Is The Grass Always Greener?

Between you and me, I’ve always been jealous and somewhat in awe of a dear friend who has a book contract with a major publisher and is a terrific writer. I never resented her achievements because I knew she worked hard to achieve her success, garnering attention through winning writing contests, traveling far and wide to speaker engagements, and generally being the lovely collaborative person that any publisher or agent would love to work with.

Games of Berkeley Question from Asif

So I was a bit shocked when I met up with her for coffee the other day and she told me how frustrated she was with the route she had taken. I have heard many doom-and-gloom writers who are disdainful of the conventional publishing route, but to be honest, I always thought they were bitter because their books hadn’t sold as much as they had dreamed, or they were frustrated at having their considerable talents spurned by agents or publishers.

Hearing about her feeling of inertia and entrapment (my words, not hers) made me appreciate the support and belief that my small-press publishers, (Three Clover Press for the Social Justice novels, and Tourmaline Books for the epic fantasy) despite their limited resources.

But I would be lying if, when I see the beautiful hardcover books of Terry Brooks or R.A Salvatore adorning the shelves of a bookstore, I do not dream of seeing my novels displayed next to theirs, or wonder which actor Peter Jackson will cast to play Seanchai or Ilana.

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 I am currently editing a magical realism manuscript with my writers’ group and have been wondering whether to try and find an agent or offer it to one of the small-presses that already support me. Every time I watch an episode of Game of Thrones or Legend of the Seeker, I decide that I will go that route.

But yesterday’s conversation had me reevaluating. I am not entirely free to initiate a particular marketing strategy and should check in with my publishers. But I always receive their blessings and usually some wise words that help me improve my idea. Most importantly perhaps, when I call, someone answers the phone. They know who I am and personally care about my writing career, not just their bottom line.

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How have you chosen such paths in your writing or career decisions? Would love to hear.

And yes, even though I have been saying for the past month and a half that it is only two weeks until the release of Sacrificial Flame, Wycaan Master Book 4…I wish to leave you with the breaking news… Only two wee– Okay. I have no idea, but I’m holding out for July. When it happens, I will let you (and the whole world) know! Promise!

 

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Good Writing.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, The First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

Last Week I Disappeared

It wasn’t my fault, any storyteller will understand. The problem is the 99% of the population (the readers and, in particular, those who have to live with the writer) when s/he becomes possessed.

You see there was a great battle, insurmountable odds, a powerful foe – not my fault that it happened on a weekend.

My emerging protagonist faced a terrible choice, needed to test her principles and ­– yes, I know it is a big religious festival, one of the most important days of the year for our family.

How would he cope with her death? How would he face the future without her and how would that change him? – Ah, grandparents, an aunt and cousin. Did you just arrive? Three hours ago…oops.

Writing the 1st novel - a family effort!

“Hey Dad – this is a FAMILY vacation!”

Usually the wife understands and can ground herself with a self-indulgent, if thoroughly deserving roll of the eyes. The kids think it is perfectly normal, or blatantly funny neither of which stops them from making fun of me.

I once sat engrossed at my desk (my back is to the front door), turned around and there were five kids, only one was mine, standing staring at me. The play date was at our house and five parents had dropped their kids off safe in the knowledge that a responsible parent was watching over them…yes, my wife was in the house. However, I think I learned how an exotic animal in the zoo feels, the children gawking and pointing. I’m surprised no one offered to feed me a peanut…probably worried about allergies.

At height of a battle, I once wrote five thousand words in one day. Apparently, I managed to snap at each member of my family who had the audacity to disturb me by asking for such trivial things as food, help with homework, to drive a child to a play date I had previously agreed to do. 

The scary part is that I have absolutely no knowledge of those interactions. Why would I? I was in the middle of a battle and you can’t just step out to make scrambled eggs. Imagine Eragon in the middle of a great fight needing a time out to dragonpool a group of offspring to soccer practice. I guess now we know why so few fantasy heroes have kids…and why so many parents write about fantasy heroes!

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What preceded the carpool?

Apparently, I don’t even have to be writing to disappear. It happens on road trips (I wish to thank the other driver’s consideration in avoiding me, by the way – I am not sure this can happen in the city). It happens on a coffee date with Mrs. Elfwriter and inevitably on a hike into the redwoods.

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Before I began writing At The Walls Of Galbrieth and the Wycaan Master series, I wrote a Pagan novel (A Gardener’s Tale) and two social justice-themed books (The Accidental Activist and Unwanted Heroes). While I became thoroughly invested in all my characters and the challenges they faced, I don’t recall that I disappeared. Still, I’m not sure how much I do remember when this sort of thing happens.

Still, I am relieved to know that I am not alone. Terry Brooks admits he is not all hereDad’s gone away again…although he admits that most of those close to him think he is weird.

I do suspect this is easier to explain when you are an A-list author like Terry Brooks. I think he is most likely to be fondly considered eccentric. For the rest of us, unfortunately, we are the ones people think are truly weird.

It’s a good thing that we are totally unaware when they stare and snigger. It’s a good thing we disappear…

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alonshalev.com and on Twitter (@elfwriter).

How Fantastical is Fantasy?

I mentioned previously that I am reading Sometimes The Magic Works by Terry Brooks. On Page 27 of this little book of great lessons, he writes how, as he struggled with his writing, he began to realize that he could not write the book in this world. “Everything I wrote had to remind readers of what they already knew, yet makes them take a second look at whether or not what they believed was really true.

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I’ve been thinking about this sentence a lot. The difference between epic fantasy and magical realism (think Game of Thrones – George R.R. Martin) is that the former transpires in a totally different world, whereas magical realism takes place in this world, but has elements of the unexplained – magic.

While the Wycaan Master series takes place in Odessiya, a mythical world, I kept it relatively easy to imagine, because I do not want the reader to struggle with my world building. Rather, I want them to focus on the characters and the plot, while still portraying a beautiful world.

Christopher Paolini does a wonderful job describing his land of Alagaesia, in stunning detail. He suggests his success in doing this is based on his love for the wild as he grew up in Montana. But again, his world is very easy to believe. When my family is on a road trip and are confronted by a beautiful vista, we point and declare: Alagaesia!

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I hope I have succeeded in portraying Odessiya as a beautiful land: full of great mountain ranges, deserts, forests, lakes and coast. I thoroughly enjoyed describing the ice worlds in the north and the forest of the Shanrea, but I never strayed from environments you can associate with on trips or the National Geographic channel.

When I sent Seanchai to the Elves of the West, I wanted to describe a rich world of mighty trees. Living in Northern California, I am in constant awe of the redwoods. My fictional bloodwoods are a tribute to these majestic giants and the name is meant to offer just enough to fill the reader with the images of redwoods. I wanted to offer an exotic setting with a connection to something known to the reader with just enough to be different.

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The age of a dozen pages of descriptions that J.R.R. Tolkien got away with no longer survives the red pen of the 21st Century editor. The publishers, facing rising costs of resources are loath to publish thick tomes, and the millennial reader does not have the patience to read several pages describing a small forest. My eldest son admitted to skipping descriptions after he had a clear picture in his mind and I am not completely unsure that I didn’t do this when I read Lord of the Rings back in the previous century.

That being said, the fantasy writer is challenged to offer opportunities for the reader to suspend belief as Brooks suggests. In his own prequels to the Shannara series, he sends us through post-apocalyptic California with humans and mutations. But the mutants are a result of the catastrophe that has all but destroyed the world. It is, tragically, not hard to take that leap of imagination, which again happens when he skillfully weaves in his elves.

Perhaps no one deserves more praise that he who blazed the trail and created a hobbit. There had never been a hobbit before Tolkien and yet it seems so familiar. Even ‘second breakfast’ and the family relations that Bilbo et al gets so worked up about, makes sense.

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The skill of the fantasy author is to create a world that the reader does not have to work hard to imagine and then to create something imaginative that allows us, because we have built trust between writer and reader, to suspend rational belief and embrace.

It is a subtle yet powerful tool that offers a rich layer to the world of epic fantasy. It is why readers flock to Terry Brooks, R.A. Salvatore and Christopher Paolini, and why those of us who walk in their shadows continue to cultivate our craft and build words, races and situations that are believably unbelievable.

Have a great week, everyone.

Elfwriter

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of GalbriethThe First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

Best Advice Ever – If You Can Quit…

There is a legendary quote that is circulating the twitterverse and bloggersphere from epic fantasy giant, R. A. Salvatore. When asked to offer one piece of advice to aspiring writers, he said:

If you can quit, you should do so. If you can’t quit, you are a writer.”

I accidentally came across the interview with the quote. The interview is by Brian Stern (thank you, sir) and the first 20 minutes in particular are, in my humble opinion, amazing. Here are the first 12 minutes. Hey, it’s Sunday! Take a break, make yourself a coffee, pour a glass of wine (or both, no one is watching) and give yourself at least 12 minutes for the first third.

Okay, I couldn’t resist. Here is the second 12 minutes.

It is amazing how Bob (may I call you Bob? I feel we’re pretty close after these interviews and having read about eight of your books) just becomes more enthusiastic with his characters as the series progresses. It feels like he truly pours all of himself into each book. What he wrote about his brother is simply stunning.

Something that I find fascinating is how he is challenged to find time to read and make his way through a series. He speaks about how authors influence each other and I think there is something very important here. I do feel that Salvatore, Terry Brooks, and more recently George R.R. Martin have had an influence on me. But I am not sure this is a bad thing.

Why not learn from the masters? Even if you are already a member of the elite fantasy A-list like Salvatore, are we not all trying to constantly improve?

Finally, here is the third and final part of the interview. There is a great part about the author’s interactions with his readers, something I discussed last week.

I know I only asked you for 12 minutes and gave you 36 minutes. I would apologize, but I don’t think actually feel sorry for doing this. Yeah, it’s 36 minutes you will never get back, but just maybe it will help and inspire you. Perhaps you just couldn’t quit!

But then if you cannot quit…read his books. Next time you go into a bookstore (yeah, they still exist), check out his amazing book covers. They are quite simply works of art. Amazing.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, The First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

 

 

 

 

 

 

 

All He Had To Say Was Thank You

There is an urban author’s myth of a now famous author in her undiscovered days – was it Janet Evanovich? – who spoke at a bookstore in a mall with pouring rain outside. She knew the audience would be sparse as the mall was empty, and to cheer herself up, she bought a box of chocolates from the store next door. 

Only four people turned up and she made them sit in a circle and gave them each a chocolate. They were silent as she spoke and read, and asked no questions. At the end three got up and left. The fourth thanked her and the author asked, rather desperately, if she wanted to buy a book. The woman laughed and said that all four were homeless, and just thirsted for a little culture so the bookstore allowed them to attend. The author felt compelled to give her a copy of her book and the rest of the chocolates.

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I recently went to a book reading of an author who is struggling to break through, like me. We had met a few times and I have offered advice at various stages. I dutifully spread the word of his book launch to my social and e-circles, attended the reading, and bought a book.

Not many people turned up and even less felt inclined to buy the book. He was disappointed and the bookstore staff was not too excited either. When I asked him to sign my book, he mumbled a weak thank you and scribbled. I don’t think he ever made eye contact with me, and I felt a profound sense of resentment.

This is reality for all but the 200 or so A-listers. The rest of us may have 50 people in attendance or 5. It is hit-or-miss and this is probably a significant reason why adopting an online marketing strategy makes sense.

To celebrate the first Wycaan Master trilogy and the Eric Hoffer Book Award, I held a celebration in my hometown at the iconic Games of Berkeley at the end of last year. There was a strong attendance, but I put a lot of time into advertising and most of those attending had already bought the books. It was not a good return on investment if I look at it through economic eyes alone.

 Games of Berkeley Question from Asif

But I loved doing it. I loved my friends who came and read parts, I loved the Q&A, especially the questions from the younger members of the audience, and most of all, I loved the conversations and the excitement of my readers – yes, for one afternoon they were all mine!

I sincerely hope that those who attended left happy and committed to my series and me. I especially hope that the young people were inspired to continue reading and, who knows, maybe put millennial quill to parchment. 

I have heard many times that my author-hero, Terry Brooks, is an inspiring author to meet. I hear he shares a conversation with everyone bearing books, and that he is a delight to be with. I can believe that after reading this passage in his book, Sometimes The Magic Works. He says that book signings are not about selling books or advancing your career. He say…oh why not just let him say it:

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Terry Brooks

“It is not in fact about you at all.

Rather, it is about making a connection between readers and books. It is about making readers feel so enthusiastic about books that they cannot wait to come back and buy more – not just copies of your books, but of other authors’ books, as well. It is about generating a feeling of goodwill toward the bookstore and the staff. Mostly, it is about reassuring everyone that they did not waste their time on you. 

How do you accomplish this? …

…Speak to everyone. Make them aware of the fact that you are grateful to be there, anxious to chat, and ready to answer questions if they have any. Never sign a book without looking at and speaking directly to the reader, and then thank them for choosing to take a chance on you.”

I think I have always thanked those who buy my books. To this day, when a stranger tweets me that they just bought one, I feel genuinely touched and honored that they spent their hard-earned money on my books.

Book Signing Games of Berkeley

And I thank them.

Maybe one day, someone will develop an app wherein I can put my hand through the screen and shake theirs as I thank them. Perhaps the 2.0 version will allow us to reach through and hug someone.

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The world would become a better place, for authors, readers and all humankind!

Have a great week,

Elfwriter

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alonshalev.com and on Twitter (@elfwriter).

 

Valentine’s Day – Epic Fantasy Style

What made the great world-builders of our time overlook such a special occasion? Was Valentine’s Day not celebrated in Middle Earth? Shanara? Odessiya?  Where does Terry Brooks,  R. A. Salvatore, Christopher Paolini, Robert Jordan and others stand on this?

Perhaps it is not a question of the author’s epic battles for love. Sometimes you have to look to the characters to take a bit of responsibility. How would they have gone about it?

Elves: the sophisticated romantics. On the special day, elves would often take their beloved on a romantic walk, deep into the ancient forests. Alone, they would visit a favorite pool, fed by a steady waterfall, with a noble white heron keeping watch from a rock nearby. Butterflies would hover over the water.

Each elf would produce a small flute and serenade each other. Then one would draw his (or her) intricately carved bow and shoot into a nearby tree. A shower of fragrant petals would fall around them, settling in their perfectly coiffured hair. The other would produce a carefully wrapped, gluten-free, artisan pizza, magically still warm and with crispy crusts.  They would recite poetry to each other, eat, and then bathe in the pool, coincidently illuminated by a full moon on a cloudless night.

Oh, to be an elf!

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Dwarves: The romantic dwarf is meticulous in her (or his) preparation for Valentine’s Day. The previous day is spent washing, conditioning, and combing their beards. Oh, those curly locks challenge even the most finely made comb.

A dwarven Valentine’s Day is all about the rocks. A conscientious romantic will travel deep into the mines to find the perfect gem and then forge a unique ring and necklace set, never seen before … since last Valentine’s Day.

The morning of Valentine’s Day, one often awakes to see their axe newly sharpened and oiled, the hilt freshly bound with clean leather or copper wire, the shaft gleaming. That night around a roaring fire, with an ox dripping grease into the flames, the dwarves consume tankards of ale and sing deep into the night. The songs, however, are not of mighty battles and bountiful treasures as they are every other night, sung as one mighty chorus. This night the dwarves sing only to their beloved, and the songs are of mighty battles, bountiful treasures, and furtive kisses for the hero (or heroine). The next morning, all you remember through the hangover is hazy and askew. But you still have the ring and necklace, and oh your axe is gleaming and so sharp!

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Humans: As Valentine’s Day approaches, the scribes of the mighty House of Hallmark are almost out of scrolls, quills, and ink, their arms limp from Carpel Tunnel Syndrome. They don’t complain, few have health coverage, but they have made their money. They bless the Great Goddess of Consumerism, though they will never quite appreciate the theology until the revelation of the Coming of the Internet. For now, electricity seems fantastical and visions of deluded priests, court jesters, and entrepreneurs.

The gardeners have been preparing all year. Every self-respecting knight requires a bouquet of at least 10 long-stemmed reds to fit over the tip of their lance, which they will offer to a sweet virgin in the admiring crowd. If she accepts the roses, then she replaces them with her silk ’kerchief, piercing it gently over the young knight’s lance tip. Many a young man has, at this point, fallen from his horse in anticipation. And the definition of virgin, it should be noted, is pretty relaxed in the world of fantasy.

After the obligatory jousting and archery competitions, the virgins retire to their rooms and surreptitiously peer over their balconies. After slaying dragons and defeating barbarian hordes on the battlefield, the young knights return, and once bathed, shaved and smelling of Old Spice, serenade the young virgins. They toss a twisted vine with grappling hook up to her balcony (many a venture capitalist squire made his fortune investing in the grappling hook industry). The virgin slides down, having practiced for hours how to keep her flowing dress from either ripping, getting dirty, or ending up awkwardly around her head. She lands sidesaddle on the knight’s noble steed. 

The rest of the evening: a dinner, movie, and long walk along the moonlit battlefield, gazing together upon the vultures and ravens picking the entrails of the vanquished, have passed from tradition into our everyday rituals.

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Pictorians: The pictorians (read Wycaan Master series for background, but not while on Valentine’s Day date) are very secretive about their romantic rituals. Court anthropologists believe the couple sneak off after the pictorye are asleep, both with gleaming weapons. Working in perfect synchronicity and without need for verbal communication, they bring down a wild buffalo bull, ripping its flesh with their bare hands and teeth, while feeding each other in a raw, bloody passion. The horns of the bull are carved out and used to toast the night with a dark beer imported from the mythical land of the Four-leafed Clover. 

The female pictorian then beats her mate unconscious with the two bull horns, drags him back to their ice homes, and has her way with him, which often includes skinning the buffalo and cleaning out the hearth, done but once a year by such mighty warriors. They are also expected to provide her with breakfast in bed, the Venti Mocha still steaming.

If you are still reading this post, you probably have a pretty good idea why our literary greats chose not to dwell on such rituals as Valentine’s Day. I would elucidate further, but my mate awaits with expectations high, and I have her axe to sharpen, parchment to gather, and, where did I put that vine…

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Happy Valentine’s Day to all.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of GalbriethThe First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

Elves in Coffee Shops – repost

Over the three days of November 17 -19, Amazon.com have decided to promote the 2013 Winner of the Eric Hoffer Book Award for YA – At The Walls Of Galbrieth. The novel will be offered FREE in ebook form.

This is a wonderful opportunity for me and I request that, to support my sales rank and me, you download the book and invites your friends to do the same. Feel free to gift it on (Thanksgiving and Hanukkah, anyone?).

To celebrate this and also the milestone of 100 blog posts on elfwriter.com, I wish to offer 10 of my favorite posts over the next three days. I hope you enjoy and, please, take a moment to download for FREE At The Walls Of Galbrieth and spread the word.

Thank you,

Alon

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It happened earlier this week in the Financial District of San Francisco. It was a rainy workday and I was sitting in a café editing Wycaan Master, my fantasy novel, when these two beautiful women entered. I’m a guy: I peeked, taking in their tightly, swept back hair, high cheek bones and narrow eyes, all accentuated by carefully applied makeup. They were both tall and thin.

Then I realized. I had been disappointed as my gaze moved to their ears. Their ears were not pointed!

I was shocked. I had really expected pointed ears? It’s this elf thing…it’s taking over. When I am writing a story I am absorbed…totally. Even when editing, I am completely caught up in the story. I can read an emotional scene a dozen times and still be moved to tears (Confession: I once cried during a Simpson’s episode, but that’s for another time).

However more recently I am taken when I see someone who might fit into my fantasy world. A walking stick becomes a staff, and I expect a short, bearded man to have an axe at his side, not an iPhone.

It is taking over.

I’m not the first to stumble down this route. In his excellent book about writing fantasy, Terry Brooks admits to disappearing into the world of Shannara.  Often it happens when he is at the dinner table or with family or friends. His eyes (so he is told) gaze into the distance and everyone understands.

Now Terry Brooks can get away with it for three reasons:

1) He is older and entitled to a senior moment.

2) He is a best-selling author and there is nothing like success to romanticize a little eccentricity.

3) He is such a mensch.

While I will one day be older, if the gods allow, the success isn’t assured. I am going to have to learn to curb my imagination, to stay in this world until sleep or time in front of a computer allows. A few glasses of single malt can also help.

But I don’t want to block it. My characters are part of my life, their challenges are my problems, and their triumphs are my successes. If I block them out just once, will they come back when I beckon them?

It’s tough living in two separate worlds, but I wouldn’t have it any other way.

Finally, it is St. Patrick’s Day. Did you know the Irish for whiskey is ‘Uisce beatha’, which literally means ‘water of life’?

Live Green My Friends.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alon-shalev.com and on Twitter (@elfwriter).

When Is An Elf Not An Elf?

Over the three days of November 17 -19, Amazon.com have decided to promote the 2013 Winner of the Eric Hoffer Book Award for YA – At The Walls Of Galbrieth. The novel will be offered FREE in ebook form.

This is a wonderful opportunity for me and I request that, to support my sales rank and me, you download the book and invites your friends to do the same. Feel free to gift it on (Thanksgiving and Hanukkah, anyone?).

To celebrate this and also the milestone of 100 blog posts on elfwriter.com, I wish to offer 10 of my favorite posts over the next three days. I hope you enjoy and, please, take a moment to download for FREE At The Walls Of Galbrieth and spread the word.

Thank you,

Alon

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WHEN IS AN ELF NOT AN ELF?

Yes, my novel is compelling, special, well-written etc. just like the 499 other epic fantasy manuscripts sitting in the slush piles of every publishing house that offers YA epic fantasy.

I am working with an agent who is asking the challenging and insightful questions that will help my manuscript stand out from the rest. It is tough and I am feeling very possessive. Last week I shared his prompting to seek a Higher Concept.

One of the aspects that he wants me to consider is changing my elves, who make up many of the main characters and cultural references. He suggests that I consider changing the elves for a new, mythical race that will set me apart from the rest.

Let me state from the outset that I have no doubt this man knows far more than I about the publishing world, has considerable experience and understands the current state of the publishing world.

But my elves? Our elves? Those of us who grew up on Tolkien, Paolini, Brooks and others, have standards, images, friends. Legolas and Anwen, Arya and Blodgarm, and many others have created a rich and familiar texture. We welcome them surfacing as we settle into a thick novel. We embrace them because there are common threads that pass between authors. We call it a culture, those who don’t read fantasy roll their eyes.

                               Noble Haldir – we owe him for Helm’s Deep, no?

Terry Brooks’ children know that he is not all there, he tells us as much when he opens his book Sometimes the Magic Works: Lessons from a Writing Life. More on this book in a later blog.

But Brooks in not dissimilar to the rest of us, just considerably more talented! We pass through a gate in our imagination and reacquaint in a world that exists in a shared consciousness.

Here the elves are tall, thin, light-footed and beautiful. They are fast and posses stealth and discipline. They are in touch with the energy of the earth, the forest, the animal kingdom. They excel in archery, crafts and healing. Perhaps they are aloof, elitist, and closed to the other races, but this comes from their ancient and rich heritage. We know and love them.

We rejoiced to learn that Peter Jackson is bringing Legalos into a prominent role in The Hobbit. Well, a few raised eyebrows, since Legalos was not even referred to by name in The Hobbit when he appeared flanking his father, the King of Mirkwood.

We accept, even with a bit of jealousy that he can fight at Helms Deep for five days, or run non stop for three and still not need to brush his immaculate hair. Nor do we care that his quiver seems to replenish itself, an occupational hazard of any archer who fights battles every other day.

We don’t mind because elves epitomize something that we identify with. We all want to be beautiful, brilliant, in excellent physical condition and, of course, environmentalists. When R.A. Salvatore created Drizzt Do’Urden and the dark elves of Menzoberranzan, a giant underground drow city-state he broke new ground.

Many of us were repelled and had it not been created in the hands of a master of fantasy, we would have rebelled. It was daring, it worked and by Book Three, we were rewarded with the typical elf one finds above ground.

It is tough to turn away from the basic tenets of epic fantasy: the teacher and student, the quest, the fight against a powerful evil, dwarves, elves, dragons, a rich natural world. There is something that has entered our collective consciousness and taken root.

It is why we read and reread the masters…and it is why we will return to read those who take over the role of entertaining us in a way that only epic fantasy does.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, offered by Amazon.com  for FREE on November 17-19. The sequel, The First Decree, and Ashbar – Wycaan Master Book 3 are all released by Tourmaline Books. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

Why Do Adults Gravitate To Young Adult Fiction?

I believe that more adults are reading the epic fantasy Wycaan Master series than young adults. I know there is a fair proportion of teenagers and even pre-teens reading, but judging by the emails, blog comments, and twitter responses, it is predominately adults. This is all despite the books being written for and with my children, which I describe here. It begs the question why are adults drawn to Young Adult (YA) books?

imgresI found this article by Kelly Johnson. In her post, she debunks the following statements (her words):

1. Our culture encourages an unnatural and prolonged adolescence 

2. YA books are escapist since you don’t have to look beneath the surface of them. They are easier to grasp.

3. Adults read YA because they aren’t able to read past a middle school or high school level because adults are getting dumber and dumber.

4. YA books are about hopefulness. Their problems aren’t really problems and they can be fixed. Also there’s always a happy ending, so it’s satisfying and fulfilling to adults. The characters are likable. 

5. Fill in the blank with your own justification here. Some examples may include: YA is all about first experiences; YA is nostalgia for adults; YA is cheaper than adult books and therefore more appealing to the wallet; and so forth.”

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I enjoyed Ms. Johnson’s fiery responses to these statements, but I felt let down when she finished with: “The only justification for why adults read YA books is this: they choose to. That’s it. That’s their reason. Adults read YA books because they as adults choose to do so.

I am disappointed. None of these reasons explain why an adult, working, raising a family, involved in a community, volunteering, following a sports team etc. would be so moved to take a few precious hours each day to sit and read, and then often reach out and engage with the author, fellow readers, come back to buy more books, and enter deep discussions online and at the pub.

Fiction is all about the plot, the characters, and the environment. It is true for John Grisham and Stephen King, and it is true for Terry Brooks, Christopher Paolini, and R.A. Salvatore.

When I read a John Grisham book, I am transported to Mississippi, to another time, and when I close the book at the end of a chapter, I worry about his characters and their choices. It is no different to George R.R. Martin who may kill off a few popular characters in the next chapter if he had a bad day.

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The issue, I think, is how we perceive YA. A young adult book means there is no sex, less violence and no profanity. There are certain boundaries not crossed if we want our youth to read them. But that is all it is. There is nothing here to prevent an adult from enjoying the book, unless you assume we are all sex-starved, violent, expletive-charged individuals, which would be sad, especially if this is how Hollywood and the mass media perceive us.

I am taking a few months break from the fourth Wycaan Master book to write an adult fantasy book.

I have not felt a need to raise the richness of language.

I have not made the characters deeper and more compelling.

I have not sought a more complex plot.

I have not deepened or diluted my world-building.

There are, to be honest, issues dealt with here that may be too dark to share with youth. I share a lot with my teen son, but would hesitate to share certain passages here. Characters deal with fears and obstacles that most of us who have children might not want them to read. There is sex and more graphic violence than in the Wycaan Master series, but that might yet get dialed down.

So what does make adults gravitate to YA novels? The problem is not with the answer. The question is simply wrong.

People read a story because it has a good plot, characters that the reader can bond with, a world that stimulates the imagination. This is the same for adults as it is for YA. YA is written within certain criteria in order to make them a safe space of teens. It certainly does not mean dumbing down or becoming predictable.

The discerning reader will be drawn to a book in their chosen genre simply because it is good: plot, characters, environment and strong writing.

A good novel is a good novel is a good novel…

So this seems like a good time to thank all of you who bought Ashbar – Wycaan Master Book 3 and any of my other novels. I read every blog comment, every tweet, every priceless review on Amazon.

Thank you. Thank you. Thank you. Have a great week.

elfwriter

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of GalbriethThe First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+ here.

Another Author Writes For His Sons

Just a short post that reflects a frantic week. I often surf YouTube for author interviews when making dinner or cleaning the kitchen. Often they are enlightening about an author’s writing craft or their personal connection to their work. Sometimes I uncover a gem.

This is a great clip of Neil Gaiman (you need about 20 minutes – so don’t do this at work. People might hear you laugh out loud and worry!). You have to admire him for his charisma, speaking skills, sense of humor, and well, for me that he write a story for his children.

Rock on Neil Gaiman.

I shared a great talk by Terry Brooks on this blog and also Terry Goodkind.

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Alon Shalev writes social justice-themed novels and YA epic fantasy. He swears there is a connection. His latest books include: Unwanted Heroes and the 2013 Eric Hoffer Book Award for YA – At The Walls Of Galbrieth. Alon tweets at @alonshalevsf and @elfwriter. For more about the author, check out his website.