In Awe of George R.R. Martin & his Peer

I wrote this post last month but realized that, with the entire GoT community enthralled with Season 8 on HBO, it might not be a great time to exalt a book by the creator. Neither is it the first time I have written about Martin, either in awe or frustration.

I had not read what the book was about when I started to listen to the audio version of Fire and Blood. My initial reaction was that this was a bust, a clumsy attempt to get GoT fanatics to spend more money.

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This book is fictional history and presented exactly as one would expect when reading about the Roman Empire or the kings and queens of England. It is one person narrating about events, sprinkled with the occasional legend or rumor. But there is no dialogue and a very different angle on character development than what one expects in a novel.

And yet I was intrigued. I listened through the long and intricate history, getting excited when the origins of such things as how the Iron Throne and even King’s Landing came about. When I began to see a link forming between what was being read (and absolute kudos to the incredible narration by Simon Vance) and what I know is coming in ASOIAS, my excitement rose. I listened twice to the chapter about Bravos.

When I sat to write this post, my goal was to exult the world-building vision of George R.R. Martin. Who could possibly get away writing fiction without dialogue? Who would dare try? I came up with only a single comparable and the epiphany shocked me.

There is only one other author who could possibly have pulled this off, a certain Oxford professor for whom an incredible movie was just released and largely ignored (I think – did you watch it?).

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I have always considered Tolkien to be a one-off, an author such as we have never seen in terms of such comprehensive world building, and will never see again. Now, despite my frustration with Mr. Martin for allowing the TV series to get ahead of the books, and the general pace of his production (go ahead George – kill off my favorite character!), I bestow upon him the right to stand alongside The Professor in the pantheon of my legendary authors.

George Martin to kill Tyrion

I know this is a strange referral, but an anonymous reviewer on the Amazon page wrote exactly what I want to articulate. He or she refers to themselves as DM and their review is the first of 897 entitled The History Tolkien Longed To Publish (DM – if you read this, please reach out – I would love to properly attribute your excellent review).

Essentially, when he wrote The Silmarillion saga, Tolkien was attempting to provide us with the depth of the world he had built, something only hinted about in The Hobbit or LOTR. Whether he achieved this or not, I will leave to the Tolkien scholars to debate.

All I know is, as I reflect on the world I created in the Wycaan Master series, and now the Kingfisher Saga, I follow in the footsteps of giants … two giants who continue to motivate me to raise my own level of what we authors call The Craft.

Finally, in response to the Starbucks scandal (see 1st image) below, I loved this response (2nd image) of how the coffee order was likely made. Hopefully, I leave you with a laugh, and use as an excuse to boast that my eldest son is now officially a barista at Peet’s and, in my totally unbiased opinion as a proud father, rocking it!

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Good Writing,

Alon Shalev / elfwriter

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all published by Tourmaline Books.

More at http://www.alon-shalev.com and on Twitter (@elfwriter).

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An Author on Vacation

I just came across something I retweeted a year ago from Novelicious (@noveliciouss), who shares lovely pictures and photos with inspirational messages, often about the writing process. She is well worth the follow. Her quote this time was:

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The reason it struck me now is because I am sort of on vacation. I am visiting my 94-year-young dad in England and I am also about three-quarters through a first draft of a new medieval fantasy novel.

Similar to when at home, I rise early to write, exploit the time my dad snoozes in his chair, and then continue after he goes to sleep at night. I have other plans for my downtime: work out, read three novels I bought for the trip (and one non-fiction), write a few blog posts for my much-neglected blog, prepare to solicit a few agents for the Kingfisher series, and read up on buying a house and related financial topics for which I have books and articles queued.

The only thing on this list that I have done is to work out in the morning before writing. Otherwise (and I guess this blog post as well), I feel compelled to write and write and write. When I go out with my dad, I spend the time thinking of the next chapter (or the last) and wondering if he would notice if I whip out my laptop and disappear.

What @noveliciouss wrote about writers on vacation is so true, but I am not complaining. I fantasize that I would like downtime: to lie by a pool, walk along the beach, or pursue a number of hobbies that I will one day get deep into (when I retire, I think) – fly fishing, archery, birdwatching, yoga ­– but I never do.

I am a writer. I write.

On a recent road trip, I wrote about what happens when I have to get an idea down on paper (or computer) It is so true.  Where is the next rest stop?

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I have three novels from the Kingfisher series ready (and looking for an agent). I promised myself I would write only one and see what traction this new genre held. But the beginning of the second book beckoned. I had this idea. I could feel the characters calling me. And after Book 2 was written, well then the tale simply demanded closure and I had the climax formulating in my mind as I weaved all still-living main characters into one place. So what’s a poor author to do? Finish the series and then look for an agent.

I did exactly that, except I didn’t. While reading to my writers group, someone mentioned an elderly character that she especially loved and, well I blame the character not my fellow writer, because she (the character) gave me this idea and…

So here I am, 90k into a new book, a new but, connected, series, and I am on vacation, and…okay, @noveliciouss, you’re right, as you knew perfectly well, all along.

Good Writing,

Alon Shalev / elfwriter

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all published by Tourmaline Books.

More at http://www.alon-shalev.com and on Twitter (@elfwriter).

Galbrieth cover.5th.anniversary

The Open Road – When Inspiration Hits

Anyone who has written a trilogy knows it is considerably harder to finish the final book than to conclude a one-off novel. This is simply because one needs to tie up all loose ends from three novels. I have done this twice, at the end of the first Wycaan Master trilogy and then at the end of the second.

When my mother passed away last year and then when I visited my father earlier this month, I found myself with plenty of time on the plane and in the UK to write. This luxury is something I have never experienced as I usually weave my writing time around an intense job and a desire to be an active father and husband. On each trip I wrote almost 50,000 words in 14 days, much of it at the aptly named apartment where my Dad lives.

Kingfisher Court, Bournemouth

This month, as the plane wheels touched ground, I concluded a big scene that left me two-thirds of the way through the final Kingfisher novel, a medieval fantasy trilogy I have worked on since finishing the Wycaan Master series. What lay before me was the build up to a climactic ending that necessitates bringing multiple characters together from different parts of the land, enabling them to finish their subplots, and get to the scene of the climax.

And I had no idea how I was going to do this.

But I have faith in the process. Knowing I would not have concentrated writing time until the summer, I decided to put it on the back burner and return to editing and finding an agent for Book 1.

Then I drove from San Francisco to Portland (about 10 hours) through beautiful scenery of mountains, rivers, and forests, listening to soccer podcasts and enjoying Mrs. Elfwriter’s company.

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Deep in an Oregon forest, she put on a playlist that included many symphonic rock songs I write to (Nightwish, Epica, Within Temptation, Tarja). Abruptly a musical track of bagpipes, The Gael by Dougie MacLean performed by Royal Scots Dragoon Guards, filled the car (one of Mrs. Elfwriter’s choices, I might add) and the entire final scene entered my mind with incredible clarity.

Now here’s the problem: we were driving on the Interstate 5, in the middle of nowhere with a 6pm deadline to be in Portland. How could I get this down on paper? I was literally squirming with excitement as I drove.

I couldn’t dictate to Mrs. Elfwriter, it would spoil the possibility that she might one day read the books. Whipping out my iPad while driving…well we won’t go there. I had once downloaded an app (Quick Voice?) but had no idea how to use it and this didn’t solve having said passenger.

What resolved the problem was one of Oregon’s wonderful rest stops, often situated in a forest or overlooking a vista. Best part (okay, 2nd best part since knowing the conclusion to your novel and trilogy tops everything) is that the final two hours of the drive passed unnoticed, fatigue totally forgotten.
Last scene from Kf3 driving from Portland 1Have you ever had an experience where you have an intense creative experience at such an inopportune moment? Wanna share?

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books.

More ahttp://www.alonshalev.com and on Twitter (@elfwriter).

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Write to Market

I belong to a wonderfully supportive writer’s group where, over the years, we have struck a balance between supporting each other and offering constructive criticism to help each other improve our craft and our manuscripts. It is a multi-genre group, primarily fiction, but with poets and non-fiction.

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This week, John Putnam, one of our most successful authors, who has written several historical Western novels about the Gold Rush, explained how having taken our prior comments into account, is keeping a specific action scene. He had given it some thought and decided that it aligns with his target audience. None of us generally read Western novels and I admire how he has stuck to his guns (probably Colt 45’s or a trusty Winchester!) and, while considering our advice, has stayed focused on what his readers want and expect.

At the same meeting, a wonderful colleague mentioned how she thought some of my female characters in Kingfisher: Slave to Honor were too dark for her taste. It is a fair point and I am wondering about balancing her feedback with the fact that this manuscript is meant for a Grimdark / adult Medieval Fantasy audience (think Joe Abercrombie, Brent Weeks, George R.R. Martin). 

The concept of Write-to-Market is to know who your target audience – your readers – are and what they expect. Your mother might not like it even though she still claims you’re the greatest author ever, but then she does not buy other novels in your genre.

I listen to many podcasts, read marketing books and articles, hopefully by successful authors as I try to fathom my way through the ever-changing tools available to market the Wycaan Master series. A commonality among these authors is the need to write for those who read your books. It sounds simple, but I’ve lost count of writers who have assured me that everyone would love their novel – and I ran a writer’s marketing group for years for the California Writers Club and spoken to various forums on the topic.

It is incumbent to understand who are reading your genre, where they hang out, and what they want. How do we find that out? Here are a couple of ideas:

  1. Goodreads – the Facebook of bibliophiles has groups dedicated to genres. Hang out there and don’t just sell your books, ask good questions to mine for data you really want.
  2. Follow Successful Authors – choose 3-5 authors who are several rungs ahead of you and follow them. Check out their website, subscribe to their newsletters, follow them on twitter and, read their books (buy them – they rely on royalties just like you).
  3. Kindle Boards – I feel a bit hypocritical here because I only go there when I want an answer to something. But I am always so impressed by the enthusiasm and honesty of those who hang out there.
  4. Survey – solicit your contact list for advice. I did this years ago when The First Decree was published and learned a lot about who was reading my novel and how popular the Young Adult epic fantasy is with adults.

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I hope this blog post has inspired you to focus on your target audience and take the time to research before you invest time and money in certain marketing tactics. It has helped me. I am planning a survey of Grimdark / adult Medieval Fantasy readers. If you’re a member of the tribe, I hope you’ll participate.

Good Writing,

Alon / elfwriter 

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books.

More on the author can be found at his website and you can sign up for his quarterly eNewsletter here.

Publishing by Popular Vote

A few months ago, I wrote about the new publishing model and shared that I have entered Kingfisher: Slave to Honor, my latest novel into the mix.

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Briefly, Inkitt is a publisher who, through a range of analytics, bases their decision whether to publish by judging people’s responses to a novel. They define themselves as “the first reader-powered book publisher.” One hundred people downloaded the novel in an amazingly short period and some have read and left reviews. If you are one of these: THANK YOU!

Whether you have read it or not, in less than five minutes, you can help me secure a book contract:

If you downloaded the book:

  1. Please read (or skim through if you are pushed for time), answer their questions, and leave an honest review.
  2. There is a button to vote. Please vote!

If you have not downloaded the book but follow my work, please click here and vote for the book.

Kingfisher: Slave to Honor is not a Young Adult novel. It is medieval fantasy and has an edgy sliver of grimdark running through it. If you purchased the Wycaan Master series for your children, this one’s for you.

Thank you for taking a few minutes to help me realize my dream of getting Kingfisher a publishing deal. It means a lot.

Warmly,

Alon / elfwriter

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alonshalev.com and on Twitter (@elfwriter).

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A Painful Letter to Those Who Download Pirated Novels

Dear Fans,

Yes, it seems strange to open such a letter with this salutation, but I can only conclude that if you are tempted to illegally download one of my books for free from any of an alarming number of websites now offering such a dishonorable service, then you must enjoy my novels.

I’m going to divide you into one of two groups. Please bear with me.

  • If you truly cannot afford the $2.99 for most of my novels, then please go ahead. While volunteering at (I think) Project Homeless Connect, I talked with a boy (I think he was 11 or 12 years old) who said he loved that the service offered books to take, but he wished there was more about elves and dwarves. I went and gave him a copy of At The Walls Of Galbrieth and would have given him the whole series if I had brought copies in my backpack. My then 8-year-old once begged me to give a homeless man (a poet we discovered) a copy of The Accidental Activist, after they had a wonderful conversation and the man had told him how much he enjoyed reading and writing.

 

  • If you can afford to buy my books, and I believe most of you can, I am not going to lecture you. I just want you to know that I poured years into each book, that I drove myself to write the highest quality possible, relentlessly edited and nurtured each book into existence. Just because someone is offering you something for free, doesn’t mean you should take it. That goes for music, movies and novels. Like so many artists, I am not wealthy. I am Mr. Average-American who works hard to put food on his family’s table and wonder if he will ever be able to retire. I am probably no different from you.

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So next time you see the advert for a free copy of someone’s novel, please take a moment to consider before you click and download. Go to Amazon or Barnes and Noble, Apple (ibooks), Smashwords, or wherever you purchase a novel and consider the 99c – $2.99 that will show respect for those who toiled to produce that work, those who keep producing the stories you enjoy.

And if you have already illegally downloaded a copy of one of my books and feel bad – I FORGIVE YOU. Perhaps consider buying a copy and gifting it to someone, whether it is one of my political novels to a disillusioned non-Trump supporter, or a young adult who loves a coming-of-age novel and would benefit from seeing the strength of true friendship.

Please reblog or send this post on to others to raise awareness of this issue. It is not as important as helping those who have suffered from earthquakes, fire, or ethnic cleansing, but it is another wrong that we can right.

Thank you,

Alon / elfwriter

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth and five other novels in the Wycaan Master series, all released by Tourmaline Books. More information about Alon and his novels can be found here.

Download a free copy (offered with author’s consent!) of Alon’s new medieval fantasy novel as a publisher gauges interest and reader feedback.

 

 

 

Happy Hobbit Day 2017

I’m sure you had this one in your calendar, right? According to wise scholars and the blissfully lost, both Bilbo Baggins and his nephew, Frodo, celebrate their birthdays on this very day. So, we should too!

I’m not too big on birthdays now that I am a grown up and somewhat jaded middle-aged adult. The conversation is so often forced as are the smiles. We try to put aside our personal stress and the terrible things happening in the world, but they hover there in the empty plastic wine glass and  the ominous pin on your mobile with a news update.

Still, we turn up and play the game. We do it because we love the people in the room, we share a common history and know these people have stepped into the breach to help us and would again without the slightest hesitation. 

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My relationship to Bilbo and Frodo is not quite like this, but I do feel a strong loyalty to a certain, pipe-smoking, tweed-wearing professor, who gave me hours of fun and anxiety as I plowed through his amazing tomes and, after he passed away, the visual creations on the big screens.

J.R.R. Tolkien was a big influence on my writing. His work encouraged me to take my time and allow the reader to get close to the character of the Wycaan Master series. I know from the emotional reaction of readers, when key figures die or do stupid things, that I have succeeded in this, and I doff my hat to the old professor.

He allows me to spend time building a world that is both magical and vivid, to set out on long journeys, to feel overawed by the evil in the world, but to keep moving forward, nonetheless. 

But he has shown me other values that extend beyond the written page. The value of struggling against evil is apparent and more important than ever. We believe that Tolkien was inspired to write The Hobbit and Lord of the Rings from his horrendous experiences in World War One. Here is a lovely interview with his grandson, Simon Tolkien. 

While this is an important trait, I would prefer to focus on another theme: that of friendship. It permeates throughout the Fellowship and these characters are tested beyond anything most of us will ever experience. I have known the camaraderie of soldiers on a combat unit. Though three decades have passed since we served, the group have got together via WhatsApp. There is something profoundly comforting in seeing the threads and conversations.

Frodo and Sam

 

 

 

 

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As we celebrate friendship and this special day for our favorite hobbits, I would like to thank you for your friendship and loyalty. While we have never ventured near Mordor together, I do appreciate those who downloaded a free copy of Kingfisher: Slave to Honor. Please read or flip through the novel and leave a review. This is how the publisher decides whether to pick up the novel and publish it. 

In case you were too busy on your own quest, here is a blog post I wrote about the fascinating process – The New Publishing Model.
Thank you for being a part of my own author’s quest. Happy Hobbit Day,

Alon

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth and five other novels in the Wycaan Master series, all released by Tourmaline Books. More information about Alon and his novels can be found here.

Download a free copy of Alon’s new medieval fantasy novel as a publisher gauges interest and reader feedback.

 

Kingfisher – Chapter 1

Below is the opening chapter to Kingfisher: Slave to Honor. If it grabs you, please download a FREE copy from Inkitt Publishers and read. Then do me a favor and leave an honest review. You are helping Inkitt decide if they want to invest in my novel and I thank you for helping.

Please note there is profanity in this chapter. It is meant for adult consumption. 

Alon

Kingfisher Cover

 

Chapter 1

I have unleashed thousands of arrows on the battlefield and in training, but never shot from the swaying deck of a ship. My heavy ash bow creaks in anticipation as I draw back the bowstring. Peering along the arrow’s shaft, the feathered fletching grazing my cheek, I wait to see the whites of the pirates’ eyes. My target is a huge brute of a man waving a curved cutlass and braying for his ship to get close enough to our small stout Argosy trading vessel. I steady my feet. He must never board this ship.

 

“Blessed Lir. They be twice our crew in number,” a man wheezes next to me.

 

There are few fighters among this crew. Most are simple, warm-hearted sailors, and I have become attached to them as we cross the sea to the land of Cassia.

 

“Hold steady,” I say. “They won’t be as many when we cross blades.”

 

“Archers!” cries the captain, her speckled snowy-grey hair similar in color to the sails billowing above us, and her sun-dried skin a testimony to a life spent at sea. “Let the Easterner shoot first. Wait for my order.” Leaning close to my ear, she whispers. “A true aim will buoy my crew’s fragile morale.”

 

I nod. I have selected a dozen targets. “Let them hold their fire until I empty my quiver.”

 

“You won’t have long, my friend.”

 

“I don’t need…”

 

My bowstring sings as I release my first arrow. I do not wait to see the man collapse. Already a second arrow is nocked and released, and my mind enters a realm of detached clarity.

 

The pirate captain barks as he sees me. “The black bastard! Take him do–oooow!”

 

His voice ends in an abrupt squeal as my arrow pierces his throat and our crew cheers. My quiver is empty and the enemy pared down by twelve. I am irritated. I had fourteen arrows.

 

“Now,” I say.

 

“Fire!” the captain roars and a volley of black arrows arches up towards the sleek pirate ship.

 

After several volleys, there is a pregnant lull as the distance between the ships closes. Then the captain unsheathes a stout sword. “Prepare to be boarded. Follow The Six.”

 

The Six are huge men who serve as her loyal, permanent crew. They are all strong and bawdy, and completely devoted to her. I suspected at first that they were the reason why no drafted sailor questioned a woman being captain. But I was being disingenuous. She exudes respect, walking the deck with ease, commanding her crew with a stern, but fair hand. I hold her in high regard.

 

The cabin boy hovers near me and I smell piss. His eyes are wide and his face drips with beady sweat. “It’ll be okay,” I say, the father in me rising, and I pass him my bow and quiver. “Stay below. You have no place in this fight.”

 

He glances at the captain. She nods, but the tilt of her head suggests she does not appreciate someone else giving orders on her ship. I apologize. Taking charge is a deeply ingrained habit for I have led armies and ruled a country under my emperor, my Sun-Above-The-Mountains. But that life is long behind me and I must focus on the fight at hand.

 

There won’t be room to swing a broadsword on this small, and soon to be, chaotic deck. I draw my curved dirk, Throatslitter, embracing the cold ivory hilt. I carry many weapons but this is my favorite and most used. In my other hand is my battle sickle, sharp and hissing with anticipation as I flick it.

 

I see The Six spread across the starboard side of the ship. They appear calm while the men around them drip sweat. I study the pirate ship now looming before us, and plant my feet directly opposite where their crew is extending a gangplank. Our sailors move aside, most relieved to let me through.

 

The boats thud together and there is a cry from the other side. Someone has taken command, as half a dozen men throw grappling irons with ropes and swing across. A pirate scrambles along the gangplank, screaming an indistinguishable war cry. It stops abruptly as he blinks and stares up at me blocking his path to glory and plunder.

 

“Long way from home, yeh black devil,” he shouts, trying to sound defiant, but I detect a quiver in his voice. “Come all this way fer one final swim?”

 

I stare back, trying for impassive, and he blinks several times. Everyone watches as he swings his sword in a skewed arc, and I brush it aside with Throatslitter before detaching his neck with my sickle. His head rolls down and I hear it plop into the ocean. Blood fountains from his severed neck but, curiously, his body remains erect. I raise my right leg in a side swing kick and send it crashing down. As my foot returns to the narrow plank, I step forward … and the battle mist descends.

 

It is always this way. Once the fighting commences, my mind detaches. My movements are deeply ingrained from decades of relentless training and I need only focus on the techniques of my adversary.

 

I plow my way through a morass of fighting men, barely distinguishing friend from foe. But most of the pirates have boarded our ship and I return to fight aboard the Argosy. Then two members of The Six flank me and we become an organized wedge swelled by a grateful crew. The remaining pirates retreat to their ship and our men swarm across. I follow, but my battle fury has subsided and my interest is only to minimalize casualties on our side. Blood congeals on my clothes and skin. Not mine, I think, but cannot be sure.

 

I have seen the revenge meted upon the vanquished aggressors in countless battles. Men once cowering lash out at their routed attackers with extreme violence. Bones are broken, limbs slashed, and I turn from the carnage. Bodies are thrown overboard. Only the cook is spared and roughly dragged back to our ship. He had better not burn any food.

 

I lean against the railing near the pirate ship’s bow hearing the occasional clash of steel mingle with curses and pleas that gradually subside. The sun is high in the sky and, as I wipe my face on my sleeve, I sense danger. Turning, I see the contorted face of the first man I had shot, the one who had brayed for blood. His huge figure looms over me. The broken shaft of my arrow still protrudes from his shoulder and there is blood around his lips. He holds the other half of the arrow, waving the splintered edge in my face.

 

“Want your fucking arrow back? So sorry I broke it.” When I do not reply, he continues. “Thought one little needle would prick Big Rufus? Snapped it. Now I’m gonna snap your neck, you black devil.”

 

He begins to lunge, but stops when I do not raise my weapons.

 

“It’s over. You lost,” I say, keeping my voice flat. “There’s no one left fighting. Why die needlessly?”

 

He freezes. I suspect few are equal to him in physical stature and even fewer address him without fear.

 

“I’m not worried about dying. Pirating doesn’t offer itself as a long-term profession.”

 

I frown at his use of vocabulary. “You’re an educated man. I can hear it. Why are you doing this?”

 

He stares at me and one eye twitches. “There comes a point, black man, when you kill enough men, take enough women, that–”

 

“Who were you before this? What happened to you?”

The twitching increases and his chest heaves. He is losing control. “I was once an ambitious officer in a huge fucking army, following orders that haunt me every night. I–”

 

“We’ve walked the same path,” I say, now standing to face him. “It doesn’t need to end like this. We–”

 

“It ends this way! It always does.” Spittle foams at the corners of his mouth. “You can’t escape what ­–” He is staring at my eyes, through them, like he has a window into my head. “You’re haunted too. How do you keep…going?”

 

I glance around noting our crew standing and staring. This is absurd as no one moves to intervene. “I have people to live for. I still have a mission.”

 

“A woman?” He wipes spittle from his mouth with his torn sleeve. “She’s probably fucking some other bastard by now.”

 

“She’s dead. But we have sons and they are slaves. I must find and free them.”

 

He nods. “Yeah, makes sense.” Then there is a wave of relentless twitching and his shaggy head shudders. “Fuck ’em though. Fuck ’em all. You die now.”

 

“You don’t sound like you mean it. You want me to kill you.”

 

“I don’t fucking care either way. Look what I’ve become. It’s all that’s left.”

 

He raises a short-shafted axe and the sun catches it. I spin away and my battle sickle rises to block him. I would like to draw my sword to fight such a strong man, but it is long and I know that Throatslitter and the sickle are more effective in close quarters.

 

He advances and shows considerable agility for his size and the fact he is wounded, wielding the axe from hand to hand. When he sees I can repel him, he draws a second axe. I realize we have moved to the center of the ship and men from our crew make way, watching. It is surreal. No one grabs him or shoots him with an arrow. It feels like a final rite.

 

“Last chance,” I say. “It doesn’t have to end like­–”

 

“FUCK YOU!” he screams. “Fuck you for not being devoured, for not giving in, for surviving.”

 

His next swing, with his right hand, is erratic and instead of blocking him with my left, I shift inside and duck, letting the battle sickle in my right hand grab the axe allowing his own momentum to unbalance him. He staggers and I swing a round kick that sends him flying into the ropes that surround the edge of the ship. He doubles over and grunts. Then the tension from his weight on the ropes springs him back toward me. I crouch, the tip of my knife on the wooden deck, and then, with a cry, jump into the air. Throatslitter slashes up under his chin. Bright red blood spurts up to ignite in the harsh sunlight. He twists round and collapses back onto the rope.

 

I step forward and grab his matted hair, wrenching his head up to look at me. His nose is bloody and broken, and his eyes bulge.

 

“Fuck you,” he says, his voice a whisper, and I nod, accepting it as a sign of respect.

 

“Find peace,” I say as I crouch and link my left foot around both his legs. As I rise, I flick him over the side of the boat and watch his body hit the water and disappear.

 

The men cheer, but I have no enthusiasm for the victory. That man could one day be me. One day very soon.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls Of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

Download a #FREE copy of Alon’s latest novel, Kingfisher: Slave to Honor, as publisher gauges interest – http://bit.ly/2sq72DG

 Kingfisher Cover

Happy Eragon Day!

It’s true! August 26 has been designated Eragon Day. I’m not sure who decides such things, but fourteen years ago, on this very day, Christopher Paolini realized Eragon, the first in an incredibly rich series that would turn a generation onto epic fantasy.

The four-book trilogy (every fan remembers the thrill at some point in the middle of the third book when they realized it wasn’t going to end and another 800 pages of Eragon would have to be written) provided a magically bonding experience for my family, and stands along with Harry Potter and Lord of the Rings in Shalev family history.

My sons and I devoured every book: pouring over every word, listening to the audio versions on vacation, and watching the (only!!!!) movie. And yes, as loyal fans, we loved the movie even if it was not the greatest. Come on Peter Jackson – work your magic here, sir!

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When Paolini released Brisingr, my then 10-year-old son stood defiantly at the front of the line in our local Borders (RIP), falling asleep on his feet literally as the clock approached midnight. I will never forget the lady who was working there, encouraging him to stay awake and hang on. At exactly midnight, she put a copy that she had hidden under the counter into his hands and whispered that he should buy that very copy. It was the only book in the store that Christopher Paolini had personally signed. Five minutes later, my son was fast asleep in the car clutching his autographed copy by his hero who was barely ten years older than him.

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My son holding his autographed copy at the midnight release… a priceless moment!

I wrote a while back that Paolini must be one of the most underrated authors and shared that he disproved a number of important assumptions:

1. The young generation will read 400-page novels if the material is gripping enough.

2. They will read rich descriptions, convoluted plots, and identify with characters that are deep, vulnerable, and profoundly human (or elf or dwarf).

3.  They will thrive on a high level of language.

4. Tolkien might still be king, but he has good company. Paolini is young. His level of craft is only going to improve and that is an exciting prospect.

I have to admit to selfish disappointment when Paolini decided to stop writing after Book 4 and go to college. He had every right to want that rite-of-passage experience and, as a loyal follower, I had no right to resent him that.

I owe Christopher Paolini a lot.

As my sons and I bonded over the Inheritance series, a seed was sown. We sat together to write our own epic fantasy novel. At The Walls Of Galbrieth went on to win the 2013 Eric Hoffer Book Award for YA and was a Grand Prize Finalist. Every summer for the next five years, I read the new manuscript to my sons while we camped under redwood trees that could have graced Alagaesia.

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Writing At The Walls Of Galbrieth – a family effort!

The uncompromising standards that these fierce young editors applied to our work was harvested from the lessons learned from reading the Inheritance Series. Earlier this month, I took my boys (now 18 & 14 and towering over me) on our annual camping trip. I read them the first 150+ pages of Kingfisher: Slave to Honor (minus a few adult scenes) and their edits were sharp and erudite. I am extremely proud of them (I know, I am totally objective!).

Summer 2015 Reading Book 6

Reading Book 6 in the summer of 2015. End of an era.

So Christopher, if by any chance you ever read this: Thank you, as a reader, a fan, and a father. How about Book 5?

While on the topic of Kingfisher: Slave to Honor, you can help me with a publisher (Inkitt) who is interested in the book. Please go to http://bit.ly/2ttpqt9 and download for FREE, this new medieval fantasy novel. The publisher is gauging interest by analyzing how much you read and by your honest review.

Kingfisher Cover

Thank you for your support. Who knows, maybe Peter Jackson will one day make a movie of it because of your help. A boy can dream, no?  

Happy Eragon Day!

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth and five other novels all released by Tourmaline Books. Through August, all ebooks are 99 cents each.

Downloaded your #FREE copy of Kingfisher: Slave to Honor – http://bit.ly/2ttpqt9 – the new magical realism novel by award-winning Alon Shalev? Publisher gauging interest by analytics including how much read and your honest review.

More about the author at alonshalev.com.

Depth of Character

THERE ARE NO SPOILERS HERE:

A while ago I read the first two books in The First Law Trilogy by Joe Abercrombie. I remember planning to write a blog post then on the author’s use of character, but somehow other topics rose to my attention. I am now three-quarters through the third, and just as enthralled.

Joe Abercrombie

Sometimes when I’m really enjoying a book, I’ll read a sentence or paragraph and just wonder: how can someone’s head be wired in such a way that they’d come up with that? Joe Abercrombie epitomizes this ability to keep it unique.

But it is his characters that amaze me. It is impossible to identify one protagonist – there are several. The danger in doing this is that each must be compelling or else the reader will flip through a section to return to the more favored characters. This does not happen with Abercrombie – each protagonist is capable of holding his or her own space. Their voices are completely different, backed by their own personal flaws and challenges. If you are looking for character tropes, this is simply not the place. If you want the perfect hero, look elsewhere. But perhaps because of their flaws, we can connect with them. For a medieval fantasy novel, or any similar sub genre, this is a brave move, but Abercrombie does it perfectly.

Characters Acerombie

Even minor characters manage to claim their unique places. All the Named Ones are memorable, one of Glokta’s muscle men has an incredible vocabulary, and there are so many more. It is to Abercrombie’s credit, that there are simply no throwaway characters. That is a testament of hard work. 

Another brave move is to break the rules. A member of the Berkeley Writers Group wrote a piece in which she includes considerable internal monologue, italicized to make it clear who is speaking. Her editor suggested cutting it as this is not conventional, But when she read this second version to the group, we lamented the intimacy we had with the character and the author feared the protagonist had lost her voice. 

Joe Abercrombie Quote

Abercrombie does this brilliantly with Glokta and his internal dialogue. If he just used it to show the character’s emotions, one could say there are other ways to achieve this – body language for example, but Abercrombie offers much more.

The best example is when he is trying to share the rumors of an imminent invasion and compares brilliantly his bosses’ leadership to a ship that sinks in a storm, interlacing the internal monologue to match the self-interested, derisive comments of his superior.

In addition, Abercrombie has the ability to offer such succinct lines that convey so much. There are a few examples here. 

Abercrombie Quote 2

What compelled me to write this blog post – I don’t usually review other authors – is the thrill I feel when I read someone who is expanding the craft. We often refer to the way we write as the craft (I think Stephen King was the man who introduced this to me) and we all look to improve the nuts and bolts of our work. When you take your own craft seriously, you look at the masters with awe and try to learn from them. 

In pass blogs I have mentioned such authors as Tolkien, Terry Brooks, Christopher Paolini, Terry Pratchett, as the masters of our genre. From my perspective, Joe Abercrombie can unapologetically take his place at the table.

Finally, thank you to those who are helping my new medieval fantasy manuscript, Kingfisher: Slave to Honor find a publisher by downloading a free copy. The publisher is interested, but I need you now to read  it (they are measuring how many pages you turn and whether you leave a review. It is very exciting and I thank you for your support.

Kingfisher Cover

Warmly,

Alon
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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls Of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions – all ebooks are 99c each for August. For all other eReaders, please click here.

Download a #FREE copy of Alon’s latest novel, Kingfisher: Slave to Honor, as publisher gauges interest – http://bit.ly/2sq72DG

More about the author at http://www.alonshalev.com and on Twitter (@elfwriter).