Depth of Character

THERE ARE NO SPOILERS HERE:

A while ago I read the first two books in The First Law Trilogy by Joe Abercrombie. I remember planning to write a blog post then on the author’s use of character, but somehow other topics rose to my attention. I am now three-quarters through the third, and just as enthralled.

Joe Abercrombie

Sometimes when I’m really enjoying a book, I’ll read a sentence or paragraph and just wonder: how can someone’s head be wired in such a way that they’d come up with that? Joe Abercrombie epitomizes this ability to keep it unique.

But it is his characters that amaze me. It is impossible to identify one protagonist – there are several. The danger in doing this is that each must be compelling or else the reader will flip through a section to return to the more favored characters. This does not happen with Abercrombie – each protagonist is capable of holding his or her own space. Their voices are completely different, backed by their own personal flaws and challenges. If you are looking for character tropes, this is simply not the place. If you want the perfect hero, look elsewhere. But perhaps because of their flaws, we can connect with them. For a medieval fantasy novel, or any similar sub genre, this is a brave move, but Abercrombie does it perfectly.

Characters Acerombie

Even minor characters manage to claim their unique places. All the Named Ones are memorable, one of Glokta’s muscle men has an incredible vocabulary, and there are so many more. It is to Abercrombie’s credit, that there are simply no throwaway characters. That is a testament of hard work. 

Another brave move is to break the rules. A member of the Berkeley Writers Group wrote a piece in which she includes considerable internal monologue, italicized to make it clear who is speaking. Her editor suggested cutting it as this is not conventional, But when she read this second version to the group, we lamented the intimacy we had with the character and the author feared the protagonist had lost her voice. 

Joe Abercrombie Quote

Abercrombie does this brilliantly with Glokta and his internal dialogue. If he just used it to show the character’s emotions, one could say there are other ways to achieve this – body language for example, but Abercrombie offers much more.

The best example is when he is trying to share the rumors of an imminent invasion and compares brilliantly his bosses’ leadership to a ship that sinks in a storm, interlacing the internal monologue to match the self-interested, derisive comments of his superior.

In addition, Abercrombie has the ability to offer such succinct lines that convey so much. There are a few examples here. 

Abercrombie Quote 2

What compelled me to write this blog post – I don’t usually review other authors – is the thrill I feel when I read someone who is expanding the craft. We often refer to the way we write as the craft (I think Stephen King was the man who introduced this to me) and we all look to improve the nuts and bolts of our work. When you take your own craft seriously, you look at the masters with awe and try to learn from them. 

In pass blogs I have mentioned such authors as Tolkien, Terry Brooks, Christopher Paolini, Terry Pratchett, as the masters of our genre. From my perspective, Joe Abercrombie can unapologetically take his place at the table.

Finally, thank you to those who are helping my new medieval fantasy manuscript, Kingfisher: Slave to Honor find a publisher by downloading a free copy. The publisher is interested, but I need you now to read  it (they are measuring how many pages you turn and whether you leave a review. It is very exciting and I thank you for your support.

Kingfisher Cover

Warmly,

Alon
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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls Of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions – all ebooks are 99c each for August. For all other eReaders, please click here.

Download a #FREE copy of Alon’s latest novel, Kingfisher: Slave to Honor, as publisher gauges interest – http://bit.ly/2sq72DG

More about the author at http://www.alonshalev.com and on Twitter (@elfwriter).

 

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Is The Grass Always Greener?

Between you and me, I’ve always been jealous and somewhat in awe of a dear friend who has a book contract with a major publisher and is a terrific writer. I never resented her achievements because I knew she worked hard to achieve her success, garnering attention through winning writing contests, traveling far and wide to speaker engagements, and generally being the lovely collaborative person that any publisher or agent would love to work with.

Games of Berkeley Question from Asif

So I was a bit shocked when I met up with her for coffee the other day and she told me how frustrated she was with the route she had taken. I have heard many doom-and-gloom writers who are disdainful of the conventional publishing route, but to be honest, I always thought they were bitter because their books hadn’t sold as much as they had dreamed, or they were frustrated at having their considerable talents spurned by agents or publishers.

Hearing about her feeling of inertia and entrapment (my words, not hers) made me appreciate the support and belief that my small-press publishers, (Three Clover Press for the Social Justice novels, and Tourmaline Books for the epic fantasy) despite their limited resources.

But I would be lying if, when I see the beautiful hardcover books of Terry Brooks or R.A Salvatore adorning the shelves of a bookstore, I do not dream of seeing my novels displayed next to theirs, or wonder which actor Peter Jackson will cast to play Seanchai or Ilana.

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 I am currently editing a magical realism manuscript with my writers’ group and have been wondering whether to try and find an agent or offer it to one of the small-presses that already support me. Every time I watch an episode of Game of Thrones or Legend of the Seeker, I decide that I will go that route.

But yesterday’s conversation had me reevaluating. I am not entirely free to initiate a particular marketing strategy and should check in with my publishers. But I always receive their blessings and usually some wise words that help me improve my idea. Most importantly perhaps, when I call, someone answers the phone. They know who I am and personally care about my writing career, not just their bottom line.

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How have you chosen such paths in your writing or career decisions? Would love to hear.

And yes, even though I have been saying for the past month and a half that it is only two weeks until the release of Sacrificial Flame, Wycaan Master Book 4…I wish to leave you with the breaking news… Only two wee– Okay. I have no idea, but I’m holding out for July. When it happens, I will let you (and the whole world) know! Promise!

 

Sacrificial Flame Cover Hi Res

Good Writing.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, The First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

The Great Author Gold Rush

Last week, Amazon announced the dates for the Amazon Breakthrough Novel Awards 2014 (ABNA). This was the signal, across the country, that sent thousands of writers, novelists, and dreamers, scurrying into our offices, corners, coffee shops, and wherever else people of our ilk perch to write their novels.

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Ten thousand will be allowed to enter a novel, an excerpt and a pitch, click on submit, and then lean back to spend three months dreaming of future fame and glory. It is the writer’s lottery ticket and the adrenaline is flowing.

Part of the magic around this competition is that it is the ultimate democratizing of publishing. All who enter receive equal access to the judges, the fans, and the agents who hover on the periphery. No more ambushing agents in expensive Writer Conference bathrooms (yes it happens), no more trips to the post office with unsolicited manuscripts, no more trying to convince a friend who knows someone who knows…

Click on the button and let cyber-nature take its course. If your manuscript is intriguing, your pitch compelling, and your craft sound, you stand as good a chance as the other 9,999 entries. Personally, I prepared my acceptance speech, good for ABNA, Nobel, the Oscars or Oprah!

imagesAnd then there is ABNA Anonymous (not its real name – see Createspace website), a glorious plethora of online forums wherein the hopeful gather to ask questions, hypothesize, vent frustrations, and enjoy a communal glass of wine without needing to drive home.

I have entered two novels that both reached the Quarter Finals, the last 250 contestants.  Whilst the semi finals proved elusive, Unwanted Heroes was picked up by Three Clover Press, and At The Walls Of Galbrieth went on to win the 2013 Eric Hoffer Book Award for YA.

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A good friend, Francine Howard, also reached the Quarter Finals with Pages of a Tennessee Journal and went on to become an Amazon Encore author, signed up by Amazon’s own publishing house. The link also has a lovely interview with Francine further down the page.

So here’s to another successful year for the Amazon Breakthrough Novel Award and all those who bravely enter. Reaching the final destination would be nice, but the journey is a great ride. Enjoy it!

Now, if you will excuse me, I have a pitch to polish!

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, The First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+