My Secret

Apr6

Friday night, a Creative Writing Major asked me what was my ‘secret’. I like this question because I can respond that if I tell them, then it is no longer a secret. The truth is, it is not secret, and neither do I have any claim to originality. You will find these ideas in a dozen books and blogs.

What is important here is that they work for me. We are all different and live in different life circumstances. But I have three recommendations that I believe could resonate with others:

1) Write every day – writing is like working out. Go to the gym or wherever you work out every day and teach your body to expect it. Likewise, when you write every day, your brain settles into a groove and the process (like those bench presses) become more natural.

It helps me to set goals. I do this monthly and they are typed up and next to my desk. Keep them real and attainable.

What do you do when you finish your first novel? Begin to write your second. Have a glass of wine first to celebrate, by all means, but then get back into it.

Hit the gym and the keyboards every day.

2) Put yourself out there as a writer – if you don’t take yourself seriously, no one else will. Go to a writer’s group, a lecture circuit, conference, workshops, wherever there are writers. Become a member of the community. Start to think, act and behave like a writer (I’ll leave the details to you). Last night, at my non-profit’s annual fundraiser, I put my trilogy in the silent auction. Though I never hide my ‘other’ life, it was surprising how many students and donors came up to me and said: “I never knew…”

3) Learn the Craft – I know I have mentioned these books before, but I read annually. One is Stephen King’s On Writing, and the other is Sometimes The Magic Works by Terry Brooks. I believe that anyone who wants to write should read the former, and anyone who wants to be a fantasy writer (or a mensch) should read the second.

There is more to this point than just reading a How-To. Take an author who you admire and learn their work. Read their books first to enjoy a good story, but then read them again to understand their plot arc, character development, world-building, etc. Analyze what they do well and emulate. I do not mean copy. Take their techniques and blend with your imagination.

You might do well to apply this to how they sell their books. But here I would suggest a word of caution. Do not try to learn marketing from an A-list author. Choose someone who is five years ahead of you and follow them. Don’t come to me if you get a restraining order, I mean follow their online platform and certainly, if they are in town for a book reading or writer’s conference, then go.

A man I have my eye on (and I am referring to his success as an up-and-coming fantasy author) is Daniel Arenson, He has just released a new book – Requiem’s Song – congratulations sir. My youngest has just begun the first Requiem having heard my eldest and myself enthuse about it. He has hardly lifted his head from the book all weekend.

If my ‘secret’ doesn’t work for you, find someone else’s. I won’t be offended, I promise. While we are on the topic: Authors – What is your secret” Please share in the responses or consider a guest post here.

Have a great week everyone.

——————————————————————————————————

Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, The First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

Best Advice Ever – If You Can Quit…

Mar30

There is a legendary quote that is circulating the twitterverse and bloggersphere from epic fantasy giant, R. A. Salvatore. When asked to offer one piece of advice to aspiring writers, he said:

“If you can quit, you should do so. If you can’t quit, you are a writer.”

I accidentally came across the interview with the quote. The interview is by Brian Stern (thank you, sir) and the first 20 minutes in particular are, in my humble opinion, amazing. Here are the first 12 minutes. Hey, it’s Sunday! Take a break, make yourself a coffee, pour a glass of wine (or both, no one is watching) and give yourself at least 12 minutes for the first third.

Okay, I couldn’t resist. Here is the second 12 minutes.

It is amazing how Bob (may I call you Bob? I feel we’re pretty close after these interviews and having read about eight of your books) just becomes more enthusiastic with his characters as the series progresses. It feels like he truly pours all of himself into each book. What he wrote about his brother is simply stunning.

Something that I find fascinating is how he is challenged to find time to read and make his way through a series. He speaks about how authors influence each other and I think there is something very important here. I do feel that Salvatore, Terry Brooks, and more recently George R.R. Martin have had an influence on me. But I am not sure this is a bad thing.

Why not learn from the masters? Even if you are already a member of the elite fantasy A-list like Salvatore, are we not all trying to constantly improve?

Finally, here is the third and final part of the interview. There is a great part about the author’s interactions with his readers, something I discussed last week.

I know I only asked you for 12 minutes and gave you 36 minutes. I would apologize, but I don’t think actually feel sorry for doing this. Yeah, it’s 36 minutes you will never get back, but just maybe it will help and inspire you. Perhaps you just couldn’t quit!

But then if you cannot quit…read his books. Next time you go into a bookstore (yeah, they still exist), check out his amazing book covers. They are quite simply works of art. Amazing.

——————————————————————————————————

All He Had To Say Was Thank You

Mar23

There is an urban author’s myth of a now famous author in her undiscovered days – was it Janet Evanovich? – who spoke at a bookstore in a mall with pouring rain outside. She knew the audience would be sparse as the mall was empty, and to cheer herself up, she bought a box of chocolates from the store next door.

Only four people turned up and she made them sit in a circle and gave them each a chocolate. They were silent as she spoke and read, and asked no questions. At the end three got up and left. The fourth thanked her and the author asked, rather desperately, if she wanted to buy a book. The woman laughed and said that all four were homeless, and just thirsted for a little culture so the bookstore allowed them to attend. The author felt compelled to give her a copy of her book and the rest of the chocolates.

I recently went to a book reading of an author who is struggling to break through, like me. We had met a few times and I have offered advice at various stages. I dutifully spread the word of his book launch to my social and e-circles, attended the reading, and bought a book.

Not many people turned up and even less felt inclined to buy the book. He was disappointed and the bookstore staff was not too excited either. When I asked him to sign my book, he mumbled a weak thank you and scribbled. I don’t think he ever made eye contact with me, and I felt a profound sense of resentment.

This is reality for all but the 200 or so A-listers. The rest of us may have 50 people in attendance or 5. It is hit-or-miss and this is probably a significant reason why adopting an online marketing strategy makes sense.

To celebrate the first Wycaan Master trilogy and the Eric Hoffer Book Award, I held a celebration in my hometown at the iconic Games of Berkeley at the end of last year. There was a strong attendance, but I put a lot of time into advertising and most of those attending had already bought the books. It was not a good return on investment if I look at it through economic eyes alone.

But I loved doing it. I loved my friends who came and read parts, I loved the Q&A, especially the questions from the younger members of the audience, and most of all, I loved the conversations and the excitement of my readers – yes, for one afternoon they were all mine!

I sincerely hope that those who attended left happy and committed to my series and me. I especially hope that the young people were inspired to continue reading and, who knows, maybe put millennial quill to parchment.

I have heard many times that my author-hero, Terry Brooks, is an inspiring author to meet. I hear he shares a conversation with everyone bearing books, and that he is a delight to be with. I can believe that after reading this passage in his book, Sometimes The Magic Works. He says that book signings are not about selling books or advancing your career. He say…oh why not just let him say it:

Terry Brooks

“It is not in fact about you at all.

Rather, it is about making a connection between readers and books. It is about making readers feel so enthusiastic about books that they cannot wait to come back and buy more – not just copies of your books, but of other authors’ books, as well. It is about generating a feeling of goodwill toward the bookstore and the staff. Mostly, it is about reassuring everyone that they did not waste their time on you.

How do you accomplish this? …

…Speak to everyone. Make them aware of the fact that you are grateful to be there, anxious to chat, and ready to answer questions if they have any. Never sign a book without looking at and speaking directly to the reader, and then thank them for choosing to take a chance on you.”

I think I have always thanked those who buy my books. To this day, when a stranger tweets me that they just bought one, I feel genuinely touched and honored that they spent their hard-earned money on my books.

And I thank them.

Maybe one day, someone will develop an app wherein I can put my hand through the screen and shake theirs as I thank them. Perhaps the 2.0 version will allow us to reach through and hug someone.

The world would become a better place, for authors, readers and all humankind!

Have a great week,

Elfwriter

——————————————————————————————————

Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alonshalev.com and on Twitter (@elfwriter).

The Pressure To Produce – An Author’s Perspective

Mar16

Rarely does a week without me being asked when the fourth Wycaan Master book is coming out. Let me be very clear: I am absolutely chuffed (ecstatic in my new country’s vernacular) that people ask and truly humbled that readers care enough to ask and want the next installment.

Most of these questions come from young people, the generation of instant gratification. You click and you get it. It is hard to explain that it takes 5-6 months to write, a further 2-3 to edit, and another couple to publish. I have set a goal of a book a year, and I don’t believe I can produce more. Those who crank them out (or have others write for them) are, I suspect, doing themselves a disfavor, even if they sell well.

I can’t help thinking that unless you blindly follow a strict formula, there needs to be some creative downtime and an opportunity to mull over what has happened and where the series might be going. I’m trying to work a good wine or whisky analogy, but failing dismally. Everything needs to ferment and you need to burst into the next book, not start still breathless from the last climatic battle.

I am, however, waiting on two ‘next installments.’ The third Magicians book by Lev Grossman is due out in the fall and then there is that author I dare not mention who takes a couple of years to write each tome.

In total hypocritical mode, I have to say I am impatiently waiting for these books. It is really a compliment that readers bond with the characters and want to see how they develop.

But it is also pressure. The need to maintain a creative energy is perhaps akin to working out and keeping your body at a weight or suppleness that age and gravity take issue with. We know that our bodies react better when we work out regularly, and sometimes I think that it is the same with writing.

If I was to give one piece of advise to a beginning writer, it would be to cultivate a daily practice, whether writing a chapter of your novel or blogging, but not your shopping list. I only write a first draft of a novel in half a year, the other half as explained above is for editing, production and promotion.

While I embark on a novel with a lot of excitement there is also apprehension as I begin to work those creativity muscles and feel the soreness and fatigue. This feeling disappears as I settle into a rhythm and the plot reveals itself to me.

And if I have doubts, or feel lethargic, I always have those readers who earnestly ask: “When’s the next book coming out?”

——————————————————————————————————

Cinderella The Savage and Saruman The Sweet

Mar9

A common question that I field at readings is how/why I chose the name of a particular character? I find it surprising because I would never have thought to ask such a question of my favorite authors. Either I considered their names a perfect fit (and so never thought about it), or the author probably didn’t remain my favorite for long.

But it is a good question. A name, particularly for a protagonist or main character, is a significant part of the experience. If it appears ten times on every page and gets stuck in your throat, it is either a big problem or you need some lozenges on hand. And if we are talking about a series, then that character is going to be around for some time.

R.A.Salvatore, one of my role models and favorite authors, challenges us with his drows.

With the fourth Wycaan Master novel safely ensconced in the hands of my editor, I did what every author without a life or with a compulsive disorder does and began Book 5. My dear friends, Seanchai, Rhoddan and Sellia, have appeared in every book, so we are closing in on a half million words by the time I finish this one. I am trying to restrain myself from discovering how many times each name has appeared.

Having attended a number of events with people who have actually read my novels (they exist!), I discovered that everyone pronounces Seanchai differently. I am particularly proud of his name and love being asked why I chose it. In Celtic culture, a Seanchai was a traditional storyteller and, in my books, the Wycaan magic that our protagonist learns is based upon words and stories.

While providing what I hope is a cool answer, I see in their expressions how it is difficult that people struggle to say or hear. I am, of course, the worst offender. My non-existent Celtic notwithstanding, I have spend a good part of my life in the Middle East, where we sound like we are clearing our throats every time we put a ch together. It can be unsettling at first, because you flinch thinking the person is about to spit on you. but a serious ch is essential to the language and I worked very hard to master it.

More locally, I discovered people use che as in the name of the Cuban revolutionary. At a recent event, two friends decided to help me with a more interactive reading, each taking different parts, and each inevitably pronouncing Seanchai differently. We had a blast, but I wonder how those in the audience who had not read any of the series coped.

I guess it doesn’t really matter until the movie comes out right? And by that time, pronouncing his name will be the last thing on this elated author’s mind. Slightly more realistically, I would love to produce an audio book since I derive such pleasure from them on my long, daily commute.

Ironically, I have no idea where the name Rhoddan came from, I really don’t. I was looking for something that suggested stability and loyalty – go figure – but I feel the name fits perfectly. Certainly, the upside is that everyone agrees on how to pronounce his name, so hey, he can stay alive…for now!

The Greeks deserve credit for conveying much about their characters through names. Zeus is truly a name fit for a god and the king of the gods at that. And how would you react if your daughter told you that she was dating a dude named Hades or Loki? Lock her in her room, I’m sure. Thor sounds like a badass, and Aphrodite – well, best I leave that to your own imagination.

Moving to our own gods, and I think the old professor did a pretty good job all round, particularly with his hobbits. Bilbo Baggins is already lovable and you have only seen his business card. Friendly, courteous, and clearly one who drinks tea, eats Second Breakfast, and has a clean handkerchief in his pocketsss along with, of course, a ring of apocalyptic power. Who doesn’t these days?

Tolkien did so well naming his hobbits – see this awesome list – and he nailed it with Gollum. If a name conveys considerable information, we understand that this is one twisted fella, with a name that just sticks in your throat.

Ilana, since you ask, comes from the Hebrew for tree. I chose this quite deliberately as I was looking for something stable, beautiful, and important to the existence of the characters around her. Alon means oak in Hebrew, so you see I have an affinity with trees, and At The Walls Of Galbrieth was conceived in a beautiful ancient redwood forest.

The names of minor characters is also important as an author spends more limited time extrapolating their characteristics. Since they appear and disappear so often, you want these names to be remembered and to also convey something about the characters. Certainly, when you have over a thousand characters stretching over several hefty tomes, yes I’m talking about you, Mr Martin, this becomes especially challenging.

There is an advantage when reading ebooks, that you can search back to find references to a character, but this is impossible in an audiobook, and while a glossary of characters is helpful to flick through in most circumstances, it is not recommended while driving and listening to the audio book. App anyone?

What is your favorite name for an epic fantasy character? Which author shines at their selection? And which character does not fit the image you imagined from the name?

——————————————————————————————————

Valentine’s Day – Epic Fantasy Style

Feb14

What made the great world-builders of our time overlook such a special occasion? Was Valentine’s Day not celebrated in Middle Earth? Shanara? Odessiya? Where does Terry Brooks, R. A. Salvatore, Christopher Paolini, Robert Jordan and others stand on this?

Perhaps it is not a question of the author’s epic battles for love. Sometimes you have to look to the characters to take a bit of responsibility. How would they have gone about it?

Elves: the sophisticated romantics. On the special day, elves would often take their beloved on a romantic walk, deep into the ancient forests. Alone, they would visit a favorite pool, fed by a steady waterfall, with a noble white heron keeping watch from a rock nearby. Butterflies would hover over the water.

Each elf would produce a small flute and serenade each other. Then one would draw his (or her) intricately carved bow and shoot into a nearby tree. A shower of fragrant petals would fall around them, settling in their perfectly coiffured hair. The other would produce a carefully wrapped, gluten-free, artisan pizza, magically still warm and with crispy crusts. They would recite poetry to each other, eat, and then bathe in the pool, coincidently illuminated by a full moon on a cloudless night.

Oh, to be an elf!

Dwarves: The romantic dwarf is meticulous in her (or his) preparation for Valentine’s Day. The previous day is spent washing, conditioning, and combing their beards. Oh, those curly locks challenge even the most finely made comb.

A dwarven Valentine’s Day is all about the rocks. A conscientious romantic will travel deep into the mines to find the perfect gem and then forge a unique ring and necklace set, never seen before … since last Valentine’s Day.

The morning of Valentine’s Day, one often awakes to see their axe newly sharpened and oiled, the hilt freshly bound with clean leather or copper wire, the shaft gleaming. That night around a roaring fire, with an ox dripping grease into the flames, the dwarves consume tankards of ale and sing deep into the night. The songs, however, are not of mighty battles and bountiful treasures as they are every other night, sung as one mighty chorus. This night the dwarves sing only to their beloved, and the songs are of mighty battles, bountiful treasures, and furtive kisses for the hero (or heroine). The next morning, all you remember through the hangover is hazy and askew. But you still have the ring and necklace, and oh your axe is gleaming and so sharp!

Humans: As Valentine’s Day approaches, the scribes of the mighty House of Hallmark are almost out of scrolls, quills, and ink, their arms limp from Carpel Tunnel Syndrome. They don’t complain, few have health coverage, but they have made their money. They bless the Great Goddess of Consumerism, though they will never quite appreciate the theology until the revelation of the Coming of the Internet. For now, electricity seems fantastical and visions of deluded priests, court jesters, and entrepreneurs.

The gardeners have been preparing all year. Every self-respecting knight requires a bouquet of at least 10 long-stemmed reds to fit over the tip of their lance, which they will offer to a sweet virgin in the admiring crowd. If she accepts the roses, then she replaces them with her silk ’kerchief, piercing it gently over the young knight’s lance tip. Many a young man has, at this point, fallen from his horse in anticipation. And the definition of virgin, it should be noted, is pretty relaxed in the world of fantasy.

After the obligatory jousting and archery competitions, the virgins retire to their rooms and surreptitiously peer over their balconies. After slaying dragons and defeating barbarian hordes on the battlefield, the young knights return, and once bathed, shaved and smelling of Old Spice, serenade the young virgins. They toss a twisted vine with grappling hook up to her balcony (many a venture capitalist squire made his fortune investing in the grappling hook industry). The virgin slides down, having practiced for hours how to keep her flowing dress from either ripping, getting dirty, or ending up awkwardly around her head. She lands sidesaddle on the knight’s noble steed.

The rest of the evening: a dinner, movie, and long walk along the moonlit battlefield, gazing together upon the vultures and ravens picking the entrails of the vanquished, have passed from tradition into our everyday rituals.

Pictorians: The pictorians (read Wycaan Master series for background, but not while on Valentine’s Day date) are very secretive about their romantic rituals. Court anthropologists believe the couple sneak off after the pictorye are asleep, both with gleaming weapons. Working in perfect synchronicity and without need for verbal communication, they bring down a wild buffalo bull, ripping its flesh with their bare hands and teeth, while feeding each other in a raw, bloody passion. The horns of the bull are carved out and used to toast the night with a dark beer imported from the mythical land of the Four-leafed Clover.

The female pictorian then beats her mate unconscious with the two bull horns, drags him back to their ice homes, and has her way with him, which often includes skinning the buffalo and cleaning out the hearth, done but once a year by such mighty warriors. They are also expected to provide her with breakfast in bed, the Venti Mocha still steaming.

If you are still reading this post, you probably have a pretty good idea why our literary greats chose not to dwell on such rituals as Valentine’s Day. I would elucidate further, but my mate awaits with expectations high, and I have her axe to sharpen, parchment to gather, and, where did I put that vine…

Happy Valentine’s Day to all.

——————————————————————————————————

They Grow Up So Fast

Feb2

One day they are suckling at the nipple of your opening chapters and then, before you know it, your little manuscript is all grown up and running out the door, into the critical embrace of the editor.

It was the same for your eldest, Book 1, and also for Book 2 and Book 3, but you are never as prepared for this moment as you think. You smile to yourself through welling tears, remembering its first word: Prologue.

You relish the memory, but must return to the present. What do you say, what wisdom can you impart as they turn to face you one more time? Look upon it well. It will never return the same. The time you never think will happen is upon you.

“Go,” you say, your voice cracking. “Be careful. Stay true to your plot, to the storyline I passed on to you. Look after your characters for they are your family now. Oh, and always track changes. And don’t forget to save every few minutes. Always back up at the end of the day and floss before you go to sleep.”

For a fleeting moment the young manuscript stares up at you, revealing its understanding of the gravity of this sacred moment. Wordlessly, it asks if this is the right time.

You stroke its spine, muss its pages and sigh. “She’s a good editor. She cares about you and she will make you a better manuscript. You will feel lighter, tighter, and ready to face the readers who will pore over your every word.”

And the manuscript gulps and nods, not because it believes you, but because it trusts you. You brought it into the world, typed its first words, worried over its development and story arc. When it was sick or faltered, you were beside it, cutting and pasting, making the necessary changes so that it could one day fulfill its destiny.

And then it turns to go, now only an attachment. You type in the editor’s email address and click the button you always dreaded: Send.

Now you sit and stare at the blank screen, swallow hard and wonder what to do with your time. You have no choice. Be strong. This is a circle of life thing. Your fingers hover over the keyboard. The computer holds its breath. And then you type:

Book Five: Prologue…

Dedicated to my editor, Monica Buntin, and all who are brave enough to edit author’s books and lives!

—————————————————————————————————

Why Do Adults Gravitate To Young Adult Fiction?

Nov4

I believe that more adults are reading the epic fantasy Wycaan Master series than young adults. I know there is a fair proportion of teenagers and even pre-teens reading, but judging by the emails, blog comments, and twitter responses, it is predominately adults. This is all despite the books being written for and with my children, which I describe here. It begs the question why are adults drawn to Young Adult (YA) books?

I found this article by Kelly Johnson. In her post, she debunks the following statements (her words):

1. Our culture encourages an unnatural and prolonged adolescence

2. YA books are escapist since you don’t have to look beneath the surface of them. They are easier to grasp.

3. Adults read YA because they aren’t able to read past a middle school or high school level because adults are getting dumber and dumber.

4. YA books are about hopefulness. Their problems aren’t really problems and they can be fixed. Also there’s always a happy ending, so it’s satisfying and fulfilling to adults. The characters are likable.

5. Fill in the blank with your own justification here. Some examples may include: YA is all about first experiences; YA is nostalgia for adults; YA is cheaper than adult books and therefore more appealing to the wallet; and so forth.”

I enjoyed Ms. Johnson’s fiery responses to these statements, but I felt let down when she finished with: “The only justification for why adults read YA books is this: they choose to. That’s it. That’s their reason. Adults read YA books because they as adults choose to do so.

I am disappointed. None of these reasons explain why an adult, working, raising a family, involved in a community, volunteering, following a sports team etc. would be so moved to take a few precious hours each day to sit and read, and then often reach out and engage with the author, fellow readers, come back to buy more books, and enter deep discussions online and at the pub.

Fiction is all about the plot, the characters, and the environment. It is true for John Grisham and Stephen King, and it is true for Terry Brooks, Christopher Paolini, and R.A. Salvatore.

When I read a John Grisham book, I am transported to Mississippi, to another time, and when I close the book at the end of a chapter, I worry about his characters and their choices. It is no different to George R.R. Martin who may kill off a few popular characters in the next chapter if he had a bad day.

The issue, I think, is how we perceive YA. A young adult book means there is no sex, less violence and no profanity. There are certain boundaries not crossed if we want our youth to read them. But that is all it is. There is nothing here to prevent an adult from enjoying the book, unless you assume we are all sex-starved, violent, expletive-charged individuals, which would be sad, especially if this is how Hollywood and the mass media perceive us.

I am taking a few months break from the fourth Wycaan Master book to write an adult fantasy book.

I have not felt a need to raise the richness of language.

I have not made the characters deeper and more compelling.

I have not sought a more complex plot.

I have not deepened or diluted my world-building.

There are, to be honest, issues dealt with here that may be too dark to share with youth. I share a lot with my teen son, but would hesitate to share certain passages here. Characters deal with fears and obstacles that most of us who have children might not want them to read. There is sex and more graphic violence than in the Wycaan Master series, but that might yet get dialed down.

So what does make adults gravitate to YA novels? The problem is not with the answer. The question is simply wrong.

People read a story because it has a good plot, characters that the reader can bond with, a world that stimulates the imagination. This is the same for adults as it is for YA. YA is written within certain criteria in order to make them a safe space of teens. It certainly does not mean dumbing down or becoming predictable.

The discerning reader will be drawn to a book in their chosen genre simply because it is good: plot, characters, environment and strong writing.

A good novel is a good novel is a good novel…

So this seems like a good time to thank all of you who bought Ashbar – Wycaan Master Book 3 and any of my other novels. I read every blog comment, every tweet, every priceless review on Amazon.

Thank you. Thank you. Thank you. Have a great week.

elfwriter

——————————————————————————————————

Big Characters Without Big Boobs

Oct28

Last week I asked in my blog post, 10 Questions For J.R.R Tolkien, what questions people would like to ask the Professor if they had the opportunity. The answers were great, but one stood out for me.

A person with the twitter username @oneyearnovel (happy to enter your name and website) wrote: “I would ask if he ever considered a woman character who was not beautiful?”

This got me wondering. When I began looking around for a book cover artist and shared my concept of Mhari, an elfe (the politically correct term for a female elf) and Seanchai’s teacher, I was offered sketches of buxom women with cleavage-revealing armor, muscled (bare) legs etc. You get the picture. I talk about this in an earlier post – Big Boobs and Book Covers. While these images might have sold more copies of At The Walls Of Galbrieth, the pensive, wise face that adorns the cover truly represents the wise, yet world-weary mentor for my protagonist, Seanchai.

I don’t in truth know if @oneyearnovel is correct that Tolkien’s females in his books are all beautiful, or if this is Peter Jackson pandering to what he believes his Hollywood audience wants. I have not read Lord of the Rings in years and can’t even recall a female in the Hobbit.

Tolkien students: please enlighten us on this in the comments.

There are three main female characters who each leave an indelible mark on the first four books of the Wycaan Master series. Sellia is dark, exotic and beautiful, but she is also an excellent warrior and probably fits the stereotype. While I never talk about her breasts, hips etc. (this is YA), she intimidates the younger male elves and has them stuttering. She makes a game of eliciting a blush from Rhoddan or Seanchai.

Ilana is tough, an ideologue, constantly seeking a peaceful solution and offering Seanchai her unwavering support. As a romance blossoms she is viewed for her beauty, but it is seen through the eyes of one who is falling in love with her. Don’t we doting men all think our wives/partners are the most beautiful women in the world? Of course mine really is!

But Ilana is possibly the most popular character among readers, certainly female readers. It is not anything physical about her that binds the reader to her, but her deep principles, cutting sense of humor, and well just about everything else concerning her.

Maugwen is a human, short and pudgy. She is a weak character at first and I never meant to give her a long run. But she grows, matures and becomes a wise friend and strong individual. Readers have told me that she intrigues them and, just between us, she intrigues me.

We don’t make all our male characters handsome and ripped, so why our females? I think @oneyearnovel has a great point. Society expects us to bind ourselves to a pretty woman, and in truth, this goes for good or bad characters, but fiction has a responsibility to not only change with the times, but to be present at the tipping edge of that change.

It is very popular to write a coming-of-age novel. Perhaps it is time for our genre to come of age.

——————————————————————————————————

I Didn’t Mean To Kill Her

Sep24

I swear I didn’t. She is beautiful, funny and has a wicked repartee. My protagonist might be a bit wooden, excusable given all the tragic events he has gone through and the overall mission he is on. He is moody, serious, but very good at killing the bad people. While he has great depth, she lightens him up.

And I’m going to miss the sex. She is as creative in this realm as she is with her comments.

It was an accident. Really.

An assassin came to kill the prince. The protagonist chased him all over the castle battlements. They both had bows and shot at each other from some really cool angles, or while jumping or falling. I had a great time and if there are any video game designers out there, it will make a great video game addition to the movie (oh, and if there are any producers out there…).

So the good guy and the baddie are running and jumping, and I’m having a ball as my fingers speed around the keyboard. Suddenly they find themselves face-to-face with the prince and my aforementioned heroine.

Now all this had been planned, in as much as I thought of the chase while at the gym in the morning. What came next surprised even me.

Hero does a neat role and kills assassin, who gets off a shot at the prince. Sexy woman dives on the prince and takes the arrow herself.

Ooops!

I am staring at the screen. My reflexes press save and I curse that holy ethic that pompous authors such as myself are wont to say over a Merlot in a party (it would be legit to imagine mine accompanied by an English accent, acquired at birth, cultivated for maximum pretentiousness: “Oh yes, I let the story guide me.”

Kind of like my protagonist and the prince, I am now staring at her prone, slight body, red hair splayed around her, and blood ominously seeping from her chest.

It was time to pick up my youngest from school. As we walked home, he asked if I was okay. “I have a problem,” I said and described the above scenario.

“Of course you can change it,” my 10-year-old says. “It’s your story,” and he spent the whole walk home offering various scenarios from his vivid imagination.

Sometimes it takes a child to add proportion. My fantasy woman will live… for now at least. I’m old enough to know I am not master of my own destiny, but I’ll be buggered if I cannot be master of my own muse.

So tonight I will make the necessary changes. And if the critic cops point fingers at me, I’ll just hold up my hands: “But… I didn’t mean to kill her.”

——————————————————————————————————

Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, Wycaan Master Book 1 and The First Decree, both released by Tourmaline Books. Ashbar – Book 3 – is due for release in October 2013. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter).

Elfwriter

A Fantasy Author

Tag Archives: author

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: