent message.

4) Find Your Own Platform, And Get Comfortable With It: Katniss soon learned that the forest was her friend, using the stealth methods she had honed hunting. Likewise, she was both good and familiar with the bow as her weapon.

As authors, we often join every social media and adopt every tactic, essentially not doing much in any category. Choose a platform – blog, Facebook, etc. and consistently work through it. If you decide to go via bookstores, be consistent and follow up with every bookstore before, during and after an event.

5) Be Generous – There Is Something To Karma: Katniss had endured a tough childhood and carried the obvious scars. She was stubborn, a rebel, and uncooperative with her advisor and most everyone else. But she cared about others and this eventually paid off. Three other tributes saved her life because of this.

We are not competing with other authors. People aren’t choosing between their books and ours. Help others, share your experience, be generous with your time. People remember who stood by them and supported them. They will be there for you.

6) The Rules Change: The organizers freely change the rules in the Huger Games to suit their own goals. There is nothing fair or just, they simply want to achieve their own goals. Be ready to change tactics. If you are only selling books out the back of your car (still works for me!), and not on the Internet, you haven’t been paying attention.

7) Choose and Trust a Mentor: Haymitch, the advisor to Katniss and Peeta, was the only other citizen from their district to survive and win the Hunger Games. As a rude, obnoxious recluse who is also an alcoholic, he doesn’t really inspire.  But he made it and knows his stuff. Find a mentor and stick with them.

8) The Odds Are Never In Your Favor: so get over it. There is no guarantees for success.  It is not quite as bad as the Hunger Games where there are no second or third chances. Read a lot. Learn from others’ mistakes, learn from yours, and okay: may the odds be ever in your favor.

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He has written two fantasy novels and the first reached the Quarter Finals of  the Amazon Breakthrough Novel Award as of March 2012. More on Alon Shalev at http://www.alonshalev.com/and on Twitter (@elfwriter).

 

Earth Magic – A Gardener’s Tale

It is with great excitement that A Gardener’s Tale, my first novel written over 10 years ago, has been picked up by Three Clover Press. It received a professional edit and new cover, and is leaner if not meaner, but certainly tighter and lighter (sorry, I enjoyed that).

My publisher generously commissioned Claudia McKinney, who designed Amanda Hocking’s book covers, to design a new cover. I love it! Befitting the new e-book economics, A Gardener’s Tale is on sale for $2.99.

A Gardener’s Tale – new cover

While this is not a fantasy novel, there is a profound theme running through of the power of the earth. Here is the pitch:

The garden has seen it all – the cruel events of a thousand years of the struggle between the Pagan religions and Christianity in rural England. A Gardener’s Tale follows two years in the lives of a village and the stranger who comes into their community. As the villagers fear for the breakdown of their community, they discover an ancient path that brings them together.

A Gardener’s Tale  tells of an English aristocratic family now tragically dispersed and of a village community falling apart. Birth, love, death and rebirth remain its never-ending cycle, which includes the magic of nature, the purity of love and the power of true friendship in the hands of a gardener who can harness them all.

I am very proud to have received the following critique from Vivianne Crowley, a Pagan High Priestess, who was recognized as one of the leaders of the Wicca movement in Britain. Vivianne actually grew up near the New Forest in England where this story takes place.

“A beautiful and elegiac evocation of a timeless Britain and of a man of the ancient ways of the earth who brings peace and healing where the flames of persecution once burned.“

Thank you to Lloyd Lofthouse at Three Clover Press for his patient support, to Claudia for an amazing book cover, and Zorica Gojkovic for her hard work editing this edition.

Let me know what you think of the cover and the book. I love receiving feedback.

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. More on Alon Shalev at http://www.alonshalev.com/ and on Twitter (#alonshalevsf).