When Is An Elf Not An Elf?

Over the three days of November 17 -19, Amazon.com have decided to promote the 2013 Winner of the Eric Hoffer Book Award for YA – At The Walls Of Galbrieth. The novel will be offered FREE in ebook form.

This is a wonderful opportunity for me and I request that, to support my sales rank and me, you download the book and invites your friends to do the same. Feel free to gift it on (Thanksgiving and Hanukkah, anyone?).

To celebrate this and also the milestone of 100 blog posts on elfwriter.com, I wish to offer 10 of my favorite posts over the next three days. I hope you enjoy and, please, take a moment to download for FREE At The Walls Of Galbrieth and spread the word.

Thank you,

Alon

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WHEN IS AN ELF NOT AN ELF?

Yes, my novel is compelling, special, well-written etc. just like the 499 other epic fantasy manuscripts sitting in the slush piles of every publishing house that offers YA epic fantasy.

I am working with an agent who is asking the challenging and insightful questions that will help my manuscript stand out from the rest. It is tough and I am feeling very possessive. Last week I shared his prompting to seek a Higher Concept.

One of the aspects that he wants me to consider is changing my elves, who make up many of the main characters and cultural references. He suggests that I consider changing the elves for a new, mythical race that will set me apart from the rest.

Let me state from the outset that I have no doubt this man knows far more than I about the publishing world, has considerable experience and understands the current state of the publishing world.

But my elves? Our elves? Those of us who grew up on Tolkien, Paolini, Brooks and others, have standards, images, friends. Legolas and Anwen, Arya and Blodgarm, and many others have created a rich and familiar texture. We welcome them surfacing as we settle into a thick novel. We embrace them because there are common threads that pass between authors. We call it a culture, those who don’t read fantasy roll their eyes.

Noble Haldir – we owe him for Helm’s Deep, no?

Terry Brooks’ children know that he is not all there, he tells us as much when he opens his book Sometimes the Magic Works: Lessons from a Writing Life. More on this book in a later blog.

But Brooks in not dissimilar to the rest of us, just considerably more talented! We pass through a gate in our imagination and reacquaint in a world that exists in a shared consciousness.

Here the elves are tall, thin, light-footed and beautiful. They are fast and posses stealth and discipline. They are in touch with the energy of the earth, the forest, the animal kingdom. They excel in archery, crafts and healing. Perhaps they are aloof, elitist, and closed to the other races, but this comes from their ancient and rich heritage. We know and love them.

We rejoiced to learn that Peter Jackson is bringing Legalos into a prominent role in The Hobbit. Well, a few raised eyebrows, since Legalos was not even referred to by name in The Hobbit when he appeared flanking his father, the King of Mirkwood.

We accept, even with a bit of jealousy that he can fight at Helms Deep for five days, or run non stop for three and still not need to brush his immaculate hair. Nor do we care that his quiver seems to replenish itself, an occupational hazard of any archer who fights battles every other day.

We don’t mind because elves epitomize something that we identify with. We all want to be beautiful, brilliant, in excellent physical condition and, of course, environmentalists. When R.A. Salvatore created Drizzt Do’Urden and the dark elves of Menzoberranzan, a giant underground drow city-state he broke new ground.

Many of us were repelled and had it not been created in the hands of a master of fantasy, we would have rebelled. It was daring, it worked and by Book Three, we were rewarded with the typical elf one finds above ground.

It is tough to turn away from the basic tenets of epic fantasy: the teacher and student, the quest, the fight against a powerful evil, dwarves, elves, dragons, a rich natural world. There is something that has entered our collective consciousness and taken root.

It is why we read and reread the masters…and it is why we will return to read those who take over the role of entertaining us in a way that only epic fantasy does.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, offered by Amazon.com for FREE on November 17-19. The sequel, The First Decree, and Ashbar – Wycaan Master Book 3 are all released by Tourmaline Books. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

Why Do Adults Gravitate To Young Adult Fiction?

I believe that more adults are reading the epic fantasy Wycaan Master series than young adults. I know there is a fair proportion of teenagers and even pre-teens reading, but judging by the emails, blog comments, and twitter responses, it is predominately adults. This is all despite the books being written for and with my children, which I describe here. It begs the question why are adults drawn to Young Adult (YA) books?

I found this article by Kelly Johnson. In her post, she debunks the following statements (her words):

1. Our culture encourages an unnatural and prolonged adolescence

2. YA books are escapist since you don’t have to look beneath the surface of them. They are easier to grasp.

3. Adults read YA because they aren’t able to read past a middle school or high school level because adults are getting dumber and dumber.

4. YA books are about hopefulness. Their problems aren’t really problems and they can be fixed. Also there’s always a happy ending, so it’s satisfying and fulfilling to adults. The characters are likable.

5. Fill in the blank with your own justification here. Some examples may include: YA is all about first experiences; YA is nostalgia for adults; YA is cheaper than adult books and therefore more appealing to the wallet; and so forth.”

I enjoyed Ms. Johnson’s fiery responses to these statements, but I felt let down when she finished with: “The only justification for why adults read YA books is this: they choose to. That’s it. That’s their reason. Adults read YA books because they as adults choose to do so.

I am disappointed. None of these reasons explain why an adult, working, raising a family, involved in a community, volunteering, following a sports team etc. would be so moved to take a few precious hours each day to sit and read, and then often reach out and engage with the author, fellow readers, come back to buy more books, and enter deep discussions online and at the pub.

Fiction is all about the plot, the characters, and the environment. It is true for John Grisham and Stephen King, and it is true for Terry Brooks, Christopher Paolini, and R.A. Salvatore.

When I read a John Grisham book, I am transported to Mississippi, to another time, and when I close the book at the end of a chapter, I worry about his characters and their choices. It is no different to George R.R. Martin who may kill off a few popular characters in the next chapter if he had a bad day.

The issue, I think, is how we perceive YA. A young adult book means there is no sex, less violence and no profanity. There are certain boundaries not crossed if we want our youth to read them. But that is all it is. There is nothing here to prevent an adult from enjoying the book, unless you assume we are all sex-starved, violent, expletive-charged individuals, which would be sad, especially if this is how Hollywood and the mass media perceive us.

I am taking a few months break from the fourth Wycaan Master book to write an adult fantasy book.

I have not felt a need to raise the richness of language.

I have not made the characters deeper and more compelling.

I have not sought a more complex plot.

I have not deepened or diluted my world-building.

There are, to be honest, issues dealt with here that may be too dark to share with youth. I share a lot with my teen son, but would hesitate to share certain passages here. Characters deal with fears and obstacles that most of us who have children might not want them to read. There is sex and more graphic violence than in the Wycaan Master series, but that might yet get dialed down.

So what does make adults gravitate to YA novels? The problem is not with the answer. The question is simply wrong.

People read a story because it has a good plot, characters that the reader can bond with, a world that stimulates the imagination. This is the same for adults as it is for YA. YA is written within certain criteria in order to make them a safe space of teens. It certainly does not mean dumbing down or becoming predictable.

The discerning reader will be drawn to a book in their chosen genre simply because it is good: plot, characters, environment and strong writing.

A good novel is a good novel is a good novel…

So this seems like a good time to thank all of you who bought Ashbar – Wycaan Master Book 3 and any of my other novels. I read every blog comment, every tweet, every priceless review on Amazon.

Thank you. Thank you. Thank you. Have a great week.

elfwriter

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, The First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+ here.

World-Building: How Much Detail?

I’ve noticed a number of adult reviewers of my Wycaan Master series have been critical of my world-building, suggesting that I do not go deep enough or that the books are too fast-paced and that more description of scenery and environment would help to pace the book.

There seems a definite age issue here. I asked a number of my sons’ friends (ages 10-16) who have read the book and they did not agree. In fact, the younger readers were happy to describe to me the fortress of Galbrieth from Book 1, and mighty Hothengold, the dwarf capital, which is situated in a huge cavern. Admittedly, each child described it differently, but I am not sure that matters.

It seems there is a certain richness in each (young) reader’s imagination forming their own world, but why do adult readers not want to exercise their minds in such a way? Why does the generation of instant gratification seem willing to work their imagination muscles, while those who always had to work hard to discover anything, do not? In an earlier blog post – The Art of World Building – which I wrote at the beginning of my epic fantasy writing journey – I assumed that it would be exactly the opposite.

I suspect age is not always a factor. The adult who is often challenged to find reading time, wants to push the plot along, something my books are complimented for, and not spend a chapter describing every tree in Mirkwood. Ironically, when the same readers lost themselves in Tolkien’s Middle Earth decades ago, they had more free time to meander with the master.

Over the summer, I have indulged myself in writing an adult fantasy novel, a Game of Thrones wannabe, and I will soon shelve it to focus on editing Book 4 and writing Book 5 – the cycle never ends. But I realize I have been no more generous with my world building than for the Wycaan Master series.

So my question to you, dear readers: How much detail of the environment is needed for a YA in comparison to an adult fantasy novel? Is there enough world-building in the Wycaan Master series? Please feel free to leave your feedback in the comments section below. I really appreciate every comment.

Talking of feedback: I have been reading a number of books about Amazon.com and how to improve your ranking and exposure. I really need reviews on both At The Walls Of Galbrieth and The First Decree, on both the US and UK sites. Apparently less than 3% of readers leave reviews and I admit, until I began writing, I was one of the 97%. But now from the other side of the fence, I would really appreciate that if you have read either book, please take five minutes and leave a review.

It will be a huge help to a struggling author and if ever we meet in Odessiya, the next round of ale will be on me!

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, Wycaan Master Book 1 and The First Decree, both released by Tourmaline Books. Ashbar – Book 3 – is due for release in October 2013. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter).

That Magical Time of Year – Better Than ‘Real’ Fantasy

Once a year, my family goes away camping in the mountains of Northern California or Oregon. All day we fish, hike, swim, explore and then after dinner sit around the campfire or snuggle up in my tent. This is the fourth year that I then open up a folder and read to my boys the completed first draft of the next book in the Wycaan Master series.

My boys listen, interrupt with question, comments and sometimes criticism. The latter is becoming increasingly sophisticated as they not only spot spelling or grammar errors, but when a character goes out of voice, or the plot is inconsistent.

During the day, while out on another activity, one of them might turn around and offer an idea or feedback. My youngest (10 years old) may well tell me what he guesses might happen next. I have told him that he is not allowed to share anything in an unpublished novel with his friends – many of whom are reading the series. He is to arch an eyebrow (Spock would be proud – if he ever felt emotions) and say Maybe. When he offers his predictions, I turn to him and smile, as evilly as I can muster: Maybe.

It elevates an already wonderful family vacation into the realms of magical and I feel truly blessed that we are building these communal memories together and hope they will stay with us as my boys grow up and walk their own paths.

Together with this is the excitement building for the book launch of Ashbar – Wycaan Master Book 3. Pages have been added at alonshalev.com and here on the elfwriter blog.

It is turning into an amazing year with The First Decree and Ashbar being published, and, of course winning the 2013 Eric Hoffer Book Award for YA. I am truly gratified that along the way I am making many new friends through twitter and the blog, and even some face-to-face networking (yes – it really happens!).

In this brave new publishing world, an author can only succeed with ‘a little help from his friends’ something Joe Cocker was preaching long before any of us knew that a chat room was a place you could hang out in pajamas or that we would love a tablet that is too large to swallow.

I appreciate all the retweets, the recommendations and the reviews. My mentor is telling me that I am not accruing enough reviews. Please, if you have read either At The Walls Of Galbrieth or The First Decree, take a few minutes to leave a review. If you are in a Google+ group, a Goodreads group, or on a thread of epic fantasy book aficionados, please make a recommendation to begin the series. I am following a thread on Amazon called Life after Game of Thrones and checking out the authors they suggest.

I really believe that, even in the rich online world, word-of-mouth remains the most effective marketing tool. On Thursday, a friend enthused about this new author he has discovered. I came home, checked him out, and his first book is on my wish list.

To those of you who already advocate for my novels and my path as an author – thank you. My relationship with my boys and the support you give me are what makes my epic fantasy truly magical.

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Alon Shalev writes social justice-themed novels and YA epic fantasy. He swears there is a connection. His latest books include: Unwanted Heroes and the 2013 Eric Hoffer Book Award for YA – At The Walls Of Galbrieth. Alon tweets at @alonshalevsf and @elfwriter. For more about the author, check out his website.

Sex or Swords?

I recently finished reading an epic fantasy novel by an author who is perhaps a year ahead of me. He is a couple of novels deeper into his series and seems to have a similar, but not bigger, social platform.

But his books are selling impressively and I enjoyed reading his work, but there was nothing in the quality of the plot, writing, etc. that suggested why he is outselling me.

There are a lot of things in common between our novels. They are both character driven and, though there is a clear plot arc, you really stay engaged because you are rooting for the characters. There is plenty of action and moral dilemmas. If and when I write a review, and I definitely will because this is so important to the author (hinting here!), I realize that it would be similar to many of the reviews I have received for At The Walls Of Galbrieth and The First Decree.

But there are two fundamental differences, perhaps three.

1) His novels are meant only for adults.

2) There is a fair amount of sex.

There is also considerable swearing, but I don’t think someone buys a book because of the swearing. It might deter a few people, but not act as motivator.

These differences lead me to wonder about whether young adults are reading ebooks – which remains the most popular with all struggling authors – and I will examine this next week.

But for now, I want to focus on sex. Let me be honest. I’m very fond of sex and I enjoy reading and writing about it. In my non-fantasy novels, there are probably two graphic sex scenes in each. I believe that the way my characters deal with sex, before, during and after, reveals far more than any long description can ever hope to achieve.

All three books – A Gardener’s Tale, The Accidental Activist, and Unwanted Heroes – have garnered criticism from a few reviewers who were upset or disturbed by what they read, but there are many others who mention it positively. There was nothing 50 Shades, or anything violent or forced in these scenes and, in truth, I remain proud of them, even when I know my mother and mother-in-law have read them!

However, what is the place of sex in epic fantasy? The book in question has two sex scenes and neither are particularly graphic or explicit. Throughout the novel there are sexual references but little more than men’s comments or a woman’s thoughts. Both scenes were written well and felt part of the story. Both added to the richness of the characters.

I have wondered about Game of Thrones, in particular because my 14-year-old is interested in reading and watching the series. I have no doubt that George R.R. Martin wrote what he understood to be sexual mores of that period and I agree that it probably happened as he described, but the sex was clearly not a turn on for me (neither was it for most of Martin’s characters come to think of it).

Much of the sex were men exploiting their power over women and a few scenes are of women who manipulate men to get something they want through sexual favors or binding the men’s lusts to them. All good stuff, perhaps, but not something I want to share with my teenage son.

I want him to know about sex as something romantic, a bonding act between two people who love each other. I want him to know that anything that is not two consenting adults pleasuring themselves and each other, is deviant. It might not necessarily be wrong, but that is for him to decide according to his values.

In the Wycaan Master series, I touch on many values and morals. I challenge the young adults who read my books to make choices about race, violence, friendships, loyalty, and enjoy it when I hear my son or his friends comment that they are proud/disappointed/upset/ happy about the actions of a character. I like that they feel guilty, understanding and maybe partly rooting for the bad guys. Nothing is ever black or white.

But what about sex? There are certain hints in my novels that some things are going on, but it is easily missed if a young adult is not thinking about such topics. To write about sex, even in a tasteful youth-orientated way, would strip my novels of being YA (young adult). I would lose the initial motivation of writing to influence a new generation.

Is it possible to write in sexual scenes in a YA novel? Most parents do not vet a book, trusting that if it has received recognition as YA then it will not include certain things such as swearing, graphic violence, or sex.

I do not want to step away from the target audience that so intrigues me and I am not sure I am ready to abandon them. However, I am frustrated that there are strict boundaries, frustrated that I could convey so much to my target audience through my young characters having or thinking of sexual encounters. I could convey healthy values associated with sex, values that I want to share with my own sons.

So my question is: Can sex be handled within a YA context? Your thoughts?

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Alon Shalev writes social justice-themed novels and YA epic fantasy. He swears there is a connection. His latest books include: Unwanted Heroes and the 2013 Eric Hoffer Book Award for YA – At The Walls Of Galbrieth. Alon tweets at @alonshalevsf and @elfwriter. For more about the author, check out his website.

The Fatherly Figure in Fantasy

As a warm up for reading this blog, please say the following five times as quickly as possible: The Fatherly Figure in Fantasy.

I shared some thoughts on Left Coast Voices regarding Father’s Day this Sunday. But it occurred to me that the father figures in epic fantasy gets a tough time. Here is a brief overview of a few of our beloved characters and their fathers (I acknowledge that I am encompassing a wide definition of the genre for this post. Purists – please excuse me this once).

WARNING: There might be spoilers here, so I am giving the name of the character first and won’t be offended if you skip that part.

1. Luke Skywalker:

I know this is sci-fi and not fantasy, but we have all hung there with Luke as his father, who had just chopped off his arm, now looms over him with a lightsaber. What a time to discover your father! As if it is not enough that your uncle and aunt who brought you up were murdered, now you discover your father is a metallic mass-murderer.

Suggestion: Do not buy Dad a lightsaber. It is the first step to the Dark Side and he already has plenty of power tools he never uses.

2. Tyrion Lannister:

So your father abused you and openly hated and insulted you. As if you don’t have enough to contend with two older, beautiful siblings, who are bonking, or the fact that you were born stunted and are accused of killing your mother as she gave birth to you. Not hard to understand why A Lannister Always Pays His Debts!

Suggestion: Don’t give your father a ‘quarrel’ even if he deserves it.

3. Eragon:

Also grew up never knowing his true father and then, like Luke Skywalker, finds his uncle, who was like a father to him, is murdered in his stead. Of course, no sooner does he discover who his father really is, than he has to bury him, and take considerable blame for brave father’s death.

Suggestion: Giving your old man your dragon/porche just before he dies is classy, but do check your insurance policy first.

4. Drizzt Do’Urden:

Gotta give the dark elf considerable credit. He grew up in the Drow city of Menzoberranzan. where all males were merely fighters and concubines. Of course his mother and sisters abused him and tried to kill him, and by the time he discovered who his father really was, well…I don’t think he even got to bury him.

Suggestion: a bit stumped here. When your father gave you a genetic sense of justice, enough to turn you against your mother and sisters, what can you really reciprocate with?

Artist – Noche

5. Frodo Baggins:

I admit, I had to look this up and cannot guarantee my sources. Frodo’s father was Drogo and we don’t know much about him other than he went and drowned in a boating accident. Hobbits should know not to participate in such dangerous and adventurous pastimes as boating. At least, Frodo had a nice secure upbringing with his first cousin once removed (and not his uncle as even dear Bilbo often referred to himself). It was not as though Bilbo passed on any artifact that was incredibly dangerous and held the fate of the entire Middle Earth!

Suggestion: Stay away from the jewelry!!!

In epic fantasy we gravitate to protagonists who are the underdogs, who overcome adversary, and make great personal sacrifice. But we also seem to be sending out a message to our young readers that the absent/weak/villain father is the norm.

It must not be so. Every young man deserves a father who is a role model, imperfect and flawed as we may be, but a father who will teach him to fish, nock an arrow, believe in a just society, and to be a good human being…or elf…dwarf etc.

I’m sure if we were to meet Luke, Eragon, Tyrion, Drizzt or Frodo in a pub, they would all agree that they wished they had fathers they could truly appreciate and learn from.

Perhaps being the best father you can is the greatest quest any of us can embark on. It may not save Middle Earth or Menzoberranzan, but it will make our world a better place to live in.

Happy Father’s Day.

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Alon Shalev writes social justice-themed novels and YA epic fantasy. He swears there is a connection. His latest books include: Unwanted Heroes and the 2013 Eric Hoffer Book Award for YA – At The Walls Of Galbrieth. Alon tweets at @elfwriter. For more about the author, check out his website.

Possessed Writers

The scene might be the same in any house mid-week, early evening.

Your partner is rushing to make dinner, still in his/her office clothes. Ten- year-old son is irritable, primarily because he prefers to play wall ball than eat his lunch at um … lunch break. He has even pointed out that the First Lady wants him to exercise more (you just lost my vote in 2020 Ms. Obama! Tell him to eat that sandwich we made him). Older son is drowning in homework and needs help. Unfortunately it is not math where he ends up explaining it to a perplexed calculator-wielding father – it is English and father is the fastest typist in the house.

From within this maelstrom, hassled wife turns around from steaming cooking pots and sees an unset, messy dinner table, a swivel chair, and a writer’s desk. The writer, sitting in said chair, is distinctly facing the wrong direction, pounding his keyboard with a vengeance.

Suddenly, she can’t help herself. Forgetting the wooden spoon in her hand (writers notice these details especially when the spoon is being flailed in writer’s direction), she towers over the writer, hands on hips:

“You’re writing? Now? Man, you are just possessed!”

When my extremely patient and understanding wife says something like this, it does makes you wonder.

The problem is that after a stressful few months, I had a week off over the Christmas break, and kind angels put up our family in beautiful, snowbound Tahoe, 10,000 feet high in the Sierra Nevada mountain range. Already on crutches from a knee operation, I was never going to cut the crisp, fresh snow on virgin slopes (I don’t even when not on crutches – at best I tumble down a 100 feet nursery slope, make sure there are photos, and then slink off for laced hot chocolate).

But here, if only for a few days, I couldn’t help myself. The laptop comes on and a few snow-bound scenes of a new book somehow appear.

Possessed? Moi? Five months and 103.000 words later, despite an intense period at work and many other obligations, I type the final period, click the save command, and stare at the epilogue. Rough first draft of Wycaan Master Book 4 is completed.

Written mainly between 7.30-8.30 am and after the boys go to bed on weekdays, and a couple of hours on the weekend, or random pieces written during odd times. Waiting at the dentist, on the mass-transit BART commuting home, in San Francisco, Washington DC, Ventura, St. Louis, San Diego, and at too many airports.

Possessed? Nah. Possessed would be finishing Book 4 and starting to write scenes of Book 5. Possessed. Out-of-control. Crazy.

I just wrote a few pages, mainly plot threads that I want to develop, characters that need to grow and confront their pasts. There is a bit of world-building with oceans and…

Starting Book Five might just be considered grounds for divorce, need to involve Family and Children Services, or a good psychologist (preferably one who is as much a fan of Tolkien as of Freud).

Starting Book Five? “Now? Man, you are just possessed!”

Fair point.

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Alon Shalev writes social justice-themed novels and YA epic fantasy. He swears there is a connection. His latest books include: Unwanted Heroes and the 2013 Eric Hoffer Book Award for YA – At The Walls Of Galbrieth. Alon tweets at @alonshalevsf and @elfwriter. For more about the author, check out his website.

Craving Recognition

I admit it. I crave hearing that someone has read my books, even more so when they really enjoyed them. I love seeing reviews posted, however critical, because someone cared enough to take the trouble to write something. The first (and only) time I saw someone reading the book on the train, I suspect my feet actually left the ground.

Nothing, of course, compares to when my sons held their first copies, or when I hear them talking to people with pride about their contribution to the story. A few weeks ago, we sat with dear friends around a campfire, and everyone was invited to share an achievement from the past year. My 10-year-old spoke at length about his pride on our teamwork writing the fantasy series.

At The Walls Of Galbrieth reached the Quarter Finals of the Amazon Breakthrough Novel Award in 2012, and I remember a powerful feeling of simple validation. Experts in the genre had deemed my books to be credible members of the epic fantasy world. A big confidence booster.

But this week topped it all. The Eric Hoffer Book Awards committee announced their Grand Prize Awards Finalists, and At The Walls Of Galbrieth is right up there. I am very proud of the achievement.

I know that, ultimately, I write for my sons and myself. I acknowledge that this is a family project that will be treasured, I hope, long after they leave home, and I dream that one day they may tell their own children of their part in the story as they show them the books.

As I near the end of writing Book 4 and book a campsite for the summer vacation, I can’t wait for the opportunity to read a new story to them, snuggled in our tent or round the campfire.

We are three days away from the Eric Hoffer Awards being declared and two months from our family vacation. They both feel a lifetime away. I guess I still need that recognition and validation.

And there is nothing wrong with that. Is there?

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Alon Shalev writes social justice-themed novels and YA epic fantasy. He swears there is a connection. His latest books include: Unwanted Heroes and At The Walls Of Galbrieth. Alon tweets at @alonshalevsf and @elfwriter. For more about the author, check out his website.

The Fellowship of the Book

All our protagonists had them – a fellowship of loyal followers and friends, ready to put their lives on the line, to draw their swords in defense of the hero/ine, and to go off on dangerous missions or to pass on an important message.

What would we do without them? How would our characters cope bereft of true companionship? I have mentioned in the past the lure of universal values to the conventions of epic fantasy. We long to lose ourselves in some far off land, discover mythical creatures, embark on a noble quest.

Granted, but we also seek values that are part of our everyday aspirations: justice, truth, love, riches … and friendship.

Why am I writing about this? Last week, I somewhat frivolously criticized George R.R. Martin, author of the Game of Thrones series. I learned two things from the experience:

1) Mess with a great epic fantasy author if you want to boost the hits to your blog.

2) Mess with the followers of a great epic fantasy author at your peril.

My humble offering garnered 4-5 times the amount of hits of an average blog post (not that any of my posts are average, of course) and I received far more comments, many of which were retweeted and favored on twitter, some, I admit, by myself.

To those who accused me, a humble fantasy author, of being insanely jealous: I accept the charge.

To those who say people who criticize Martin’s long tomes suffer a short attention span, I say – next point.

And so it went on. To be fair, there were many who agreed with my pointed digs, and in the name of credibility, still faithfully open the next book in the series. I myself, despite honorable intentions to take a break having just concluded Book 4, read Sacre Bleu, the latest by one of my favorite authors, Christopher Moore, and having finished it, promptly started Book 5 – A Dance of Dragons.

What is clear is that, in the same way that we want to align ourselves to great fictional characters, we subconsciously swear fealty to their creators: the authors. I encountered fans of Mr. Martin, as loyal as Frodo’s gardener (well maybe not quite). They were ready to defend him to the hilt – even if they privately knew I was right. It is something very special about the people attracted to the genre.

The skeptical among them would probably accuse me again of jealousy: that I crave one day to have Wycaan Master followers as loyal as them. To my accusers I proudly say: Yeah. Darn right!

Have a great weekend,

Elfwriter

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Alon Shalev writes social justice-themed novels and YA epic fantasy. He swears there is a connection. His latest books include: Unwanted Heroes and At The Walls Of Galbrieth. Alon tweets at @alonshalevsf and @elfwriter.

Stand Up Fantasy Readers

I came out of the literature closet when I made the decision to find a way to have my Wycaan Master series published. My ego prevented me from using a pseudonym and I knew it was time to let the world know.

At first I kind of tagged a mumbled line into my elevator pitch: I write social justice-themed novels and also dabble in some fantasmmmm (imagine a hand rising in front of my mouth).

I was mortified when my boss’s wife turned to me one day and said her husband had told her I’m really into epic fantasy. I focused all my superhero strength on the ground opening up and swallowing me. Thankfully such talents are woefully non-existent because boss’s wife revealed with pride how she totally loves the genre and began reeling off her favorite authors and series. Then boss’s super-cool wife promptly sat on the stairs with my then 12-year-old son and talked for a half hour of their shared genre. He was beaming when I asked him how their conversation went.

I discovered that, as I assumed more confidence in sharing that I write in two genres, people began to share their love for epic fantasy. I found that there were plenty of fantasy nerds (Big Bang Theory, anyone?) but there are also many very cool people.

As I begin to frequent the forums, I discover people who are deep-thinkers, who follow and critically analyze plots, world building, and character development. In fact, having participated in a fair share of workshops, read how-to writing books, and listened to countless authors, I have found these threads to be as profound and educational as any.

Fantasy readers are connoisseurs in the true sense of the word – a person who is especially competent to pass critical judgments in an art, particularly one of the fine arts, or in matters of taste (dictionary.com).

Last week I quoted from a comment on a long You Tube thread (I was listening to the Hobbit soundtrack) full of comments, disagreements, and debate. The author is RobbieBjork17: “Holy Crap that was one_ of the most educated conversations I’ve ever read on youtube…. shoulda known it was going to be Tolkien Fans ;).”

He (or she) knew something I didn’t. But then what can you expect from a genre led by two British Oxford professors!

Now I wear my genre on the side of my car and when I pick up commuters every morning at the casual car pool and they ask me about the car magnet, I reply: “I am an author. I write in two genres: social justice themed novels and YA epic fantasy.”

And I say the last part without mumbling.

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Alon Shalev writes social justice-themed novels and YA epic fantasy. He swears there is a connection. His latest books include: Unwanted Heroes and At The Walls Of Galbrieth. Alon tweets at @alonshalevsf and @elfwriter.