No One Died and I’m Disappointed.

No One Has Died and I find myself disappointed. Have I Become So Corrupted?

I blame George R.R. Martin. I am on the fifth book of a series that is widely considered a classic by epic fantasy fans – If you want to know which, feel free to hook up with me on Goodreads – and I am beginning to find it really hard going.

I am trying to work out why this is. The world building is fantastic, and the characters are very compelling. This series has won multiple awards and turned a generation onto the genre. The Internet abounds with discussion groups, artwork, jewelry, collectible cards, and even a board game.

The series lacks two things and I am embarrassed to admit that I am missing them. The first is sex, or at least sexuality. Sure everyone sounds very attractive, but seem to blush when a dress comes above the knee. Now, I respect a society that values modesty, but in every other aspect, this is a dangerous world with bad folk, extreme circumstances, and a lot of opportunity for more than noble romance. We delve deep into the souls of these characters, but burn me (yes a hint!), if just a bit of cleavage is shown then everyone blushes and flees for cover or avert their eyes. Sorry, Master Author – no teenage boy is going to do anything less than gawk when confronted by three beautiful women in skimpy negligees.

The second aspect that is beginning to bug me is that no hero or heroine seems to die, and I am really not expecting it as I approach the end of Book Four (I also read the prequel if you are counting). Please no spoilers if there are any!!!! But we seem to have fit into a rather comfortable pace and rather predictable story arc.

But here is what is really bugging me. I read, no devoured, The Hobbit and Lord of the Rings, and there is neither anything remotely sexual (no matter the noble efforts of Peter L. Jackson), nor do any of our major characters die – with all due respect to Boromir and Haldir.

So what has changed? Me? Of course not! I am as full of self-denial as the next man. And so I point the finger at George R.R. Martin: plenty of sex (not particularly healthy I wish to note) and plenty of main characters dying.

Now I have killed my share of protagonists in The Wycaan Master series – I Didn’t Mean To Kill Her and Oops! Just Killed A Friend – and I have neither enjoyed the criticism I have endured for my efforts nor got over the personal sense of loss that each death inflicted on me (let alone the character), but somehow I now crave that tragic turn, expect it, even anticipate it.

What has happened to me? Have I lost my (fantasy) innocence? And what shall I read while waiting for the next Game of Thrones?

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and three more novels in the Wycaan Master Series: The First Decree, Ashbar – Wycaan Master Book 3, and Sacrificial Flame – all released by Tourmaline Books. From Ashes They Rose, the fifth in the series, will be released in September 2015. The story continues.

Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

Crumbs of the Great Craft Masters

Jan18

I want to give credit to Toby Hewson who gave me this idea: What I learned from the Gods of Fantasy? I have learned from many authors, not just the craft masters, but this post will focus on the select few.

Terry Pratchett taught me about invention of an old theme. He created a world that was fantastical and yet so familiar. His satirical approach to Discworld was always engrossing and we welcomed familiar themes as they surfaced among the new ideas in each new novel.

George RR Martin taught me about depth of character in supporting roles. There is no excuse for making every single character special or unpredictable. It does not have to happen immediately, but when a character steps from the limelight to center stage, we are enthralled, but not totally surprised. This is a huge task for anyone and Martin does it with a thousand characters. I have mentioned before how much I have learned from him. Okay, I have also taken his name in vain, but I am full of respect for him.

Stephen King taught me about simplicity of language and being accessible to readers. I am too much of a wimp to appreciate his stories, but On Writing is my writing Bible, and required reading…annually.
J.R.R. Tolkien taught me the opposite. It is possible to write elaboration, flowery, delightful fantasy prose. Can you describe a forest in three pages? Y’betcha and they will even make it into a movie or six. Tolkien also taught me the importance of giving my fantasy world a sense of history and leveraging that throughout the saga.

Terry Brooks taught me about having a well-worked story that had no loose ends or unnecessary scenes so the story flows. Brooks also has built a rich history of his world – Shannara – and a genealogy that excites his many followers. Again, his writing is very balanced between plot (action) and character development. He has the ability to give a strong and distinctive voice to each of his main characters.

Terry Goodkind is edgy without going over-the-top. His stories are simpler, but he adds little traits to make his characters familiar to us and a great job bonding us to them.

R.A. Salvatore taught me to create a rich world and non-stereotypical characters. His first Drizzt book takes place underground and is so impressive. I remember being blown away by it. I have not been disappointed going forward.

There is much we can learn from these masters of our craft, but the most important one is READ, READ, READ.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and five other Wycaan Master books all released by Tourmaline Books. The link above takes you to the Kindle versions. For all other eReaders, please click here.

More at http://www.alonshalev.com and on Twitter (@elfwriter).

Walking Away From A Fantasy Series

Nov23

I have heard others talk about the difficulty of finishing writing a series, of tying up loose ends, of sad partings and death, glorious battles and victories. However clear your plot line is, it is difficult to turn your back on characters who have walked with you on the paths of fiction for five or ten years.

When I finished the first draft of Book Five during the summer, the plan had been to edit and rewrite and then send out to my editor by the end of October. What actually happened was that I plunged straight into Book 6 and now, three months later, I am writing the final third of the book: the climax and end of the series. My publisher knows that a February launch date is mere fantasy (excuse the pun), but given that they are more used to authors who get writers block and stop writing, my uncontrollable urge to write is hardly seen as much of a disaster.

However, I am finding the final third of Book 6 so difficult to write and it is a strange feeling. There are many storylines to tie up and it occurs to me that perhaps it is better to write the sixth book before locking down the fifth.

The conclusion of a series is a huge responsibility and radically different from finishing one novel. There are many reasons why a series is easier than individual standalone stories and many reasons why it is harder.

But beyond anything, and first and foremost is the multiple strands of plot, is the commitment between author and character, and this truly weighs me down. I have written before about killing off characters but even dead they remain part of the story.

I hope to finish the first draft of Book 6 by the end of the year. Thirty thousand words in forty-five days with Thanksgiving and the Christmas holiday season included is not daunting in terms of output. But this time it feels different and a steeper mountain to climb.

I am wondering if other authors feel the same way? The Professor went on after Lord of the Rings to write two more tomes, though George R.R. Martin seems relieved to soon finish. How do you feel, a reader or writer of series’, when you approach the end of an era?

Enough pontificating. another 30,000 words to write!

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Happy Hobbit Day!

Sep21

To celebrate Hobbit Day tomorrow (the birthdays of both Bilbo and Frodo), I would like to share a post I wrote two years ago after the first Hobbit movie came out. There is so much depth in the Hobbits’ simple characters, especially in relation to the others around them – wizards, kings, princes, elf lords etc., that it is an amazing tribute to Tolkien how he weaved these unassuming and lovable creatures into our psyches. This was my tribute to the old professor after the movie.

Happy Hobbit Day!

THERE ARE NO SPOILERS ABOUT THE MOVIE IN THIS POST.

Last week I blogged about my expectation that a new generation were about to embark on an unexpected journey into the world of epic fantasy as they sat and watched the first Hobbit movie.

I mentioned with pride how my teenage son, moving into social independence, chose to see the movie with me rather than his friends. My first fantasy novel (and the three others to a lesser extent), At The Walls Of Galbrieth, was a joint project, and I identify our mutual love for the genre as one more log to grab as he flows down the river of manhood.

We sat next to each other and whispered and compared experiences. It was everything a father could hope for.

But it was with my youngest son (10 years old) with whom I had an unexpected experience. I wish to thank the movie theatre for failing to fix the armrest between us (why does this never happen on a date?). We were able to push it up and out of the way and for three hours, we cuddled together as we watched the movie.

While my older son leaned over and whispered whenever he wanted to, I could actually feel my youngest son’s reaction by his body language. I was intrigued. I felt when he tensed, when he was amazed, when he was sad, and when he laughed.

Other people - didn't think my fellow movie-goers would appreciate the flash!

Other people – I didn’t think my fellow movie-goers would appreciate the camera flash in the middle of the movie!

As we made our way home after the movie, my youngest enthusiastically told me about how we should incorporate this or that into the fourth Wycaan Master novel. I think the Tolkien Estate might sue if we did what he was suggesting, but for the moment, I just basked in his enthusiasm.

Another epic fantasy lover. I’m not the greatest father, I know. But this evening I felt I had done my job.

Finally a shout out to Stephen Colbert. Depending on your politics, you may or may not enjoy his nightly show. But he is undoubtedly impressive with his ability to be satirical and hold his own with very high-level guests.

But he outdid himself with a week of tribute to The Hobbit. Turns out, Mr. Colbert is a major Tolkien fan. His elfish sounds polished, and his knowledge of The Professor’s work is awesome.

Colbert and Sir Ian McKellen (Gandalf)

Check him out on You Tube – he has a different cast member as guest each night.

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Alon Shalev is the author of At The Walls of Galbrieth, Book 1 of The Wyccan Master series, which reached the Quarter Finals of the Amazon Breakthrough Novel Award 2012, released by Tourmaline Books. The First Decree, the sequel is due out in early 2013. Shalev is also the author of three social justice-themed novels: Unwanted Heroes, The Accidental Activist and A Gardener’s Tale. More on Alon Shalev at http://www.alonshalev.com and on Twitter (@elfwriter).

Will My Stories Be My Legacy?

Aug10

This post is dedicated to a dear friend and poet, Al Levinson, who just passed away after a long struggle with cancer, refusing to compromise on his retirement dream as he traveled around America in his old RV. Al was a constant source of encouragement and support for many, myself included. His belief in my vision provided a consistent source of strength when my proverbial quill went dry or my doubts threatened to drown me.

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I wonder if the ‘Old Professor’ looks down from his study in the skies as people continue to fall in love with Middle Earth, with his elves and dwarves, his noble humans, and of course, his brave and lovable hobbits. What does he think as he puffs on his pipe and stares from the heavens at the people who annually watch his trilogy of Lord of the Rings, and who attend conventions to argue nuances of hobbit genealogy? Is he baffled that the quartet of geniuses from The Big Bang Theory is so in awe of him? (I just watched, perhaps for the sixth time, the episode with the ring … excuse me – The Ring).

I recently met a young man who is, I think 11 or 12 years old. He has read the first three novels of the Wycaan Master series, and his first question was when Sacrificial Flame would be released. He then proceeded to tell me what he thought should be in the book, sharing stunning detail from the first trilogy. I probably sounded like a bumbling fool to him and his mother, but in truth, I was reeling from the astounding grasp this young man has on the geography of Odessiya, of the culture of each race (he knew in his mind exactly what a pictorian looks like – I don’t), and the trials and tribulations they have gone through, including so many minor threads.

The fusion of my family’s summer ritual to watch the Lord of the Rings and now The Hobbit, the passing of my friend Al, me turning fifty, and hearing this young man’s enthusiasm, awakened in me a desire to create a legacy, not only as a conscientious soul mate and father, a decent human being, and a good friend to all, but absurdly, that my characters will not go to the grave with me.

Perhaps it is a symptom of my acknowledgement of my own finiteness, having just turned fifty this summer, but there has emerged a powerful aspect of my writing: that I am creating something that will outlive me, and perhaps in the eyes of future generations, define me. Will my stories become my legacy?

Professor Tolkien might, at best, be bemused at the desire of grown men and women to dress up as Arwen and Legalos, Bilbo and Gollum at every excuse, or while he might scratch his head when we vigorously argue the merits of including a (formally nonexistent) female character being invented for The Hobbit movie. But I wonder does his chest swell up with pride when his grandchildren and great-grandchildren, proudly hold his books and tell their friends that “Tolkien was my grandfather”?

I can’t speak for the ‘old professor’, but I hope one day to peer down through the clouds and see my grown sons, sitting around the camp fire with their offspring as we do each summer, telling the stories of Seanchai and Shayth, Mharina and Senzia. As their children yawn, struggling to stay awake, and beg for just one more chapter, my sons will close the book and say: “Let me tell you about the storyteller. He was your grandfather and I helped him write these stories…”

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Rest in peace, Al. We are many who were touched by your kindness and will carry your inspiring torch forward for future generations. I hope that, as you look down from the heavens, you see this as your legacy.

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Al Levinson RIP

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, The First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. His latest novel is Sacrificial Flame, the fourth in the series. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

How Fantastical is Fantasy?

Apr13

I mentioned previously that I am reading Sometimes The Magic Works by Terry Brooks. On Page 27 of this little book of great lessons, he writes how, as he struggled with his writing, he began to realize that he could not write the book in this world. “Everything I wrote had to remind readers of what they already knew, yet makes them take a second look at whether or not what they believed was really true.”

I’ve been thinking about this sentence a lot. The difference between epic fantasy and magical realism (think Game of Thrones – George R.R. Martin) is that the former transpires in a totally different world, whereas magical realism takes place in this world, but has elements of the unexplained – magic.

While the Wycaan Master series takes place in Odessiya, a mythical world, I kept it relatively easy to imagine, because I do not want the reader to struggle with my world building. Rather, I want them to focus on the characters and the plot, while still portraying a beautiful world.

Christopher Paolini does a wonderful job describing his land of Alagaesia, in stunning detail. He suggests his success in doing this is based on his love for the wild as he grew up in Montana. But again, his world is very easy to believe. When my family is on a road trip and are confronted by a beautiful vista, we point and declare: Alagaesia!

I hope I have succeeded in portraying Odessiya as a beautiful land: full of great mountain ranges, deserts, forests, lakes and coast. I thoroughly enjoyed describing the ice worlds in the north and the forest of the Shanrea, but I never strayed from environments you can associate with on trips or the National Geographic channel.

When I sent Seanchai to the Elves of the West, I wanted to describe a rich world of mighty trees. Living in Northern California, I am in constant awe of the redwoods. My fictional bloodwoods are a tribute to these majestic giants and the name is meant to offer just enough to fill the reader with the images of redwoods. I wanted to offer an exotic setting with a connection to something known to the reader with just enough to be different.

The age of a dozen pages of descriptions that J.R.R. Tolkien got away with no longer survives the red pen of the 21^st Century editor. The publishers, facing rising costs of resources are loath to publish thick tomes, and the millennial reader does not have the patience to read several pages describing a small forest. My eldest son admitted to skipping descriptions after he had a clear picture in his mind and I am not completely unsure that I didn’t do this when I read Lord of the Rings back in the previous century.

That being said, the fantasy writer is challenged to offer opportunities for the reader to suspend belief as Brooks suggests. In his own prequels to the Shannara series, he sends us through post-apocalyptic California with humans and mutations. But the mutants are a result of the catastrophe that has all but destroyed the world. It is, tragically, not hard to take that leap of imagination, which again happens when he skillfully weaves in his elves.

Perhaps no one deserves more praise that he who blazed the trail and created a hobbit. There had never been a hobbit before Tolkien and yet it seems so familiar. Even ‘second breakfast’ and the family relations that Bilbo et al gets so worked up about, makes sense.

The skill of the fantasy author is to create a world that the reader does not have to work hard to imagine and then to create something imaginative that allows us, because we have built trust between writer and reader, to suspend rational belief and embrace.

It is a subtle yet powerful tool that offers a rich layer to the world of epic fantasy. It is why readers flock to Terry Brooks, R.A. Salvatore and Christopher Paolini, and why those of us who walk in their shadows continue to cultivate our craft and build words, races and situations that are believably unbelievable.

Have a great week, everyone.

Elfwriter

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, The First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

Happy Birthday, Professor Tolkien

Jan3

Everyone should have a mentor, a leader they look up to, someone who, when they are faced with a dilemma consider: What would XXX do? That person might be a religious leader, a youth leader, a teacher … or a professor.

A month ago, on another blog, I spoke of the loss I feel for Nelson Mandela and describe his influence at various times of my life. But I have another hero, not one who would, I am sure, compare himself to Madiba, but a man I think about all the time when writing. If I am faced with an issue in one of my books, I pause and try and imagine what a certain old Oxford professor would advise me to do.

The old professor is, of course, J.R.R. Tolkien, author of The Hobbit, Lord of the Rings, and others. His books are legendary, his world-building stunning, and his ability to create languages simply mind-boggling.

But often what people forget is that Tolkien seemed, on the outside at least, to be anything but a fantasy writer. He was an academic, a somewhat stiff Englishman, a traditionalist, a Christian, and a war veteran. One fine summer day, he was rather bored marking term end papers when someone had inadvertently inserted a blank page.

Tolkien, without much thought, scribbled on the white paper the famous words: In a hole in the ground there lives a hobbit…

And he went on to change the world of epic fantasy forever. He should have realized what he was doing, for as he warned dear Frodo: “It’s a dangerous business, Frodo, going out your door. You step onto the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.”

Today, J.R.R. Tolkien is, I believe, in a pub up there in heaven, celebrating with his illustrious friends from The Inklings and raising a glass to celebrate his 122^nd birthday.

In the Lord of the Rings, Bilbo celebrates his eleventy-first birthday, so it is only fitting to wish Tolkien a very happy twelvety-first birthday and to sing him Happy Birthday in elvish, the language he created, one word at a time. Thank you to Petri Tikka for this rendition!

So please, wherever you are, take a moment, pour yourself a glass of whatever does it for you and raise it to the following song:

Happy Birthday Professor – Oronnad meren allen!

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, The First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter). Hang out with Alon on Google+

Guest Post – Author Lisa Fender

Dec22

My guest today is author Lisa Fender. She has co-written the fantasy novel, Fable – Book 1 of The Lorn Prophecy with her sister which is, in itself an amazing story. Author, J.E Rogers described Fable “as a wonderful book that combines, fantasy, with young adult romance. Lisa Fender, and Toni Burns, have deftly created a new world, another dimension. This well written fantasy will take its readers on an exhilarating ride to this other dimension. It is another world that young people will easily identify with, and enjoy.”

Lisa exudes a love for everything epic fantasy, so I was not surprised when she chose to write about why she finds it so enthralling.

Lisa and Toni: sisters in creative collusion

Lisa: I have been a fantasy freak for as long as I can remember. Ah, to be taken away to another world where dragons roam and Dryads peek at you from behind (or within) the trees. And, when I am immersed in a fantasy world and I read the last book in the trilogy, quadrilogy, or even twelve-part series, and the story(ies) end…argh! Agony!

I live and breathe fantasy fiction and when I decided it was time for me to write the story dancing around in my head, it had to be in the genre of…epic fantasy, of course! But, the question was: How to make mine different? To achieve this, I looked to my personal passions.

My inherent love for our planet and wildlife, and concern over how our species seems bent on destroying both, gave me my inspiration. This in turn, gave rise to the idea of the Djen.

Djen are my take-off of the Genie. Don’t think of a genie in a bottle, or “I Dream of Jeannie”. Instead my Djen are a race of beings in a parallel dimension. They have but one purpose: watch over the planet and keep nature in balance. Of course, perfection cannot come without conflict, in the form of a faction who creates turmoil for the Djen and the series’ main character, Stevie Barrett.

I started putting pen to paper back in 2009. After a couple of years—not simply writing, but additionally educating myself in the craft—I asked my sister, Toni, to with help me with revisions. At the time I had hired a writing coach and we discovered that my sister’s experience with journalistic and business-style writing was not the same as creative writing. The two of us began to learn the craft together.

After a short while, Toni started to offer suggestions and became my sounding board to bounce off ideas. This led to our coming up with scenarios and directions for the book and characters that neither one of us had considered. Together we made the story more intriguing and exciting. She too, fell in love with the characters and the Djen world. I finally decided to ask her to be my co-writer and I haven’t looked back. We are ecstatic about publishing our first book in the series, Fable, and look forward to continuing our partnership.

Writing the series together has truly brought us closer. Sure we fight once in a while, all sisters do, but not about the stories or the way we write together. We have a system and even though some have said to me that I’m giving away my power, I disagree. I love writing together.

Most of the basic story is written by me, and then the two of us go over each line and clean it up. We discuss ideas together and decide which way we want the story to go. We complement each other’s writing strengths and skills. It works well.

Fable, Book 1 of the Lorn Prophecy has been in print since spring of this year, and we have completed a side book/compendium novel: Fated, Book 1 of the Djenrye Chronicles. We are now working on the second book in the Lorn Prophecy series: Lore. In essence, I have gone from being immersed in the fantasy worlds of other writers to creating one of my own!

What books and worlds do you like get lost in?

I have the complete joy of living in Golden, Colorado with my husband, Rick, and our yellow lab mix, Branch. I love hiking, camping and enjoying the mountains and wildlife which provides so much of my inspiration. I don’t have some fabulous degree or a plethora of literary courses behind me, I am literally the waitress that wanted to write a book.

Thank you, Alon, for having me as a guest on your blog! It is truly an honor. I do so share your love for the classic fantasy fictions—J.R.R. Tolkien, George R. R. Martin—as well as J. K. Rowling’s Harry Potter – and your finding your inspiration in the world around you.

Want to know more about Lisa and her work? Here are her social media links:

Fable – Book 1 of The Lorn Prophecy

Fated – Book 1 of The Djenrye Chronicles

Lisa’s Blog

Fanpage

Twitter

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, The First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com, on Twitter (@elfwriter) and on Google+.

The Gods Of Fantasy – repost

Nov17

Over the three days of November 17 -19, Amazon.com have decided to promote the 2013 Winner of the Eric Hoffer Book Award for YA – At The Walls Of Galbrieth. The novel will be offered FREE in ebook form.

This is a wonderful opportunity for me and I request that, to support my sales rank and me, you download the book and invites your friends to do the same. Feel free to gift it on (Thanksgiving and Hanukkah, anyone?).

To celebrate this and also the milestone of 100 blog posts on elfwriter.com, I wish to offer 10 of my favorite posts over the next three days. I hope you enjoy and, please, take a moment to download for FREE At The Walls Of Galbrieth and spread the word.

Thank you,

Alon

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Pass a summer evening in a quaint English pub, mid 20th century, perhaps in the old town of Oxford. Caress a pint and listening to a few graying professors discuss semantics, philosophy, and the ancient languages long forgotten outside the sheltered walls of academia. What else can one possibly ask for?

Imagine these tweed-clad, pipe-smoking academics, hatching more than another challenging semester to try the greatest minds of this fair isle. Each is a king in the making or, more accurately, a kingmaker. For they direct more than the destiny of kings and noble houses. They raise kingdoms and conquer lands. They build great dynasties, bring whole species back from the mists of extinction, and set those of noble birth and principle to stand against evil.

Sip your beer, mull over the words, much of which you might not understand. Dwarves, elves, of course: but hobbits? Marsh-wiggles? Listen as the professors strategize great battles, masterfully marshalling unicorns, dragons, giants, minotaurs and proud ents.

You slowly realize that you sit among the Gods, the creators of Middle Earth and Narnia, who hold court on Tuesdays at midday in a local public house. Perhaps it is The Eagle and Child, or The Lamb and Flag across the street. They read each other’s work and offer critique as writer’s groups have for centuries and continue to do so today.

I may never have understood much or been accepted into such an elite. They would have torn my work to shreds on grounds of philological shallowness (I had it checked – it’s not contagious), criticized me for imprudently suggesting that a 100,000 word novel can serve as more than merely an introduction.

They would have demanded richer world-building – take twenty pages to describe a forest, I dare you – unyielding heroes, and infallible plots. They would have challenged the age-old legends dressed up in fictional costumes, and raised an eyebrow at some of the language or innuendos.

Most likely, I would never have dared reveal my stories to the old professors of Oxford, to the most famous writing group in history. I would never have been more than a fly on the wall at a meeting of The Inklings, but would have returned week after week to sit at the feet of the Gods and hear their banter.

For here the Gods gave birth to great worlds and left them as a legacy to us and to our children, long after they departed this world. Every Wednesday night, I sit around a table in a coffee shop in Berkeley, sharing work with other aspiring authors and wonder: do the Gods look down upon us from Writers Heaven?

Do they tut and shake their heads at our adverb addiction, our unwillingness to kill our darlings? Or do they even now move pieces around the literary chessboard. Protect the king! Advance the knights! Who, I wonder, are the pawns?

As we write a new book, a new chapter, do we not imagine the Gods walk among us? Do they peer over our shoulders at our swanky writing machines, judging every word we write, every world we build?

The Gods once sat in an old English pub. Now they stand behind us in coffee shops and at kitchen tables, urging us on, watching us walk the path they forged, taking on the quest they started.

For the Gods still walk among us and inside of us. The stories have been told but must be told again in different ways to a different generation. We sign these books in our own names, but humbly acknowledge those who molded us in their image as storytellers.

And now they are the flies on the wall and we who pound the keyboards. Take a moment, draw another pint, and raise your glass:

To the Gods of Fantasy!

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, offered by Amazon.com for FREE on November 17-19. The sequel, The First Decree, and Ashbar – Wycaan Master Book 3 are all released by Tourmaline Books. More at http://www.alon-shalev.com and on Twitter (@elfwriter).

Big Characters Without Big Boobs

Oct28

Last week I asked in my blog post, 10 Questions For J.R.R Tolkien, what questions people would like to ask the Professor if they had the opportunity. The answers were great, but one stood out for me.

A person with the twitter username @oneyearnovel (happy to enter your name and website) wrote: “I would ask if he ever considered a woman character who was not beautiful?”

This got me wondering. When I began looking around for a book cover artist and shared my concept of Mhari, an elfe (the politically correct term for a female elf) and Seanchai’s teacher, I was offered sketches of buxom women with cleavage-revealing armor, muscled (bare) legs etc. You get the picture. I talk about this in an earlier post – Big Boobs and Book Covers. While these images might have sold more copies of At The Walls Of Galbrieth, the pensive, wise face that adorns the cover truly represents the wise, yet world-weary mentor for my protagonist, Seanchai.

I don’t in truth know if @oneyearnovel is correct that Tolkien’s females in his books are all beautiful, or if this is Peter Jackson pandering to what he believes his Hollywood audience wants. I have not read Lord of the Rings in years and can’t even recall a female in the Hobbit.

Tolkien students: please enlighten us on this in the comments.

There are three main female characters who each leave an indelible mark on the first four books of the Wycaan Master series. Sellia is dark, exotic and beautiful, but she is also an excellent warrior and probably fits the stereotype. While I never talk about her breasts, hips etc. (this is YA), she intimidates the younger male elves and has them stuttering. She makes a game of eliciting a blush from Rhoddan or Seanchai.

Ilana is tough, an ideologue, constantly seeking a peaceful solution and offering Seanchai her unwavering support. As a romance blossoms she is viewed for her beauty, but it is seen through the eyes of one who is falling in love with her. Don’t we doting men all think our wives/partners are the most beautiful women in the world? Of course mine really is!

But Ilana is possibly the most popular character among readers, certainly female readers. It is not anything physical about her that binds the reader to her, but her deep principles, cutting sense of humor, and well just about everything else concerning her.

Maugwen is a human, short and pudgy. She is a weak character at first and I never meant to give her a long run. But she grows, matures and becomes a wise friend and strong individual. Readers have told me that she intrigues them and, just between us, she intrigues me.

We don’t make all our male characters handsome and ripped, so why our females? I think @oneyearnovel has a great point. Society expects us to bind ourselves to a pretty woman, and in truth, this goes for good or bad characters, but fiction has a responsibility to not only change with the times, but to be present at the tipping edge of that change.

It is very popular to write a coming-of-age novel. Perhaps it is time for our genre to come of age.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, The First Decree, and Ashbar – Wycaan Master Book 3 – all released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter).

Elfwriter

A Fantasy Author

Tag Archives: J.R.R. Tolkien

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